Age, Biography and Wiki

Robin Holloway was born on 19 October, 1943, is an English composer and academic (b1943). Discover Robin Holloway's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 80 years old?

Popular As N/A
Occupation N/A
Age 80 years old
Zodiac Sign Libra
Born 19 October, 1943
Birthday 19 October
Birthplace N/A
Nationality

We recommend you to check the complete list of Famous People born on 19 October. He is a member of famous composer with the age 80 years old group.

Robin Holloway Height, Weight & Measurements

At 80 years old, Robin Holloway height not available right now. We will update Robin Holloway's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Robin Holloway Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Robin Holloway worth at the age of 80 years old? Robin Holloway’s income source is mostly from being a successful composer. He is from . We have estimated Robin Holloway's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income composer

Robin Holloway Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia
Imdb

Timeline

1943

Robin Greville Holloway (born 19 October 1943) is an English composer, academic and writer.

Holloway was born in Leamington Spa.

1953

From 1953 to 1957, he was a chorister at St Paul's Cathedral and was educated at King's College School, where his father Robert was Head of the Art Department.

He attended King's College, Cambridge and studied composition with Bayan Northcott.

1963

Two collections of his journalistic and other occasional writings have been compiled and published, as On Music: Essays and Diversions 1963–2003 (Continuum Press, 2003 hdbk/2005 pbk, ISBN 0-8264-7629-5) and Essays & Diversions II (Continuum Press, 2008; ISBN 0-8264-9728-4).

1969

This can be heard in his own works, such as Scenes from Schumann (1969–70), the opera Clarissa (1976) premiered in 1990 at English National Opera under the baton of Oliver Knussen, and Seascape and Harvest (1983–84) composed for the City of Birmingham Symphony Orchestra and Sir Simon Rattle.

1974

In 1974, Holloway became an Assistant Lecturer in Music at the University of Cambridge, and in 1980 attained a full Lecturer position.

1988

Holloway contributed a regular music column to The Spectator magazine between 1988 and 2010.

1994

In 1994, his Second Concerto for Orchestra, released by NMC, won a Gramophone Award.

1999

In 1999, he became a reader in Musical Composition at Cambridge.

2011

He retired in 2011 as professor of Musical Composition.

He is also a Fellow of Gonville and Caius College, Cambridge.

Among his many pupils are Thomas Adès, Huw Watkins, Peter Seabourne, George Benjamin, Judith Weir, and Jonathan Dove.

Holloway's doctoral thesis, Debussy and Wagner (later published as a book by Eulenburg), discussed a close relationship between music and language as well as romanticism and tonality.

Holloway's Fifth Concerto for Orchestra was premiered at The Proms in 2011.

2018

Since 2018 the English CD label Sheva Contemporary, run by the composer's pupil and friend Peter Seabourne, has issued three discs of the composer's chamber music.

2019

Holloway has been described as a "neo-romantic" composer, reflecting his own affinity for music of the last part of the 19th and early part of the 20th centuries.

While some of his works do conform to this description, others evince a more complex, nuanced, and at times ironic relationship to music of the past, verging on the post-modern.

According to fellow composer David Matthews, his "individual style has been formed by a productive conflict between Romanticism and Modernism."