Age, Biography and Wiki

Diether de la Motte was born on 30 March, 1928 in Bonn, is a German composer and musicologist. Discover Diether de la Motte's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 82 years old?

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Occupation Composer Music theorist Music critic
Age 82 years old
Zodiac Sign Aries
Born 30 March, 1928
Birthday 30 March
Birthplace Bonn
Date of death 15 May, 2010
Died Place Halle
Nationality

We recommend you to check the complete list of Famous People born on 30 March. He is a member of famous composer with the age 82 years old group.

Diether de la Motte Height, Weight & Measurements

At 82 years old, Diether de la Motte height not available right now. We will update Diether de la Motte's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Diether de la Motte Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Diether de la Motte worth at the age of 82 years old? Diether de la Motte’s income source is mostly from being a successful composer. He is from . We have estimated Diether de la Motte's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income composer

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Timeline

1928

Diether de la Motte (30 March 1928 – 15 May 2010) was a German musician, composer, music theorist, music critic and academic teacher.

1947

Born in Bonn, de la Motte studied at the Hochschule für Musik Detmold from 1947 to 1950, composition with Wilhelm Maler, choral conducting with Kurt Thomas, and piano.

1950

From 1950 to 1959 he was a lecturer for composition, theory of form and piano at the Düsseldorf Kirchenmusikschule.

1955

From 1955, he wrote music reviews for the Rheinische Post.

1959

From 1959 to 1962, he worked as an editor at Schott Musikverlag in Mainz.

He took courses at Darmstädter Ferienkurse, with Ernst Krenek, among others.

1962

From 1962, de la Motte taught composition and music theory at the Musikhochschule Hamburg and was appointed a professor there in 1964.

1970

His opera Der Aufsichtsrat, to a libretto by Rolf Schneider (writer), was premiered at the Staatsoper Hannover on 1 February 1970.

1972

In 1972, he became president of the Akademie der Künste in Berlin.

1975

He wrote an opera so oder so (Like This or That), five scenic variations to his own libretto, which was first performed at the Hamburg State Opera on 10 April 1975.

Besides his compositional work, de la Motte is widely known as a music theorist.

His writings belong to the standard literature for students of music and musicology.

He wrote fundamental books on musical analysis, counterpoint and harmony.

His archive is held by the Akademie der Künste, containing autographs and prints of both compositions and written publications such as monographies, essays and lectures, his correspondence with Gottfried von Einem, Wolfgang Fortner, Hans Werner Henze, Friederike Mayröcker and Bernd Alois Zimmermann, concert programs, reviews and photographies.

1982

In 1982 he was appointed professor at the Musikhochschule Hannover.

1988

In 1988, he accepted a call as professor of music theory, a new chair at the Wiener Musikakademie, where he taught until 1996.

Among his students were Detlev Glanert, Clemens Kühn, Nikolaus Schapfl, Manfred Trojahn and Franz Zaunschirm.

De la Motte was married to Helga de la Motte-Haber.

2006

They lived in Vienna until 2006 when they moved back to Berlin.

He died there at the age of 82.

The compositional output of de la Motte encompasses almost all genres and ranges, from traditional forms such as stage work, orchestral, vocal and chamber music to experimental events, performances and pieces with ground-breaking ideas.