Age, Biography and Wiki
Rubens Gerchman was born on 10 January, 1942 in Brazil, is a Brazilian artist (1942–2008). Discover Rubens Gerchman's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 66 years old?
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Age |
66 years old |
Zodiac Sign |
Capricorn |
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10 January, 1942 |
Birthday |
10 January |
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Date of death |
2008 |
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Brazil
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We recommend you to check the complete list of Famous People born on 10 January.
He is a member of famous artist with the age 66 years old group.
Rubens Gerchman Height, Weight & Measurements
At 66 years old, Rubens Gerchman height not available right now. We will update Rubens Gerchman's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
Rubens Gerchman Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Rubens Gerchman worth at the age of 66 years old? Rubens Gerchman’s income source is mostly from being a successful artist. He is from Brazil. We have estimated Rubens Gerchman's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
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Not Available |
Source of Income |
artist |
Rubens Gerchman Social Network
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Timeline
Rubens Gerchman (January 10, 1942 in Rio de Janeiro – January 29, 2008) was a Brazilian painter and sculptor.
He was heavily influenced by concrete and neoconcrete art.
Many of Gerchman's works are paintings based on populist themes and his political beliefs, which followed those of neoconcrete artists.
His sculptures with letters, stem from concrete poetry.
Gerchman studied at the Rio de Janeiro School of Fine Arts.
In the 1960s, his work focused on mass culture.
He used faces clipped from news photos, but unlike Andy Warhol, who used infamous celebrity, he used images of anonymous individuals.
These faces would be reproduced as multiple painted images in a comic-strip style.
In the late 1960s, Gerchman devoted his interest to urban isolation and alienation.
He produced boxes and containers destined to be opened by spectators, and made a series of mixed media collages on wood, broadly titled Caixa de morar (Box to Live In), which reflects this theme.
One work in this series, O rei do mau gosto (The King of Bad Taste), was a satire on the bourgeoisie and industrial tycoons set in a monstrous tropical paradise.
From the mid-1960s to the early 1970s, Gerchman incorporated letters and words in his paintings, photographs, and sculptures.
Gerchman's work in the 1960s influenced the spread of kitsch in Brazilian paintings.
His comic-strip inspired a form of pop art in Brazil that was based on people and events.
Museum Exhibitations/Shows
In 1967, he completed sculptural works which included Terra (Earth), Lute ("Struggle") and Sós ("Alone").
Terra integrated Gerchman's box with hollowed out letters, while Sós played on his Boxes to Live In series with its reference to isolation and alienation.
Lastly, Lute expresses political importance.
During his stay in New York City from 1968 to 1973, Gerchman adapted to his new audience by producing works with English words.
His new works still reflected Gerchman's populist nature, and are rooted in concrete poetry.
Some of his work with letters also addresses issues of Latin America's relative geographic location in the Southern Hemisphere.