Age, Biography and Wiki

Felix Bernstein was born on 20 May, 1992 in New York City, U.S., is an American artist. Discover Felix Bernstein's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 31 years old?

Popular As N/A
Occupation N/A
Age 31 years old
Zodiac Sign Taurus
Born 20 May, 1992
Birthday 20 May
Birthplace New York City, U.S.
Nationality United States

We recommend you to check the complete list of Famous People born on 20 May. He is a member of famous Artist with the age 31 years old group.

Felix Bernstein Height, Weight & Measurements

At 31 years old, Felix Bernstein height not available right now. We will update Felix Bernstein's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Felix Bernstein Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Felix Bernstein worth at the age of 31 years old? Felix Bernstein’s income source is mostly from being a successful Artist. He is from United States. We have estimated Felix Bernstein's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
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Source of Income Artist

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Timeline

1992

Felix Bernstein (born May 20, 1992) is a performance artist, video artist, writer, and cultural critic.

2008

Bernstein's first video was a satirical coming out video for YouTube made in clown make-up in 2008.

2012

In 2012, his first narrative film, Unchained Melody, premiered at Anthology Film Archives, featuring his parents Charles Bernstein and Susan Bee, the poet Cole Heinowitz, and the singer Shelley Hirsch.

In 2012, together with Gabe Rubin, he co-performed and co-directed Art & Language / Red Krayola's opera Victorine at the 2012 Whitney Biennial.

Felix Bernstein & Gabe Rubin make music, stage shows, and videos around themes of impersonation, poly-sexuality, and persona.

2013

Bernstein was born in New York City to poet Charles Bernstein and artist Susan Bee, and attended Bard College, graduating in 2013.

Bernstein's art includes narrative films, poetry, short YouTube videos, durational performance videos, and live performances.

In his work, he often plays characters based on cultural icons including: Amy Winehouse, Lamb Chop (puppet), Antony Hegerty, Leopold Brant (a parody of Peter Brant II), and Lady Gaga.

2015

In the New York Times, Holland Cotter called Bernstein's "blistering cultural criticism," one of the best things in 2015 art.

Notes was selected by Seth Price as the best book of 2015 in Artforum.

Price wrote,

"Bernstein's book is basically a symptomology report, which is one definition of an artwork. Symptoms include youth culture, the avant-garde, queer theory, alt lit, and social media…Keeping a space open can be a political act, and that's what Bernstein's doing with his writing, or his persona, and maybe there's no difference. It's hard to say what this space is, but you could call it a space of trouble."

2016

In January 2016, Bernstein, working with Rubin, debuted the stage show Bieber Bathos Elegy at the Whitney Museum of American Art.

In February 2016, Nightboat published Bernstein's first poetry collection, Burn Book.

2018

His most recent work with Rubin, titled "Folie à Deux" (2018), will be featured at the David Lewis gallery.

Bernstein's work has been described as "zany" and "confessional."

Bernstein's cultural criticism has been published in The Brooklyn Rail, Htmlgiant, The Volta, The Believer, Coldfront, Lemonhound, Hyperallergic, The Fanzine, and The Boston Review.

Bernstein's article-turned-book "Notes on Post-Conceptual Poetry" is a critical and ambivalent survey of language poetry, conceptual poetry and the art in their lineage.

Bernstein's central argument is that there has been a shift from language poetry's death of the author to conceptual poetry's death of the writerly to post-conceptual poetry's death of reading.

The Goldsmith aesthetic, along with that of postpostmodernism in general (Queer Theory, Speculative Realism, Metamodernism, Gaga Feminism, Alternative literature, New Sincerity), has brought a decline in incisive and dialectical criticality, an overemphasis on social networks, slapdash viral superstars, and a hyper-mediated institutionalization of affect through an unconscious structuralism that masks itself as a romantic return to sheer materiality and the great outdoors.

According to Capilano Review,

"Drawing on thinkers from Deleuze to Lacan to Love to Ngai to Badiou to Barthes to Perloff, and combining a Zizekian X-ray vision with the biting 'you can't scare me' of youth, Notes constitutes Bernstein's irruption into / refusal of the institutional avant-garde."

Laurent Milesi and Radu Vancu call Notes "one of the most savvy, brazen, ambitious poetic manifestoes of a generation."