Age, Biography and Wiki
Louis Schanker was born on 1903 in New York City, U.S., is an American abstract artist.. Discover Louis Schanker's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 78 years old?
Popular As |
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Occupation |
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Age |
78 years old |
Zodiac Sign |
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Born |
1903, 1903 |
Birthday |
1903 |
Birthplace |
New York City, U.S. |
Date of death |
7 May, 1981 |
Died Place |
New York City, U.S. |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 1903.
He is a member of famous painter with the age 78 years old group.
Louis Schanker Height, Weight & Measurements
At 78 years old, Louis Schanker height not available right now. We will update Louis Schanker's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Who Is Louis Schanker's Wife?
His wife is Libby Holman (m. 1960-1971)
Family |
Parents |
Not Available |
Wife |
Libby Holman (m. 1960-1971) |
Sibling |
Not Available |
Children |
Not Available |
Louis Schanker Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Louis Schanker worth at the age of 78 years old? Louis Schanker’s income source is mostly from being a successful painter. He is from United States. We have estimated Louis Schanker's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
painter |
Louis Schanker Social Network
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Timeline
In 1920, he traveled across the country.
He lived the hobo life, joined the Sparks and then Barnum and Bailey circuses, later working as a thresher in the wheat fields of the Great Plains.
There are elements in his works such as the circus murals done for the Neponsit Beach Children's Hospital and the print "Man Cutting Wheat" that reflect these experiences.
Around 1924 he returned to New York, leased another studio and resumed his friendships and artwork.
The Federal Government sponsored programs to assist people during the 1930s depression when there were no jobs available.
Artists were included in the Public Works of Art Project and then the WPA Federal Art Project.
He was one of the major printmakers of the 1930s.
Schanker spent 1931 and 1932 attending classes at the Académie de la Grande Chaumière, painting and traveling in Paris, Italy and Spain and returned as something of a Cubist.
He had his first show in 1933 at the Contemporary Arts Gallery and first exhibited at the Whitney Museum in 1936.
Schanker participated in both beginning in 1933.
He was an artist and supervisor in the mural and graphic arts departments.
These were controversial times in the arts community.
that protested the lack of support for American Abstract Artists by the Whitney Museum which concentrated on representational art.
His "conglomerations of color-patches, among other things", wrote the sympathetic art critic Emily Genauer in 1935, "are bound to alienate no small part of the gallery-going public."
However, the work proved popular in the New York art scene.
Schanker and Bolotowsky were also in the awkward position of having their works being shown in the museum's 1936 Annual exhibit at the same time that they were protesting.
Another group, founded in 1937, of which he was a founding member, the American Abstract Artists, (AAA) arose to promote and foster public understanding of abstract art.
Schanker was a radical among radicals.
By 1937, even the often hostile New York Times art critic Edward Alden Jewell softened to the artist.
When speaking of Schanker's major WPA mural at the municipal building studios of WNYC in New York, Jewell noted that Schanker had "a touch of lyric feeling".
According to Mercury Gallery owner, Sidney Schectman, who was showing the works of the Ten from 1937–39, Rothko was by all reports a very serious person.
He did not have many friends.
"I know he liked Schanker. I once talked to him about him, but he told me that Schanker was a playboy of some sort even then, but a great painter and a great wood block [painter] ... you know, painted, the greatest. "But I don't know where he's going to go," he would say because he thought he was frivolous. And that's the kind of person Rothko was, terribly, terribly serious."
In 1938, Art News declared that "Louis Schanker's delightful Street Scene From My Window calls forth admiration for its delicacy of color and kaleidoscopic forms in plane geometry."
A decade later Schanker wrote:
"Though much of my work is generally classified as abstract, all of my work develops from natural forms. I have great respect for the forms of nature and an inherent need to express myself in relation to those forms."
He continued to be an active part of the New York art scene with many group and solo exhibitions including two shows (1943 and 1974,) at the Brooklyn Museum and a 1978 retrospective at the Associated American Artists.
Schanker moved into teaching, first at the New School for Social Research and then, from 1949 until his retirement, at Bard College.
The January 1955 Life Magazine article "Comeback of an Art", describes him as "one of the earliest U.S.woodcut artists to do abstractions, Schanker since has trained or influenced a generation of talented younger artists."
Louis Schanker (1903 – May 7, 1981) was an American abstract artist.
He grew up in an Orthodox Jewish environment in the Bronx, New York.
His parents, Sam, a tailor, and Fannie Schanker, were of Romanian descent.
At an early age he had an interest in both art and music.
He took art courses at Cooper Union, The Educational Alliance and The Art Students League with Barnett Newman, Mark Rothko and Milton Avery amongst others.
Just a few blocks from the hospital where he died in 1981 the Martin Diamond Gallery was holding a major show of his oils, sculpture and prints and his work was on exhibit at the Whitney Museum of American Art.
By all accounts a delightful man, Schanker was suspect to some because of his joie de vivre.