Age, Biography and Wiki

Harmony Hammond was born on 8 February, 1944 in Hometown, Illinois, US, is an American artist, curator, and writer. Discover Harmony Hammond's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 80 years old?

Popular As N/A
Occupation N/A
Age 80 years old
Zodiac Sign Aquarius
Born 8 February, 1944
Birthday 8 February
Birthplace Hometown, Illinois, US
Nationality United States

We recommend you to check the complete list of Famous People born on 8 February. She is a member of famous artist with the age 80 years old group.

Harmony Hammond Height, Weight & Measurements

At 80 years old, Harmony Hammond height not available right now. We will update Harmony Hammond's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Harmony Hammond Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Harmony Hammond worth at the age of 80 years old? Harmony Hammond’s income source is mostly from being a successful artist. She is from United States. We have estimated Harmony Hammond's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income artist

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Timeline

1944

Harmony Hammond (born February 8, 1944) is an American artist, activist, curator, and writer.

Harmony Hammond was born on February 8, 1944, in Hometown, Illinois.

At 17, Hammond attended Miliken University in Decatur, Illinois.

Later, she moved to Minneapolis and enrolled at the University of Minnesota.

1967

Hammond graduated with a B.A. of Arts in painting in 1967.

1969

Hammond and her husband moved to New York in 1969, just months after the Stonewall Riots.

When Hammond found out she was pregnant with her daughter, she and her husband decided to part ways.

1970

She was a prominent figure in the founding of the feminist art movement in 1970s New York.

To this end, for example, she created sculptures in the early 1970s featuring swaths of fabric, a traditionally feminine material, as a primary material.

1971

There were four fabric series: Bags (1971), Presences (1972), Floorpieces (1973), and Wrapped Sculptures (1977-1984).

Harmony Hammond's paintings themselves show how they were made and are almost all abstract.

This was a series of works created in 1971–1972.

It was her first major series.

Seven of these pieces are included in her Material Witness collection.

These artworks are fabric scraps soaked in paint, densely sewn together and on a hanger strung from the ceiling.

1972

Harmony Hammond co-founded the A.I.R. Gallery in 1972; it was the first women's cooperative art gallery in New York.

1973

In 1973, Hammond came out as a lesbian.

Hammond authored her first book, Wrappings: Essays on Feminism, Art, and the Martial Arts, a corpus of her writings from 1973 to 1983 published by TSL Press, in 1984.

Presences was presented at Harmony Hammond's first solo exhibition in New York in 1973.

The fabric is all different lengths with some strips being layered or tied together to be longer.

"Six fabric sculptures appearing slightly larger than life size hang from the ceiling and graze the floor, inviting viewers to join them. Paint applied by artist Harmony Hammond imparts earthy tones to these layered scraps of cloth. Spots of bright color and pattern peek out here and there—plaids, polka dots, florals."

Hammond's intention behind the works was to capture the history of women being creative and claiming space.

Most of the fabric scraps used to create the pieces in the Presences series were sourced from members of a women's group Hammond was involved with.

In 1973, Hammond created a series of artworks titled Floorpieces. Hammond created these rugs through a traditional braiding style with colorful, remnant fabric she had found in dumpsters in New York's garment district.

The rag-rugs were then painted selectively with acrylic pigment and were displayed on the ground like rugs.

Most of Hammond's Floorpieces were approximately 5 ft. (1.5 m) in diameter and almost 2 in.

1976

She also co-founded Heresies: A Feminist Publication of Art and Politics in 1976, co-edited issues #1, 3 and 9, and published articles in seven issues.

Heresies was founded by Heresies Collective, whose core group consisted of Joyce Kozloff, Miriam Schapiro, Joan Semmel, Lucy Lippard, Mary Beth Edelson, Nancy Spero, and Harmony Hammond.

She was an instructor at the New York Feminist Art Institute.

1978

Hammond curated A Lesbian Show in 1978 at 112 Greene Street Workshop, featuring works by lesbian artists.

1980

She was one of the featured artists in the "Great American Lesbian Art Show" at the Woman's Building in 1980.

1981

In 1981, Hammond curated and exhibited her work in Home Work: The Domestic Environment As Reflected in the Work of Women Artists, sponsored by the New York State Council of the Arts (NYSCA) and The Women's Hall of Fame, Seneca Falls, NY.

1984

In 1984, she moved to New Mexico, where she lives and works today.

1988

As a tenured full professor, Hammond taught painting, combined media and graduate critiques at the University of Arizona in Tucson, from 1988 to 2005.

Hammond continues to teach workshops and writes, curates, and lectures on feminist, lesbian, and queer art.

In her art, Hammond asserts that traditionally feminine qualities are worthwhile artistic subjects and means for artistic creation.

1990

In the 1990s Hammond primarily made mixed-media installations that incorporated a range of traditionally non-art materials (such as human hair and corrugated roofing) with traditional oil painting, and in the first decade of the 2000s, her focus was on making monochrome abstract paintings.

1999

She also curated an exhibition in 1999 at Plan B Evolving Arts in Santa Fe titled Out West, bringing together 41 lesbian, gay, bisexual, transgender and two-spirit artists from the Southwest.

2000

In 2000 she published Lesbian Art in America: A Contemporary History.

2010

She is featured in two 2010 films on feminist art - The Heretics, directed by Joan Braderman which focuses on the founders of the magazines Heresies: A Feminist Publication of Art and Politics in 1976; and !Women Art Revolution, directed by Lynn Hershman Leeson.