Age, Biography and Wiki

Panayiotis Vassilakis was born on 29 October, 1925 in Athens, Greece, is a Greek artist (1925–2019). Discover Panayiotis Vassilakis's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 93 years old?

Popular As Panayiotis Vassilakis
Occupation N/A
Age 93 years old
Zodiac Sign Scorpio
Born 29 October, 1925
Birthday 29 October
Birthplace Athens, Greece
Date of death 9 August, 2019
Died Place Athens, Greece
Nationality Greece

We recommend you to check the complete list of Famous People born on 29 October. He is a member of famous artist with the age 93 years old group.

Panayiotis Vassilakis Height, Weight & Measurements

At 93 years old, Panayiotis Vassilakis height not available right now. We will update Panayiotis Vassilakis's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Panayiotis Vassilakis Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Panayiotis Vassilakis worth at the age of 93 years old? Panayiotis Vassilakis’s income source is mostly from being a successful artist. He is from Greece. We have estimated Panayiotis Vassilakis's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1921

In the 21st century, the sculptures have sold for around €100,000.

1925

Panayiotis Vassilakis (Παναγιώτης Βασιλάκης; 29 October 1925 – 9 August 2019), also known as Takis (Τάκις), was a self-taught Greek artist known for his kinetic sculptures.

He exhibited his artworks in Europe and the United States.

Popular in France, his works can be found in public locations in and around Paris, as well as at the Athens-based Takis Foundation Research Center for the Arts and Sciences.

Takis was born in 1925 in Athens.

Because of the previous Greco-Turkish War, his family struggled financially.

His childhood and teen years were also shadowed by war.

1941

World War II brought along the Axis Occupation of Greece which was in effect from 1941 until October 1944, and this was then followed by the Greek Civil War from 1946 to 1949.

During these, Takis kept his focus on his artwork, although his family did not approve.

Takis' artistic career started when he was around 20 years old in a basement workshop.

This is where he first became aware of the works of Picasso and Giacometti.

He was intrigued by the long, exaggerated features that Giacometti would use in his sculptures.

He created his first atelier with his childhood friends, and fellow artists, Minos Argyrakis and Raimondos, in Anakassa, Athens.

His first sculptures were influenced by both Giacometti's elongated sculptures and the Greek sculptures that he grew up around.

The first sculptures that he created were plaster busts and combinations of plaster and wrought iron.

1952

In 1952, he sculpted Quatre Soldats (The Four Soldiers).

1954

In 1954, Takis moved to Paris where he learned to forge, weld, and cast metal.

While there, he created small sculptures inspired by early Greek Cycladic and Egyptian art.

In Paris he also met artists like Yves Klein and Jean Tinguely who were experimenting with kinetic sculptures, which began to shift his interest from the static to the kinetic.

Those two artists weren't the only influences on Takis' work in kinetics.

Because of his nearly constant travel via train station, as well as his interest in the recently invented radar, Takis became fascinated with energies and things that cannot be seen, but are integral parts of our lives.

1957

In 1957, Takis was waiting at a train station and noticed how the lights and energies of the station melded together.

This influenced the creation of a series of sculptures, ''Signaux (Signals).

Signals'' are sculptures that are made of long thin metal rods that vibrate and bend as wind passes through them, similar to energy caught by radar transmitters.

Takis saw these Signals as capturing the energies of the wind and sky.

His first Signals were much more rigid than later creations in the same series.

To show the distribution of energy, as well as provide a street show, Takis would put fireworks on the top of these sculptures.

Later on, as the sculptures in the series gained more flexibility, the rods would bend and vibrate, and at times collide with each other, creating sounds that give the sense of chords and the melody of a harp.

1958

In 1958, Takis started to experiment with other energies not visible to the naked eye, particularly magnets.

He explored the magnetic forces and energy of the magnetic fields, which became a foundation of his future works.

He also had a child with English artist Sheila Fell in 1958.

A year later, he created a piece that depicts a nail tied to a nylon string which is suspended in mid-air by the attraction of a magnet.

This piece is the first of his télémagnétiques sculptures.

It came to be known as Télésculpture. Takis also began a relationship with American artist Liliane Lijn this year.

1960

In 1960, Takis moved on from floating nails to a floating man.

At the Iris Clert Gallery in Paris, Takis set up a series of magnets, and outfitted the South African poet, Sinclair Beiles, with a line of magnets on his belt.

In the performance, Beiles read from his magnetic manifest: " I am a sculpture... There are more sculptures like me. The main difference is that they cannot talk... I would like to see all nuclear bombs on Earth turned into sculptures..." and he then "threw" himself into the air, and was briefly suspended by the magnetic field interacting between the different magnet sets.

Takis continued to do experimental work with different energies in the world.

Along with his work in magnetics, he also experimented with electricity, sound and light.

With these new influences, he created Telepeintures (Telepaintings), Telelumieres (Telelights), Cadrans, and Musicals. While learning about these different energies and experimenting with them, he traveled often to the major artistic and metropolitan centers of the world.