Age, Biography and Wiki
Anthony Weston was born on 25 February, 1954 in Spring Green, Wisconsin, U.S., is an American logician. Discover Anthony Weston's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 70 years old?
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Age |
70 years old |
Zodiac Sign |
Pisces |
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25 February, 1954 |
Birthday |
25 February |
Birthplace |
Spring Green, Wisconsin, U.S. |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 25 February.
He is a member of famous with the age 70 years old group.
Anthony Weston Height, Weight & Measurements
At 70 years old, Anthony Weston height not available right now. We will update Anthony Weston's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Anthony Weston Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Anthony Weston worth at the age of 70 years old? Anthony Weston’s income source is mostly from being a successful . He is from United States. We have estimated Anthony Weston's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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Not Available |
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Anthony Weston Social Network
Timeline
Anthony Weston is an American writer, teacher, and philosopher.
He is an author of widely used primers in critical thinking and ethical practice and of a variety of unconventional books and essays on philosophical topics.
Weston was born in 1954 and grew up in the Sauk County region of southwestern Wisconsin, country identified with the conservationist Aldo Leopold (in his Sand County Almanac) and the architect and visionary Frank Lloyd Wright, a strong influence on his father's family.
He is a 1976 Honors graduate of Macalester College, and received his PhD in philosophy in 1982 from the University of Michigan, where he wrote his PhD dissertation with Frithjof Bergmann on "The Subjectivity of Values".
He taught at the State University of New York at Stony Brook for ten years, and subsequently at Elon University, where he has won the university's premiere awards for both teaching and scholarship, as well as abroad in Costa Rica, Western Australia, and British Columbia.
Weston has worked in philosophy for his entire professional life but teaches and writes on interdisciplinary themes and beyond as well.
He has co-taught with biologists and ecologists and in both Philosophy and Environmental Studies at Elon, working as well with astronomers, Zen masters and in environmental education programs as well as on design and social change projects such as Common Ground Eco-Village.
Weston retired from full-time teaching in 2018 while continuing to write and to take more leadership roles in the eco-village.
Weston's philosophical project as a whole advances an expansive "toolbox" for critical, creative, and constructive thinking, especially for purposes of social and environmental re-imagination and pragmatic ethical practice.
The social, ethical, even ontological problems that we so often take as "given" are more often, he argues, products of underlying conditions, practices, and choices.
This view may be identified with deconstruction, but too often, Weston argues,
This reconstructive project calls on a set of skills and concepts less often recognized and valued in philosophy.
Inspired in particular by the pragmatic social philosophy of John Dewey, Weston envisions open-ended, generative, imaginative and experimental thinking, modeled on crafts such as building or performance and empirical science, gradually displacing more category-bound and formal thinking that tends to be more reactive and critical.
In a variety of essays and books he lays out key concepts such as "the hidden possibilities of things" – the sense that the world has much more depth and possibility than it may seem – and correlatively the need to thematize and resist self-validating reduction, the process by which some being or some part of the world are reduced to less than they might be, and then that very reduction is taken as an excuse and validation for itself, the obliterated possibilities now thoroughly out of view.
Correspondingly, the task of knowing and valuing is not to "read off" the nature and possibility of things off the world as it is "given", but to actively engage the world, to "venture the trust" to create new kinds of openings in interaction with the world within which deeper possibilities might emerge.
Settled modes of value issue in the familiar ethics, of persons for example, but the "originary" areas of ethics, as Weston calls them, are only now taking shape, and are not a matter of extension or application of pre-given principles but rather the co-creation or co-constitution of new values.
In environmental ethics in particular, Weston argues that we stand at the very beginning of our exploration.
At the same time, he also argues for a "multicentric" approach to reconstituting the human relation to the more-than-human world, as opposed to the "mono-centrism" that could either be human-centered (anthropocentric) or larger-than-human but still "centered" in the sense that one dimension and model for values determines who or what morally counts and why.
Another key theme is the centrality of the built and lived world to the shaping of thought, as well as vice versa.
Philosophers tend to assume a one-way connection—that thought determines world—while philosophy's critics, such as doctrinaire Marxists, see it just the other way around.
In Weston's view the connection goes both ways, and is genuinely dialectical.
A world or a set of concrete practices represent the enactment of certain ideas, but they also shape our ideas in turn.
The cultural enactment and perpetuation of anthropocentrism is one good example.
But this is, in his view, a good thing, and a necessary one: it gives thought an anchor, allows us to work out ideas concretely, and gives us a lever for philosophical change as well: by actually changing the world.
Once again, the world as it is, is not somehow the limit of possibility.
Finally, just as ethical practice becomes intelligent, creative, critical engagement with problematic situations and possibilities rather than "puzzle-solving", so even the widely taught and conventional field of critical thinking becomes something more than a matter of testing someone else's arguments for "fallacies", but rather a constructive and open-ended process of framing one's own arguments and energetically recasting and exploring others' lines of thought.
Weston has called his overall project "Pragmatopian", adapting Charlotte Perkins Gilman's term for the project of her visionary novels: radical but experimental utopias.
Philosophy as he tries to practice it, Weston has said, is a kind of "pragmatopian dare".
Weston has written over fifty essays and reviews in the above fields as well as others such as philosophy of education and the philosophy of space exploration.
Some of the more noted and often-reprinted of these are (original appearances only):
Critics argue that Weston's notions of "originary ethics" and "reconstructive engagement" offer little or no concrete guidance, especially in less-than-optimal situations in which choices nonetheless must be made.
Though Weston has challenged what he has called "dilemma-ism" as a method of doing ethics or as an expectation about the necessary structure of ethical problems, sometimes we do have genuine dilemmas that need to be addressed.
Some critics hold that Weston's commitment to opening up new possibilities may open up a range of problematic and possibly disturbing possibilities as well.
Weston's ethics textbooks in particular take substantive positions in ethical philosophy.
Weston's rationale is that any practical textbook necessarily does so, and that this is just less noticeable or objectionable to traditionalists in the usual textbooks because the substance tends to be the taken-for-granted norms.
Weston's method is to try to reconstruct certain fields the long way around: by rewriting their textbooks, modeling a quite different approach in practice and therefore inviting new kinds of students into the field and perhaps also reshaping their teachers' views without arguing in the usual way against the assumed norms.