Age, Biography and Wiki
Aleksandra Mir was born on 1967 in Lubin, Poland, is a Swedish-American contemporary artist (born 1967). Discover Aleksandra Mir's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 57 years old?
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| Age |
57 years old |
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| Born |
1967 |
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| Birthplace |
Lubin, Poland |
| Nationality |
Poland
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We recommend you to check the complete list of Famous People born on .
She is a member of famous artist with the age 57 years old group.
Aleksandra Mir Height, Weight & Measurements
At 57 years old, Aleksandra Mir height not available right now. We will update Aleksandra Mir's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Not Available |
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Aleksandra Mir Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Aleksandra Mir worth at the age of 57 years old? Aleksandra Mir’s income source is mostly from being a successful artist. She is from Poland. We have estimated Aleksandra Mir's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
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Not Available |
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Not Available |
| Source of Income |
artist |
Aleksandra Mir Social Network
Timeline
Aleksandra Mir (born 1967) is a Swedish-American contemporary artist known for her large scale collaborative projects and for her anthropological methods, involving rigorous archival research, oral history and field work.
Her work deals with travel, time, placehood, language, gender, identity, locality, nationality, globality, mobility, connectivity, performativity, representation, transition, translation and transgression.
Mir was born in Lubin, Poland in 1967.
Her Polish citizenship was revoked during the 1968 Polish political crisis.
She holds dual Swedish-American citizenship.
She grew up in Sweden, where she studied at the University of Gothenburg.
For Newsroom 1986–2000 (2007), Mir with a group of assistants copied 240 NYC tabloid covers in felt-tip marker and mounted them in an ever-revolving installation to simulate the daily workings of a Manhattan newsroom.
Mir has created a series of large scale murals using only Sharpie marker pens.
In Triumph she collected 2529 trophies from the general public of Sicily and exhibited them all in one installation at the Schirn Kunsthalle, Frankfurt (2009).
She moved to the United States in 1989 to attend the School of Visual Arts in New York and studied cultural anthropology at the Graduate Faculty of the New School for Social Research.
In First Woman on the Moon (1999), Mir converted a Dutch beach into a moonscape for one day with the help of bulldozers.
In 2002, Mir painted the Mandela Way T-34 Tank pink with Cubitt Artists.
Mir lived in Palermo, Sicily from 2005 to 2010.
She has exhibited at Kunsthaus Zurich (2006), Tate Modern, London (2014), Tate Liverpool (2017), Modern Art Oxford (2017), Schirn Kunsthalle, Frankfurt (2009), M – Museum Leuven (2013), Whitney Museum of American Art (2014), Solomon R. Guggenheim Museum (2007), MoMA, New York City (2012), YUZ Museum, Shanghai (2018), Whitney Biennial (2004), Biennale of Sydney (2002), Biennale di Venezia (2009), Mercosul Biennial, Porto Alegre (2015), Tai Kwun Contemporary, Hong Kong (2020), and Inhotim, Belo Horizonte (2021).
The How Not to Cookbook, (Collective Gallery, Edinburgh, 2009 and Rizzoli, NYC 2010) collected advice from 1,000 home cooks from around the world who explained what not to do in the kitchen.
It traveled to the South London Gallery for the London Olympics in 2012.
Mir has created Plane Landing, a real size helium inflatable jet plane, meant not to fly, but to hover above the ground as "a sculpture of a jet plane in a permanent state of landing".
. In 2023 Kunsthaus Zurich acquired the work for its permanent collection, having previously staged it at the tarmac of the Zurich airport.
The video of this event has been presented at multiple venues, at the International Space University, Strasbourg and at the UK Space Conference, Liverpool, 2015.
