Age, Biography and Wiki
Walter Darby Bannard was born on 23 September, 1934 in New Haven, Connecticut, U.S., is an American abstract painter and professor (1934–2016). Discover Walter Darby Bannard's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 82 years old?
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Age |
82 years old |
Zodiac Sign |
Virgo |
Born |
23 September, 1934 |
Birthday |
23 September |
Birthplace |
New Haven, Connecticut, U.S. |
Date of death |
2 October, 2016 |
Died Place |
Miami, Florida, U.S. |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 23 September.
He is a member of famous painter with the age 82 years old group.
Walter Darby Bannard Height, Weight & Measurements
At 82 years old, Walter Darby Bannard height not available right now. We will update Walter Darby Bannard's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
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Not Available |
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Walter Darby Bannard Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Walter Darby Bannard worth at the age of 82 years old? Walter Darby Bannard’s income source is mostly from being a successful painter. He is from United States. We have estimated Walter Darby Bannard's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
painter |
Walter Darby Bannard Social Network
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Timeline
Walter Darby Bannard (September 23, 1934 – October 2, 2016) was an American abstract painter and professor of art and art history at the University of Miami.
Bannard was born in New Haven, Connecticut and attended Phillips Exeter Academy, where he graduated in 1952.
He attended Princeton University, where he befriended Frank Stella and Michael Fried, who were also interested in minimalist abstraction.
Bannard's paintings from 1959 to 1965 contained few forms, as little as a single band painted around a field of color, and then developed into somewhat more complex geometric forms by the mid-1960s.
In the late 1960s the forms dissolved into pale, atmospheric fields of color applied with rollers and paint-soaked rags.
Clement Greenberg included Bannard in the exhibition "Post-Painterly Abstraction" at the Los Angeles County Museum of Art in 1964.
Bannard was awarded a Guggenheim Fellowship in 1968.
He also served as co-chair of the International Exhibitions Committee of the National Endowment for the Arts.
He began using the new acrylic mediums in 1970 and his paintings evolved into colorful expanses of richly colored gels and polymers applied with squeegees and commercial floor brooms.
Bannard wrote over a hundred reviews and essays which appeared in Artforum, Art in America, and many other publications.
He curated and wrote the catalog for the first comprehensive retrospective exhibition of the paintings of Hans Hofmann at the Hirshhorn Museum in Washington, D.C. Aphorisms for Artists: 100 Ways Toward Better Art, a collection of his thoughts edited by Franklin Einspruch, was published in 2022.
From 1989 to 1992, Bannard chaired the Department of Art and Art History at the University of Miami in Coral Gables, Florida, where he taught painting until his death in 2016.
Bannard was associated with modernism, lyrical abstraction, minimalism, formalism, abstraction and color field painting.
His art has been exhibited in nearly a hundred solo exhibitions and several hundred group exhibitions.
The critic Phyllis Tuchman wrote about a 2015 exhibition of these works at Berry Campbell Gallery, "These colors are still radiant. And the artist’s pale palette is as uniquely personal today as it was fifty years ago. You can’t even apply a name to his hues."