Age, Biography and Wiki

Sinclair Beiles was born on 1930 in Kampala, Uganda, is a South African beat poet (1930–2000). Discover Sinclair Beiles's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 70 years old?

Popular As N/A
Occupation Poet, writer
Age 70 years old
Zodiac Sign
Born 1930, 1930
Birthday 1930
Birthplace Kampala, Uganda
Date of death 2000
Died Place Johannesburg, South Africa
Nationality Uganda

We recommend you to check the complete list of Famous People born on 1930. He is a member of famous poet with the age 70 years old group.

Sinclair Beiles Height, Weight & Measurements

At 70 years old, Sinclair Beiles height not available right now. We will update Sinclair Beiles's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Sinclair Beiles Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Sinclair Beiles worth at the age of 70 years old? Sinclair Beiles’s income source is mostly from being a successful poet. He is from Uganda. We have estimated Sinclair Beiles's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income poet

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Timeline

1930

Sinclair Beiles (b. Kampala, Uganda, 1930–2000, Johannesburg) was a South African beat poet and editor for Maurice Girodias at the Olympia Press in Paris.

He developed along with William S. Burroughs and Brion Gysin the cut-up technique of writing poetry and literature.

Beiles was involved with American beat poets Allen Ginsberg, Gregory Corso and Brion Gysin, and Burroughs at the legendary Beat Hotel in Paris.

1960

He co-authored Minutes to Go with Burroughs, Gysin and Corso (Two Cities Editions, 1960).

Beiles helped edit Burroughs' Naked Lunch.

He worked with the Greek artist Takis and read his magnetic manifesto -- "I am a sculpture... I would like to see all nuclear bombs on Earth turned into sculptures"—in 1960 in Paris at the Iris Clert Gallery.

At this event he was famously suspended in mid-air by a magnetic field from a powerful magnet in a sculpture developed by Takis.

Beiles attributed his subsequent mental instability to this experience even though he insisted that Takis provide him with a helmet to protect his head from the magnetic field.

1970

Beiles wandered through Europe, including a spell in London and settled in the Greek islands during the 1970s.

He fought frequent bouts of depression, mental illness and drug addiction.

He was married to the South African poet and artist Marta Proctor.

In later life he returned to South Africa and was associated with the Johannesburg-based Gallery III group of poets, writers, composers and performance artists and lived in the central and artistic district of Yeoville.

He and the South African columnist and playwright Ian Fraser formed a friendship which lasted many years.

1984

The photographer Harold Chapman recorded this period in his book The Beat Hotel (Gris Banal, 1984).

1991

The poet had a burst of writing activity from 1991 to 2000, publishing a large number of poetry collections, including A South African Abroad (Lapis Press, 1991).

He died in relative poverty.

1997

The independent filmmaker Anton Kotze made a short film called "Sacred Fix" (26 minutes, South Africa, 1997), which is a documentary portrait of Sinclair Beiles.

2009

A collection of writings about Sinclair Beiles called Who was Sinclair Beiles? was published by Dye Hard Press, Johannesburg, in 2009, co-edited by Gary Cummiskey and Eva Kowalska.