Age, Biography and Wiki

Tim Palmer (film historian) (Timothy Neil Palmer) was born on 8 August, 1975 in Nottingham, England, is an English film historian. Discover Tim Palmer (film historian)'s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 48 years old?

Popular As Timothy Neil Palmer
Occupation Professor and historian of French and Japanese film Co-editor-in-chief of Film Matters
Age 48 years old
Zodiac Sign Leo
Born 8 August, 1975
Birthday 8 August
Birthplace Nottingham, England
Nationality United States

We recommend you to check the complete list of Famous People born on 8 August. He is a member of famous film with the age 48 years old group.

Tim Palmer (film historian) Height, Weight & Measurements

At 48 years old, Tim Palmer (film historian) height not available right now. We will update Tim Palmer (film historian)'s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Who Is Tim Palmer (film historian)'s Wife?

His wife is Liza Palmer (m. 2000)

Family
Parents Not Available
Wife Liza Palmer (m. 2000)
Sibling Not Available
Children 1

Tim Palmer (film historian) Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Tim Palmer (film historian) worth at the age of 48 years old? Tim Palmer (film historian)’s income source is mostly from being a successful film. He is from United States. We have estimated Tim Palmer (film historian)'s net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income film

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Timeline

Tim Palmer, born in Nottingham, England, is a British film historian currently based at the University of North Carolina at Wilmington in the film studies department.

He holds a bachelor's degree (with honors) in film and literature from the University of Warwick, a master's degree in film and television studies from the University of Warwick, and a PhD in communication arts (film track) from the University of Wisconsin–Madison.

His primary research areas include contemporary French cinema and women in the French film industry.

2011

His first monograph, Brutal Intimacy: Analyzing Contemporary French Cinema (Wesleyan University Press, 2011), introduced the idea of the contemporary French film industry as an ecosystem, considering how it intersects with le jeune cinéma français, first-time directors, cinéma du corps (a more materials-based interrogation of the New French Extremity), pop-art cinema, female authorship, cinephilia, and La Fémis.

2013

He has also published articles and co-edited (with Charlie Michael) a volume on French cinema, Directory of World Cinema: France (University of Chicago Press/Intellect, 2013), exploring such topics as: Paule Delsol, Marina de Van, Valérie Donzelli, Jean-Paul Civeyrac, Jean-Pierre Melville, Mia Hansen-Løve, Philippe Grandrieux, Claire Denis, Valeria Bruni Tedeschi, La France, Jean Dujardin, Bruno Dumont, Water Lilies, Catherine Breillat, Marjane Satrapi, and Céline Sciamma.

Palmer is founding co-editor-in-chief of the journal Film Matters—written and peer reviewed by undergraduate students—which has been profiled nationally by The Chronicle of Higher Education and the podcast Aca-Media, as well as various local publications.

He has been consulted by the Los Angeles Times for articles on Frank Capra Jr. and Catherine Deneuve, and has been interviewed by The Chronicle of Higher Education, Film International, Film Matters, as well as WHQR and UNCW.

His work has been supported by the National Endowment for the Humanities and the American Council of Learned Societies.

As of 2023, Palmer serves as chair of the film studies department; he was recently recognized as a "top player" in Wilmington's film industry.

2015

His second monograph, Irreversible (Palgrave Macmillan, 2015), is a textual and formal analysis of Gaspar Noé's infamous 2002 rape and revenge film Irréversible.