Michele Wallace

Michele Faith Wallace (born January 4, 1952) is a black feminist author, cultural critic, and daughter of artist Faith Ringgold.

Michele Faith Wallace was born on January 4, 1952, in Harlem, New York.

She and her younger sister Barbara grew up in a black middle-class family.

Her mother is Faith Ringgold, who was a teacher and college lecturer before becoming a widely exhibited artist.

Her father, Robert Earl Wallace, was a classical and jazz pianist.

Her parents separated after four years of marriage.

Her father died of a drug overdose when Wallace was 13, and her later clashes with her mother led to her being sent to a Catholic reform school for several weeks as a child.

Michele and her sister were later raised by their mother and stepfather Burdette "Birdie" Ringgold in Harlem's exclusive Sugar Hill district.

Wallace went to private school and spent summers at camp or in Europe.

She attended elementary school at Our Savior Lutheran Church before transferring to the progressive New Lincoln School, where David Rieff and Shari Belafonte were among her classmates.

Wallace cites her time at New Lincoln as one of her first experiences with radical politics.

Wallace graduated from high school in 1969 and enrolled at Howard University in Washington, D.C., for fall the same year.

She spent a semester at Howard before returning to Harlem.

Back in New York City in the spring of 1970, she organized with her mother around anti-war, anti-imperialist art movements of the time and attended night school at the City College of New York.

During this time she and her mother founded Women Students and Artists for Black Art Liberation (WSABAL), an organization that advocated for the inclusion of women of color's voices in the art world.

In 1973 she co-founded the National Black Feminist Organization with Faith Ringgold, Margaret Sloan-Hunter, and other prominent black feminist activists.

Wallace earned her B.A. in English and Creative Writing from City College in 1974.

From 1974 to 1975, Wallace worked at Newsweek as a book review researcher.

During this period Wallace contributed to Ms. magazine from time to time.

In 1974, she met Ross Wetzsteon and Karen Durbin of The Village Voice and began writing for the publication on black feminism, her upbringing in Harlem in the 1950s and '60s, and her position in the black middle-class educated elite.

Wallace's articles in The Voice brought her prominence as a black feminist in New York.

In 1975, she quit her job at Newsweek after receiving an advance for a book draft that would eventually become Black Macho and the Myth of the Superwoman.

She spent the next two years writing and editing this book.

Low on money at the time, Wallace took on a job as an instructor in journalism at New York University in 1976, later becoming an assistant professor of English.

She is best known for her 1979 book Black Macho and the Myth of the Superwoman.

Wallace's writings on literature, art, film, and popular culture have been widely published and have made her a leader of African-American intellectuals.

She is a Professor of English at the City College of New York and the Graduate Center of the City University of New York (CUNY).

Black Macho and the Myth of the Superwoman was published by Dial Press in 1979.

Black Macho and the Myth of the Superwoman, published in 1979, criticizes sexism in the black community and black nationalism in the 1960s.

The book grapples with twin stereotypes of the black man and woman—black macho, the hypermasculine and hypersexualized black man, and superwoman, the inordinately strong black woman unfazed by white racism.

The book criticizes black men and the Civil Rights Movement for its injurious acceptance of white society's notion of manhood.

This, according to Wallace, has resulted in a divide between black women and men.

Combining personal anecdotes with social, cultural, and historical analysis, Wallace also reflects on her subject position as an educated middle-class black woman.

A pre-publication excerpt of Black Macho and the Myth of the Superwoman appeared in the January 1979 issue of Ms. magazine.

Her writing appears in many notable anthologies, among them All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave (1982, co-edited by Akasha Gloria Hull, Patricia Bell-Scott and Barbara Smith), Reading Black, Reading Feminist (1990, edited by Henry Louis Gates, Jr.), and Daughters of Africa (1992, edited by Margaret Busby).

Wallace was Essence magazine's Editor at Large in 1983.

In addition to her B.A. in English and Creative Writing, she holds a M.A. in English from City College (1990) and a Ph.D. in Cinema Studies from New York University (1999).

She has taught at numerous institutions, including Rutgers University and Cornell University.

From 1995 to 1996, she was a columnist for The Village Voice.

Wallace currently teaches at the City College of New York and the Graduate Center of the City University of New York (CUNY).