Age, Biography and Wiki
Claude Closky was born on 22 May, 1963 in Paris, France, is a French artist. Discover Claude Closky's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 60 years old?
| Popular As |
N/A |
| Occupation |
N/A |
| Age |
60 years old |
| Zodiac Sign |
Gemini |
| Born |
22 May 1963 |
| Birthday |
22 May |
| Birthplace |
Paris, France |
| Nationality |
France
|
We recommend you to check the complete list of Famous People born on 22 May.
He is a member of famous artist with the age 60 years old group.
Claude Closky Height, Weight & Measurements
At 60 years old, Claude Closky height not available right now. We will update Claude Closky's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
| Family |
| Parents |
Not Available |
| Wife |
Not Available |
| Sibling |
Not Available |
| Children |
Not Available |
Claude Closky Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Claude Closky worth at the age of 60 years old? Claude Closky’s income source is mostly from being a successful artist. He is from France. We have estimated Claude Closky's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
artist |
Claude Closky Social Network
Timeline
Claude Closky (born 22 May 1963) is a French Contemporary Artist who lives and works in Paris, France.
He entered the ENSAD (Ecole National Supérieure des Arts Décoratifs) in 1982, but quit at the end of the first year to co-found The Ripoulin Brothers, a street artist collective, with Bla+Bla+Bla, Nina Childress, Jean Faucheur, Pierre Huyghe, Manhu, Ox, Trois carrés.
In 1988, he left the group to develop his independent work, using voluntarily poor means such as drawing and printed matter.
He has participated in the Biennials of Lyon (1995), Sydney (1996), Taipei (2000), València (2001), Sharjah (2005), Venice (2017).
Closky won the "Grand prix des Arts plastiques" (1999) and the Marcel Duchamp Prize (2005) awarded by the ADIAF.
Dike Blair wrote in Artforum Magazine that "The lightness of Closky's art belies the depth of its absurdist heredity. Working in a post-modernist mode, Closky's art works combine aspects of the Situationists, Fluxus, Beckett, Tall, Daniel Buren, and Andy Warhol."
Claude Closky has no formal training as a visual artist.
In 2000, the Mudam (Luxembourg Art Museum) commissioned him to conceive and manage its website, for which he made a magazine and a gallery dedicated to the internet.
The site was launched at the Luxembourg Pavilion in the 2001, Venice Biennale.
Since 2005, he has taught at the École nationale supérieure des Beaux-Arts in Paris.
In 2012, he curated This & There, an exhibition to celebrate the tenth year of the Pavilion, Palais de Tokyo Laboratory for Creation (Paris) which presented the work of 74 artists in 74 different spaces.
He has curated in 2020 X at the Frac Pays de la Loire and in 2023 Offset at the Centre des livres d'artistes.
The work of Claude Closky is mainly immaterial.
Language is his model to articulate images, text, numbers, and sounds collected in our environment, or made in his studio.
Although Closky is reluctant to produce objects and spectacular effects, his work still addresses issues about visibility and space appropriation.
Claude Closky's projects always find alternative ways to emancipate themselves from the formats imposed by the sites where they are exhibited.
He seeks to point out the contradictions of our contemporary society and its representations, but also to question the role of art as producer of a cultural consensus and set of values.
His works confront and question our environment, the conditions and benefits of artistic production, its relation to an audience.
