Age, Biography and Wiki

Heath Bunting was born on 1966 in United Kingdom, is a British artist. Discover Heath Bunting's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 58 years old?

Popular As N/A
Occupation Artist
Age 58 years old
Zodiac Sign N/A
Born 1966
Birthday
Birthplace United Kingdom
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on . He is a member of famous Artist with the age 58 years old group.

Heath Bunting Height, Weight & Measurements

At 58 years old, Heath Bunting height not available right now. We will update Heath Bunting's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Heath Bunting Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Heath Bunting worth at the age of 58 years old? Heath Bunting’s income source is mostly from being a successful Artist. He is from United Kingdom. We have estimated Heath Bunting's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Artist

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Timeline

1966

Heath Bunting (born 1966) is a British contemporary artist.

Born in 1966, Bunting became active in the contemporary art world in the 1980s.

1990

Based in Bristol, he is a co-founder of the website irational.org, and was one of the early practitioners in the 1990s of Net.art.

Bunting's work is based on creating open and democratic systems by modifying communications technologies and social systems.

His work often explores the porosity of borders, both in physical space and online.

1992

On his then-website Cybercafe.org, founded in 1992, Bunting posted the phone numbers to all of the public phones and encouraged his followers to do one of the following: call in a pattern, call at a certain time, call and speak to a stranger, or show up and pick up the telephone.

Bunting used his website as an informative source to let his readers know how to partake in his project.

When 5 August arrived, Bunting went to King’s Cross to pick up telephone calls.

Many people called in and he witnessed as casual passers-by engaged in conversations with strangers who were perhaps halfway across the world.

The project brought people together, if only for a few brief moments, to create a network through the communication medium of telephones.

In Digital Humanities, a class by Professor Michael Shanks at Stanford University, the project is described: "the train station was transformed into an art platform and the unsuspecting commuters and workers in the area became the audience."

This is an early example of a flash mob and instigating action through a then-passive medium.

Bunting's work has been compared to the work of Allan Kaprow, one of the pioneers in performance art.

1994

In 1994, he planned to open the first cybercafe in London with Ivan Pope, however they were beaten to it by Cyberia.

On Friday, 5 August 1994, Bunting orchestrated a scheme that involved many people calling public phones in and in the surrounding area of London King's Cross railway station.

1996

In 1996, he co-founded the website irational.org with Daniel García Andújar, Rachel Baker, and Minerva Cuevas.

It was on the site where Bunting first displayed his internet art works as part of the Net.art project.

1997

In 1997, his online work Visitors Guide to London was included in the 10th documenta curated by Swiss curator Simon Lamunière.

An activist, he created a dummy site for the European Lab for Network Collision (CERN).

1998

Created in 1998, _readme.html is a work of net.art: a simple web page with a white background and light grey text taken from an article about Heath Bunting.

A vast majority of the words are hypertext, but not all.

As coded for by simple HTML attributes, hyperlinked words turn from grey to black once visited.

In Own, Be Owned or Remain Invisible, Bunting makes use of appropriation.

The work utilises an article about Heath Bunting written by James Flint of The Telegraph.

Instead of presenting the article in its traditional form, Bunting links nearly every word to [insert word].com and alters the color-scheme of the document as per his white-on-white period.

Some of the linked domain may have been owned in the past twelve years, but are no longer owned any more, thereby touching on the transience of Internet ownership.

Bunting's work also shows the range of banal or absurd domain names that companies have purchased.

Not all words in the article are hyperlinked, however.

Through these unclaimed words he spells out how the article touches on his own identity.

1999

Between 1999 and 2009, Bunting hosted the Pirate Listening Station which allowed visitors to the site to tune and listen in to London pirate radio stations.

It is an early example of an online listening station.

2002

Commissioned by the Tate Gallery and the Luxembourg-based Fondation Musée d'Art Moderne Grand-Duc Jean (Mudam) in 2002, BorderXing details ways to cross international borders throughout Europe without legal documentation.

It provides video, photography, maps, and necessary materials on the project website.

It demonstrate how to succeed without being located by dogs, and when not to run to avoid being shot.

There is even a supplemental botanical guide so you can avoid poisonous plants.

Bunting reveals that restriction of movement set in place by governments and bureaucracies.

The project shows not only the restriction of physical borders, but the concept that the internet is not a borderless space.

Bunting limits access to the project.

You must be at a designated location to access the site or apply to be an authorized client.

2004

Commenced in 2004, The Status Project taps into the themes of identity, hierarchy, and power.