Age, Biography and Wiki
Felix Bernstein & Gabe Rubin was born on 20 May, 1992 in New York, New York, United States, is an Artistic duo and performance artists. Discover Felix Bernstein & Gabe Rubin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 31 years old?
Popular As |
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Age |
31 years old |
Zodiac Sign |
Taurus |
Born |
20 May, 1992 |
Birthday |
20 May |
Birthplace |
New York, New York, United States |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 20 May.
He is a member of famous Artist with the age 31 years old group.
Felix Bernstein & Gabe Rubin Height, Weight & Measurements
At 31 years old, Felix Bernstein & Gabe Rubin height not available right now. We will update Felix Bernstein & Gabe Rubin's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
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Not Available |
Felix Bernstein & Gabe Rubin Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Felix Bernstein & Gabe Rubin worth at the age of 31 years old? Felix Bernstein & Gabe Rubin’s income source is mostly from being a successful Artist. He is from United States. We have estimated Felix Bernstein & Gabe Rubin's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
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Not Available |
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Artist |
Felix Bernstein & Gabe Rubin Social Network
Timeline
Bernstein and Rubin consider the show to be a work of “Anemic Aestheaterory,” referring to Marcel Duchamp’s film Anemic Cinema (1926) and the etymological relationship between “theory” and “theater.”
Felix Bernstein (born 1992, New York, NY) and Gabe Rubin (born 1992, New York, NY) are an artist duo whose interdisciplinary work consists of noise, camp, and poet’s theater.
As described by Rubin: "“A friend showed me some of Felix’s videos on the website blip.tv in 2008, and I thought they were fantastic and watched them all the time. […] We bonded very quickly, spending many nights staying up late watching obscure exploitation, Euro Trash, and Sleaze films, and a diverse range of horror films from the ’70s. We also watched a lot of performances of songs from musicals and sang a lot of karaoke. I had been grappling with my gender identity for some time, and he was the first person I came out to. The first time we ever recorded a video together we had just come back from a party and were lip-syncing to Aqua in my room.”"
The two artists began collaborating in 2010 as students at Bard College, where they both studied film.
Bernstein and Rubin have presented film, music, and theater together at MOCA Los Angeles, Issue Project Room, Anthology Film Archives, and the Whitney Museum of American Art.
Bernstein and Rubin met as high schoolers in New York City, but developed a friendship and working relationship while both attending Bard College in 2010, where they related over the “middlebrow aesthetic” of musical theatre.
Both Bernstein and Rubin performed in the opera Victorine by Mayo Thompson and Art & Language at the 2012 Whitney Biennial.
The artists have also performed together as Tender Cousins, a two-piece musical act.
He graduated from Bard College in 2013.
His poetry and cultural criticism has been published in Flash Art, Spike Art Quarterly, Poetry Magazine, Hyperallergic, and Texte Zur Kunst.
Gabe Rubin graduated from Bard College in 2014 and has performed, directed, stage managed, and edited for various films, performances, and theatrical productions including the opera Victorine by Art & Language and The Red Krayola at the 2012 Whitney Biennial, and Transition Incomplete at the Museum of Contemporary Art, Los Angeles.
Among Bernstein and Rubin’s early collaborations are a series of YouTube videos including Felix and Gabe Sing Jellicle Cats for Four Hours (2014) and Pagan Women Yahoo Group with Gabe Rubin (2014).
Their directorial projects have included the film Boyland, featured in the 2015 Brooklyn Film Festival; and Bieber Bathos Elegy, a “hybrid work of musical performance” staged at the Whitney Museum of American Art in 2016.
The self-described “ambiguous twosome” has also performed together as a two-piece musical act called Tender Cousins.
Bernstein and Rubin made their co-directorial debut in 2015 with Boyland, a short experimental film adaptation of the poem "The Love that Dare Not Speak Its Name" by Oscar Wilde's lover Lord Alfred Douglas.
The film was included in the 2015 Brooklyn Film Festival.
The duo staged and exhibited Bernstein’s libretto Bieber Bathos Elegy At the Whitney Museum of American Art in 2016.
Also at the Whitney, Rubin performed in Jill Kroesen’s Collecting Injustices (2016) and Bernstein in Andrew Lampert’s Synonym for Untitled (2013).
Bernstein and Rubin’s first joint exhibition, Folie à Deux, opened at David Lewis Gallery Phoenix in June 2018.
Felix Bernstein is the author of the poetry collection Burn Book, and a book of essays, Notes on Post-Conceptual Poetry.
In 2018, he was also featured in the transmasculine photo series American Boys by Soraya Zaman.
In June 2018, Bernstein and Rubin staged their first joint exhibition, Folie à Deux, at David Lewis Gallery.
Its centerpiece was a 45-minute film, Madame de Void: A Melodrama, concerning the relationship between fashion designer Madame de Void (derivative of both Cruella de Vil and Marquis de Sade, played by Bernstein) and her dog Blot (played by Rubin).
An accompanying audio-play titled Folie à Deux: A Duodrama elaborates on the relational dialectic between these two characters.
In February 2020, their video installation, Vomitorium, debuted at The Kitchen at Queenslab.
The production was influenced by drag, queer theory, and Greek tragedies, with Rubin narrating the film as various Greek mythological figures and Bernstein playing Onkos, a character named after Greek theatrical masks.
The installation included a history of metatheatre and an adapted section of Gian Lorenzo Bernini's play The Impresario.