Age, Biography and Wiki
Ann Nocenti was born on 17 January, 1957 in United States, is an American journalist, comic book writer and editor. Discover Ann Nocenti's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 67 years old?
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67 years old |
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Capricorn |
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United States
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We recommend you to check the complete list of Famous People born on 17 January.
She is a member of famous Writer with the age 67 years old group.
Ann Nocenti Height, Weight & Measurements
At 67 years old, Ann Nocenti height not available right now. We will update Ann Nocenti's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Ann Nocenti Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Ann Nocenti worth at the age of 67 years old? Ann Nocenti’s income source is mostly from being a successful Writer. She is from United States. We have estimated Ann Nocenti's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
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Pending |
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Under Review |
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Ann Nocenti Social Network
Timeline
Ann "Annie" Nocenti (born January 17, 1957) is an American journalist, filmmaker, teacher, comic book writer and editor.
She is best known for her work at Marvel in the late 1980s, particularly a four-year stint as the editor of Uncanny X-Men and The New Mutants (written by Chris Claremont) as well as her run as a writer of Daredevil, illustrated primarily by John Romita Jr.. Nocenti has co-created such Marvel characters as Longshot, Mojo, Spiral, Blackheart and Typhoid Mary.
Nocenti is noted for her outspoken political views, including but not limited to animal rights and alcoholism, which characterized her run on Daredevil.
When Ann Nocenti was a child, her parents frowned upon comics, though there were some in her house, including Archie Comics, a Pogo anthology that Nocenti loved, and a Dick Tracy anthology whose grotesquely-rendered characters piqued Nocenti's curiosity, more so than the heroes.
Nocenti attended college at SUNY New Paltz, during which she discovered the work of Robert Crumb.
After graduating from SUNY New Paltz, she discovered the superhero genre when she answered an ad in the Village Voice, which led to her being given her first published comics job at Marvel Comics by editor Dennis O'Neil.
Nocenti made her comics writing debut with a six-page mythological story, drawn by Greg LaRocque, in the Marvel anthology Bizarre Adventures #32 (August 1982).
She got her first regular comics assignment with Marvel's superhero series Spider-Woman, starting with issue #47 (December 1982).
It was not a promising assignment; Marvel had already decided to end the series with issue #50 (June 1983) due to flagging sales.
With heavy guidance from editor Mark Gruenwald (who had himself written the series for a time), Nocenti ended the series with the death of the titular character, a decision she came to regret.
She recalled, "It was before I understood the intense, personal attachment the readers have to the characters. In retrospect, I realized it wasn't a nice thing to kill a character off. As I worked in the field for a while, I developed a strong personal attachment to a lot of characters and I realized how alive they were."
Shortly after, Nocenti lent a hand to Spider-Woman's resurrection in Avengers #240–241 as "story consultant".
She wrote an issue each of Doctor Strange and Star Wars before writing the four-issue miniseries Beauty and the Beast (December 1984 – June 1985), featuring the superheroes Dazzler and the Beast.
During this period Nocenti was on staff at Marvel, working as an assistant editor for Carl Potts on such titles as The Incredible Hulk, The Defenders, Doctor Strange, and The Thing.
Nocenti and artist Arthur Adams created the character Longshot in a titular, six-issue miniseries (September 1985 – February 1986).
Explaining the concept of the character, which Nocenti borrowed from existentialist writers, she states, "Longshot is the idea of stripping someone of everything that they are. I never read comics, so the idea of a hero to me was different. I couldn't think of it in terms of a 'super hero' hero. I thought of it more as a conceptual hero. Not having a comic book background, I tend to come up with the metaphysics before I come up with the characters. I knew that I wanted to deal with the metaphysics of luck. It was a concept that interested me ... what luck is, what probability is, how you could shift probabilities towards yourself. What are the repercussions of that? So, I did a character centered around that idea. At the time, Nocenti was pursuing her Master's degree at the School of International and Public Affairs, Columbia University, working at the magazine Lies of Our Times, and reading the work of writers such as Marshall McLuhan, Noam Chomsky, Edward S. Herman and Walter Lippmann.
Longshot's archvillain, Mojo, a slaver and dictator who rules his dimension through the television programs he produces, was created as a direct result of these influences.
After collaborating with Adams on the Spider-Man feature in Web of Spider-Man Annual #2 (September 1986), and with penciler Mike Mignola on a short backup story there, Nocenti teamed with artist Barry Windsor-Smith on Daredevil #236 (November 1986).
Two issues later, she became the regular writer for a four-and-a-quarter year run from #238–291 (January 1987 – April 1991), minus issues #246 and #258.
Nocenti specifically addressed societal issues, with Murdock, now running a non-profit urban legal center, confronting sexism, racism, and nuclear proliferation while fighting supervillains.
Nocenti introduced the popular antagonist Typhoid Mary in issue #254 (May 1988).
She also wrote The Inhumans Graphic Novel in 1988, and the 1998 X-Men novel Prisoner X.
as well as the demon Blackheart in #270 (September 1989).
In addition to contributing occasional stories to such anthologies as Marvel Comics Presents and Marvel Fanfare, and writing a handful of Spider-Man fill-ins, Nocenti also produced the graphic novel Someplace Strange in collaboration with artist John Bolton.
A character named Manufactured Consent after the Chomsky book of the same name, who appeared in the Nocenti's 1990 book The New Mutants Summer Special in 1990, was also born of these works.
Later in the mid-1990s, for Marvel, she wrote a four-issue miniseries each starring Typhoid Mary and the supernatural supervillain Nightmare.
In the 1990s, Nocenti began to focus on journalism and filmmaking.
For the DC Comics imprint Vertigo, Nocenti wrote the 16-issue run of Kid Eternity (May 1993 – September 1994).
In Marvel Comics Presents #150 (1994), Nocenti introduced Jessie Drake, a teenaged mutant, who revealed in issue #151 that she was transgender, marking Marvel's first transgender mutant, and hero.
After a 25-year absence, the character reappeared in Marvel's Voices: Pride #1, which Marvel published in June 2021 as part of Pride Month.
After writing two issues of Marvel's The All New Exiles in 1996, plus the four-page dramatic story "Old Man", with artist Bolton, in the Dark Horse Comics anthology Strange Wink #3 (May 1998), Nocenti left comics to pursue journalism.
She returned briefly, in 2003 and 2004, writing four Batman stories for DC.
She edited High Times magazine for one year (2004) and was an editor on Prison Life Magazine.
Her journalism has been published in The Nation, Print, Utne, Heeb, The Brooklyn Rail, CounterPunch, Filmmaker, and Details.
She has also done work for MoveOn.org.
Nocenti was among the writers for Daredevil #500 published in August 2009.
Nocenti wrote Green Arrow starting with issue #7 published in March 2012.
In September 2012, Nocenti became the writer of Catwoman with issue #0.
She launched a Katana series the following February.