Age, Biography and Wiki
Akasha Gloria Hull (Gloria Theresa Thompson) was born on 6 December, 1944 in Shreveport, Louisiana, U.S., is an American writer and educator (born 1944). Discover Akasha Gloria Hull's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 79 years old?
Popular As |
Gloria Theresa Thompson |
Occupation |
Poet, educator, writer and critic |
Age |
79 years old |
Zodiac Sign |
Sagittarius |
Born |
6 December, 1944 |
Birthday |
6 December |
Birthplace |
Shreveport, Louisiana, U.S. |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 6 December.
She is a member of famous writer with the age 79 years old group.
Akasha Gloria Hull Height, Weight & Measurements
At 79 years old, Akasha Gloria Hull height not available right now. We will update Akasha Gloria Hull's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Akasha Gloria Hull's Husband?
Her husband is Prentice Roy Hull (m. 1966-1984)
Family |
Parents |
Not Available |
Husband |
Prentice Roy Hull (m. 1966-1984) |
Sibling |
Not Available |
Children |
1 |
Akasha Gloria Hull Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Akasha Gloria Hull worth at the age of 79 years old? Akasha Gloria Hull’s income source is mostly from being a successful writer. She is from United States. We have estimated Akasha Gloria Hull's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
writer |
Akasha Gloria Hull Social Network
Instagram |
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Wikipedia |
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Imdb |
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Timeline
Hull has received prestigious fellowships from the National Endowment for the Humanities, the Fulbright, Rockefeller, Mellon and Ford Foundations, the American Association of University Women, and the National Humanities Center.
Akasha Gloria Hull (born December 6, 1944) is an American poet, educator, writer, and critic whose work in African-American literature and as a Black feminist activist has helped shape Women's Studies.
As one of the architects of Black Women's Studies, her scholarship and activism has increased the prestige, legitimacy, respect, and popularity of feminism and African-American studies.
Hull has been a professor of women's studies and literature at the University of California, Santa Cruz, the University of Delaware, and the University of the West Indies (Mona campus) in Kingston, Jamaica.
She has published four books, a monograph, three edited collections, more than twenty articles in peer-reviewed professional journals, numerous chapters in a dozen volumes, fifteen book reviews, poems in more than thirty magazines and anthologies, and two short stories.
She married on June 12, 1966.
She and her husband, Prentice Roy Hull, also a graduate student, had their only child, Adrian Prentice Hull, at this time.
She was a member of the Combahee River Collective, a Black feminist group active in Boston in the late-1970s.
Membership in the collective catalyzed her focus as a scholar, activist, and critic.
Akasha Hull's poetry was first published in Women: A Journal of Liberation in the 1970s.
Beginning her academic career in 1971 at the University of Delaware, Hull had advanced to a full professorship by 1986.
Ntozake Shange called Hull's book Healing Heart: Poems 1973–1988 (published by Kitchen Table: Women of Color Press) “the voice of a free, fiercesome, sensual and vivid woman of color," while the literary critic Stephen E. Henderson applauded it as "a total delight".
It was during this period that she co-edited the anthology All the Women Are White, All the Blacks Are Men, But Some of Us Are Brave: Black Women's Studies with Patricia Bell-Scott and Barbara Smith, in 1982.
Printed in numerous editions, it is a classic in Feminist Studies, Black Studies, and Black Women's Studies.
Her landmark scholarship directed attention to the lives of Black women and, combined with the numerous articles she wrote thereafter, helped remedy the emphasis within Feminist Studies on white women and within Black studies on Black men.
The National Institute conferred on Hull its Women of Color Award for this accomplishment.
In 1986, Hull published Give Us Each Day: The Diary of Alice Dunbar-Nelson, only the second published diary by an African-American woman in the United States.
The New York Times gave it an enthusiastic review.
Give Us Each Day revealed the life and times of Alice Dunbar-Nelson, a fascinating poet-journalist who until then had been eclipsed by her more famous husband, the renowned dialect poet and writer Paul Laurence Dunbar.
Hull's book Color, Sex, and Poetry: Three Women Writers of the Harlem Renaissance (1987) continued to highlight the rich contributions of women to that pivotal era.
Its painstaking archival research revealed for the first time unsuspected homoerotic connections among the women and lesbian themes in their writings.
In 1988, Hull took a position teaching women's studies and literature at the University of California, Santa Cruz.
In 1992, Purdue University awarded her an Honorary Doctor of Letters "for pioneering work in the field of black feminist studies that has empowered others to hear and appreciate diverse voices."
Since then, her poems have been featured in such publications and collections as Flat-footed Truths: Telling Black Women's Lives (1998, edited by Patricia Bell-Scott and Juanita Johnson-Bailey), Life Prayers, Sisterfire: Black womanist fiction and poetry (1994, edited by Charlotte Watson Sherman), In Search of Color Everywhere (1994, edited by E. Ethelbert Miller), Daughters of Africa (1992, edited by Margaret Busby), Erotique Noire/Black Erotica (1992, edited by Miriam DeCosta-Willis, Reginald Martin and Roseann P. Bell), Callaloo, and Shout Out: Women of Color Respond to Violence (2007, edited by María Ochoa and Barbara K. Ige).
In her 2001 book, Soul Talk: The New Spirituality of African-American Women, Hull examines the burgeoning of metaphysical and "New Age" modalities after 1980, and states that politics, spirituality, and creativity are being united into a revolutionary new paradigm.
Nobel Prize Laureate Toni Morrison and literary activist E. Ethelbert Miller endorsed it, while Publishers Weekly praised it as "powerful, practical and nourishing gumbo ... of the heart and spirit".
Hull's short story "Plum Jelly in Hot Shiny Jars" appeared in the 2003 Beacon Press anthology Age Ain't Nothing but a Number: Black Women Explore Midlife.
In 2006, Hull moved to Little Rock, Arkansas, and devoted herself to writing fiction.
She was a semifinalist (top 20 of 300) in the Ursula K. Le Guin Imaginative Fiction Contest of Rosebud Magazine for "'Touch Me,' They Said, They Wanted."
Her first novel, Neicy, was released in October 2012.
She lives in Little Rock, Arkansas.
Hull was born Gloria Theresa Thompson in Shreveport, Louisiana.
Her father was a carpenter and laborer and her mother a maid and cook.
She graduated valedictorian from Booker T. Washington High School in Shreveport and summa cum laude from Southern University in Baton Rouge, Louisiana.
During these years, she was a valuable member (as a pianist and member of the choir) at Shreveport's Zion Baptist Church.
She was also secretary for the local chapter of the NAACP and a member of the Alpha Kappa Alpha sorority.
Hull later matriculated at Purdue University, where she earned her Master's and Ph.D. in English Literature.
In 2012, she completed her first novel, which she described as the story "of a Black actress going through a lot of love, sex, sexuality, personal enlightenment -- it's not autobiographical, but it's all me", and which was published by Aurelia Works.
Hull has been the keynote speaker at numerous university and community conferences throughout the United States; given lectures and readings at numerous bookstores and other venues; been interviewed on National Public Radio about the poets of the Harlem Renaissance; participated in grassroots and professional feminist organizing; and presented workshops on multiculturalism, spirituality, creativity, and self-empowerment.