Chaim Gross

Chaim Gross (March 17, 1902 – May 5, 1991) was an American sculptor and educator of Austrian (Galician) Jewish origin.

Gross studied and taught at the Educational Alliance Art School in New York City’s Lower Manhattan.

He summered for many years in Provincetown.

Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mizhhiria, Ukraine), in the Carpathian Mountains.

In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian SSR in 1939 and became part of newly independent Ukraine in 1991).

During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia.

Gross' brother Naftoli had arrived in New York City in 1914.

They returned when Austria retook the town in 1915, refugees of the war.

When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas.

Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklós Horthy took over and attempted to expel all Jews and foreigners from the country.

In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art).

After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921.

He sent money to his brothers Chaim and Avrom-Lieb, who traveled from Vienna to Le Havre, France, where they took a boat to New York City in March 1921.

Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent.

He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer, Raphael Soyer, Adolph Gottlieb, and Peter Blume.

In 1926, Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years.

In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville.

The entire suite is now in the collection of the Philadelphia Museum of Art.

In March 1932, Gross had his first solo exhibition at Gallery 144 in New York City.

For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others.

Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood.

Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent.

Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden.

A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick.

His work was also part of the sculpture event in the art competition at the 1932 Summer Olympics.

In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s.

Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture.

Gross began exhibiting sculpture in group shows of students at the Educational Alliance, and then at the Jewish Art Center in the Bronx.

Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel.

In 1938 filmmaker and historian Lewis Jacobs made a 30-minute feature of Gross carving, called Tree Trunk to Head, showing Gross at work in his East Village studio on a portrait of his wife Renee, who models in the film.

Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair.

In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking.

Gross began a portrait in clay and then traveled to Israel in the summer of that year hoping to be able to meet Weizmann and have him sit for a portrait.

Weizmann was too ill, but Gross completed the bust in bronze later that year.

Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949.

It included a catalogue raisonne of his sculpture.

In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry.

Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities.

This series was exhibited at the Jewish Museum (Manhattan) in 1953.

Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades.