Age, Biography and Wiki

Anna Maria Maiolino was born on 20 May, 1942 in Scalea, Calabria, Italy, is a Brazilian contemporary artist. Discover Anna Maria Maiolino's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 81 years old?

Popular As N/A
Occupation N/A
Age 81 years old
Zodiac Sign Taurus
Born 20 May, 1942
Birthday 20 May
Birthplace Scalea, Calabria, Italy
Nationality Italy

We recommend you to check the complete list of Famous People born on 20 May. She is a member of famous artist with the age 81 years old group.

Anna Maria Maiolino Height, Weight & Measurements

At 81 years old, Anna Maria Maiolino height not available right now. We will update Anna Maria Maiolino's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

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Anna Maria Maiolino Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Anna Maria Maiolino worth at the age of 81 years old? Anna Maria Maiolino’s income source is mostly from being a successful artist. She is from Italy. We have estimated Anna Maria Maiolino's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Timeline

1942

Anna Maria Maiolino (born May 20, 1942) is a Brazilian contemporary artist.

Maiolino was born in Scalea, in Calabria in southern Italy, to an Italian father and Ecuadorian mother.

1954

In 1954, her family emigrated to Venezuela, where she later attended Escuela Nacional Cristobal Rojas in 1958.

1960

In 1960, she and her family moved to Rio de Janeiro, Brazil.

Here, she attended painting and woodcut courses at Escola Nacional de Belas Artes where she met artists Antonio Dias and Rubens Gerchman, with whom she would later participate in the early Brazilian art movements.

When Maiolino was 18, she became involved in the early Brazilian art movements of the 1960s and 1970s; this included the New Configuration, Neo-Concretism, and the New Brazilian Objectivity movement in 1967, which shifted the nature of Brazilian art.

While she was involved with the Brazilian Objectivity movement, she worked with many respected Brazilian artists, including Lygia Clark and Lygia Pape.

During these years her paintings were viewed as resistances to the Brazilian military regime, as well as the country's growing urban inequalities.

1967

Maiolino showed her first solo exhibition of her woodcuts in 1967 at the Goeldi gallery.

1968

After becoming a Brazilian citizen, she moved to New York in 1968 to focus more on Minimalism and Conceptualism artwork; during this time she created works that influenced interaction between the object and the viewer.

1970

From the mid-1970s and up until the 1980s she began working with Super 8 films, and other projects that encouraged performative interaction between the objects of art and audience.

1971

In mid-1971 she was granted a scholarship to attend the International Graphic Center Workshop at Pratt University because of the recommendation of Luis Camnitzer.

While in New York, she turned to poetry as her primary mode of expression.

After returning to Brazil in late 1971, she began to create drawings and text based compositions.

Some of her work from those years include Mapas Mentais (Mental Maps) (1971–74), Book Objects (1971-76), and Drawing Objects (1971–76).

1989

In 1989, she was granted the Mário Pedrosa Prize by the Brazilian Association of Art Critics for the best show of the year for her exhibition at the Pequena gallery, and began working with clay on the Modeled Earth series.

In 1989, she began to use clay, cement, and plaster to sculpt wall-mounted sculptures.

After this move, she has continued to explore the material through creating labor-intensive processes such as modeling, molding, and casting in references to recurrent gestures through a series of installations.

1990

Maiolino's drawings from the 1990s focused primarily on similar methods from her earlier exploration of materials and media.

1994

In 1994 Maiolino received the "Os Melhores de 1993-Pesquisa de Linguagem (The best of 1993- Language research)" prize from the Association of São Paulo Art Critics for her exhibition, "Um, Nenhum, Cem Mil ("One, None, One Hundred Thousand") and was a part of the 1996 show of 20th century Women Artists: "Inside the Visible". In 2001, The Drawing center published a catalog entitled- A Life Line, and that same year her works were included in the MoMA collection.

Maiolino now lives and works in São Paulo, Brazil.

2006

When she works with paper it becomes more than a drawing surface, but matter and body, which is visible in her 2006 drawing 'Untitled', which captures the poetic discourse that she is able to use through a simple gesture.

2010

In 2010, Maiolino had different art works from the past 30 years of her career displayed in an exhibition ('Continuum') at the Camden Arts Centre in London, England.

One of the installations, made entirely from clay, is a symbol of everyday tasks, the individual, language and society.

She created the piece by hand, rolling and molding the clay into 100 different shapes.

2012

In 2012, she participated in Documenta 13 (Kassel, Germany) with the work Here & There, a site specific installation from the Modeled Earth series, composed of clay, sounds and plants.

The same year, she won the MASP Mercedes-Benz Prize for Visual Arts 2012 for Best Contemporary Artist of the Year, which granted her a solo exhibition at MASP.

2014

More recent solo exhibitions include 'The Matrix 252', which is a selection of videos that use the body to express life when ruled by an oppressive government and 'Affections' (2014).