Nicolas Hodges

Nicolas Hodges (born 1970, in London) is a pianist living in Germany.

Nicolas Hodges was born into a musical family.

His mother sang in the BBC Singers, including under Boulez in works by Nono.

His father was a keen amateur musician, and at one time a BBC Studio Manager.

He was educated at Christ Church Cathedral School, Oxford, Winchester College, and the universities of Cambridge and Bristol.

Hodges sang as a treble in Christ Church Cathedral Choir and in that capacity recorded Bach Motets (on ASV) as well as performing in Benjamin Britten's War Requiem with the City of Birmingham Symphony Orchestra under Sir Simon Rattle, in concert in the Royal Festival Hall and Birmingham Town Hall, as well as on the EMI recording of the work.

He also performed with the choir in the Penderecki St Luke Passion in the BBC Proms, with the composer conducting: the concert was televised.

Hodges studied the piano with Robert Bottone at Winchester, and subsequently with Susan Bradshaw and Sulamita Aronovsky.

He also took lessons with Yonty Solomon and, as a Lieder accompanist, with Geoffrey Parsons and Roger Vignoles; he studied composition at school with Michael Finnissy, and at University of Cambridge with Robin Holloway and Alexander Goehr.

Andrew Clements wrote "There was the Op 77 Fantasie [...] and the late A major sonata Op 101, which Hodges played with an intelligence and insight that suggests he ought to be heard more in the 19th-century repertoire."

Of a performance of Beethoven's Bagatelles op. 126, Suzanne Yanko wrote that "his performance was engrossing... What we heard was an authoritative, assured and, at times, stunning rendition of the bagatelles that brought out their many contrasts."

Hodges has recorded music by many contemporary and recent composers.

His first CD was of the complete piano works of Bill Hopkins, and he has also recorded music by John Adams, Michael Finnissy, Harrison Birtwistle, Beat Furrer, Justin Connolly, Brian Ferneyhough, Elliott Carter, Konrad Boehmer and many others.

He also attended master classes at Dartington by Morton Feldman (1986) and Robert Saxton (1988).

Hodges is known mainly as a player of contemporary music.

Hodges first met Birtwistle in 1987, at the Queen Elisabeth Hall foyer, as recounted in an interview with Tom Service:

"It was in 1987 - I just went up to him and asked him if he had heard any news about the composer Morton Feldman, with whom I'd studied at Dartington the previous year, and who I knew was very ill. He told me Feldman had died that morning."

He has more piano works of Birtwistle in his repertoire than any other pianist, and has recorded all but Responses.

Moreover Birtwistle composed three works for Hodges, Gigue Machine (dedicated to Hodges) and Variations from the Golden Mountain for solo piano, as well as Intrada for piano and percussion (with Colin Currie).

In his speech accepting a British Composer Award for Gigue Machine Birtwistle said of Hodges: "[He] is becoming like my Peter Pears."

Hodges has spoken of the details of their collaboration on Gigue Machine.

"With Gigue Machine, we went through the whole piece ... changing the tempi to what we had ended up with. It was a very creative collaboration. If he had worked with a different pianist, they might have presented him with different options and he might have chosen different tempi."

Carter wrote Hodges the piano concerto Dialogues.

Hodges met Dusapin around 2002.

Hodges premiered Jetzt Genau, and subsequently Slackline for cello and piano, with Anssi Karttunen.

He recorded the concerto A Quia for BIS, a recording Dusapin described as "the work's real premiere".

Dusapin is writing Hodges a new cycle of solo pieces, Piano Works.

Hodges premiered the concerto Sotto Voce II and recorded it for CD.

Subsequently, Rihm composed a new version of Zwei Linien for him, which he premiered and performed in the Berliner Philharmonie, Lucerne Festival and elsewhere.

Trio Accanto has recorded Gegenstück on CD.

Hodges has many other works by Rihm in his repertoire.

Of their collaboration, Hodges has written:

"In rehearsal for a performance of Sotto Voce II – the piece Wolfgang wrote for the Busoni Competition, and which I had the honour of premiering – he provided an exemplary example of at least one kind of performer-composer relationship. At one point the conductor turned to Wolfgang and asked (over my head, literally and figuratively) whether I was “allowed” to play a certain phrase in the way I was choosing to. Without hesitation, Wolfgang said “He’s the interpreter: he can do what he wants.” Apart from immediately resolving the power-struggle that sometimes exists between concerto soloist and conductor (I could have kissed him for that), Wolfgang’s gesture was a hugely important one for me: it was an expression of trust, and curiosity about what I would produce."

Many composers have written works for Hodges to perform, notably Elliott Carter (Dialogues for Piano and Orchestra, 2003), Salvatore Sciarrino, James Clarke, Michael Finnissy, Jeroen Speak, Konrad Boehmer, Harrison Birtwistle and Betsy Jolas.

Hodges still plays classical repertoire occasionally, bringing praise from critics.

The work was commissioned by the BBC and completed in 2003.

It was first performed on 23 January 2004 at the Queen Elizabeth Hall in Southbank Centre, London, by Hodges with the London Sinfonietta under the conductor Oliver Knussen.

Since April 2005 Hodges has been Professor of Piano at the Musikhochschule, Stuttgart.

Nicolas Hodges has been a member of Trio Accanto since 2013.

Hodges performs in duo with the Finnish cellist Anssi Karttunen, and with German pianist Michael Wendeberg with whom he has recorded Boulez's two books of Structures.