Age, Biography and Wiki

Bruno Dumont was born on 14 March, 1958 in Bailleul, Nord, France, is a French filmmaker. Discover Bruno Dumont's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 66 years old?

Popular As N/A
Occupation Film director · screenwriter
Age 66 years old
Zodiac Sign Pisces
Born 14 March, 1958
Birthday 14 March
Birthplace Bailleul, Nord, France
Nationality France

We recommend you to check the complete list of Famous People born on 14 March. He is a member of famous Film director with the age 66 years old group.

Bruno Dumont Height, Weight & Measurements

At 66 years old, Bruno Dumont height not available right now. We will update Bruno Dumont's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Bruno Dumont Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Bruno Dumont worth at the age of 66 years old? Bruno Dumont’s income source is mostly from being a successful Film director. He is from France. We have estimated Bruno Dumont's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Film director

Bruno Dumont Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia Bruno Dumont Wikipedia
Imdb

Timeline

1958

Bruno Dumont (born 14 March 1958) is a French film director and screenwriter.

To date, he has directed ten feature films, all of which border somewhere between realistic drama and the avant-garde.

His films have won several awards at the Cannes Film Festival.

1999

Two of Dumont's films have won the Grand Prix award: both L'Humanité (1999) and Flandres (2006).

2009

Dumont's Hadewijch won the 2009 Prize of the International Critics (FIPRESCI Prize) for Special Presentation at the Toronto Film Festival.

Dumont has a background of Greek and German (Western) philosophy, and of corporate video.

His early films show the ugliness of extreme violence and provocative sexual behavior, and are usually classified as art films.

Later films bring novel twists to other movie genres like comedy or musicals.

Dumont has himself likened his films to visual arts, and he typically uses long takes, close-ups of people's bodies, and story lines involving extreme emotions.

Dumont does not write traditional scripts for his films.

Instead, he writes complete novels which are then the basis for his filmmaking.

Dumont is known to cast nonprofessional actors in his films.

2011

His 2011 film Hors Satan premiered in the Un Certain Regard section at the 2011 Cannes Film Festival.

2013

His 2013 film Camille Claudel 1915 premiered in competition at the 63rd Berlin International Film Festival.

Dumont is an atheist.

2019

In a 2019 interview for the Criterion Channel, Dumont explained: "If I believed in the ideal, I'd hire a professional actor, and I'd tell them, 'Act like this because this is the truth. Since I don't believe in the ideal, I hire nonprofessional actors...because I believe that anyone is a holder of the truth."

He says that some of his favorite filmmakers are Stanley Kubrick, Ingmar Bergman, Pier Paolo Pasolini, Roberto Rossellini, and Abbas Kiarostami.

He is frequently considered an artistic heir to Robert Bresson.

His often polarizing work has been connected to a recent French cinéma du corps/body of cinema, encompassing contemporary films by Claire Denis, Marina de Van, Gaspar Noé, Diane Bertrand, and François Ozon, among others.

According to Tim Palmer, this trajectory includes a focus on states of corporeality in and of themselves, independent of narrative exposition or character psychology.

In a more pejorative vein, James Quandt has also talked of some of this group of filmmakers, as the so-called New French Extremity.