Arthur Adams

Arthur Adams (born April 5, 1963) is an American comic book artist and writer.

Arthur Adams was born on April 5, 1963 in Holyoke, Massachusetts, though his family moved from there when he was a year old, and thus he has no memory of that town.

His father was a loadmaster in the United States Air Force, and as a result, Adams frequently moved with his parents and four younger brothers to places that included West Virginia.

When Adams was five years old, the family settled in Vacaville, California, near Travis Air Force Base.

Adams' first exposure to superhero and monster comics came through the ones his mother would buy for him once a month at a thrift store.

His enthusiasm for superhero stories by particular creators began when his father returned from an overseas trip with the first Marvel Treasury Grab-Bag, which included stories by Ross Andru, Wally Wood, and Gene Colan.

He particularly liked Marvel Comics for their stories with monster-like characters like the Thing, the Hulk, and the Man-Thing.

He became interested in dinosaurs and monsters like King Kong after watching Creature Features on TV every Saturday, and Universal Monster movies such as Frankenstein and Creature from the Black Lagoon.

He also enjoyed superhero and science fiction programming, such as Super Friends, the 1967 Spider-Man cartoon, and Star Trek.

Adams enjoyed drawing frequently in his youth, as far back as he could remember.

He discovered the work of Frank Frazetta when he was 13 or 14, and attempted to mimic his style using watercolor.

Adams did not consider illustration as a profession, however, as he aspired to be a paleontologist.

His interest in professional paleontology waned, however, when he realized that the extreme climates of the environments in which he would be required to work were not appealing to him.

Adams' desire to draw drawing comics professionally was cemented in high school, when he bought Marvel Comics' Micronauts #1, which was illustrated by Michael Golden, the first artist Adams noticed significantly.

He relates:

"I was collecting comic books from the mid-70s, and then I discovered Michael Golden working on Micronauts. And I don't know exactly what it is about the very first issue of Micronauts. Something about it just blew me away. That was the book that made me say, 'Yeah, this is what I'm going to do for my career, for the rest of my life. I'm going to find a way to draw comic books, man!'"

Adams would subsequently seek out work by other artists, such as Barry Windsor-Smith, whom he has called a "huge" influence upon his work, and Mike Kaluta, Bernie Wrightson and Terry Austin.

Adams also cites Bill Sienkiewicz's "Moon Knight" work in The Hulk! magazine and in particular Walter Simonson's work on The Uncanny X-Men and The New Teen Titans, which Adams saw as "the bible of how to draw comics", and "the perfect example of how to do a team book."

Adams names Simonson and Golden as his two largest artistic influences.

Simonson and his wife, writer/editor Louise Simonson, would later become close friends and collaborators with Adams, with Louise editing Adams' breakthrough project, Longshot.

Adams also says he was influenced by Jack Kirby after he became a professional artist.

Adams submitted the horror story "One-Eyed Jack", which saw print High-Energy #1 (cover dated Spring 1982).

He first broke into the American comic book industry with the 1985 Marvel Comics miniseries Longshot.

His subsequent interior comics work includes a number of Marvel's major books, including The Uncanny X-Men, Excalibur, X-Factor, Fantastic Four, Hulk, and Ultimate Comics: X, as well as books by various other publishers, such as Action Comics, Vampirella, The Rocketeer, and The Authority.

Adams has also illustrated books featuring characters for which he has a personal love, such as Godzilla, the Creature from the Black Lagoon, and Gumby, the latter of which garnered him a 1988 Eisner Award for Best Single Issue.

Because he tends to consult source material when illustrating a book, he studied much of Kirby's work in particular during his 1990 run on Fantastic Four, learning much about focusing on clarity and dynamism over attention to detail.

In 1994, Adams joined a group of creators that included Frank Miller, John Byrne, and Mike Mignola to form Legend, an imprint of creator-owned comics published by Dark Horse Comics, through which Adams published Monkeyman and O'Brien, a science fiction adventure series featuring archetypal sci-fi monsters that Adams wrote and illustrated.

In a 1997 interview, Adams responded to the observation that fans had noticed a manga influence in his work by stating that he had likely been influenced by Masamune Shirow.

Aside from books on drawing human anatomy, Adams' only formal education in illustration was learning newspaper strip-type drawing in his freshman year of high school from Mr. Vandenberg, a teacher who stressed the importance of clear storytelling and perspective.

After a female classmate Adams was attracted to talked him into joining the acting club, Adams also considered becoming an actor, eventually doing community theater for two years.

He quit acting when he turned 19, in order to concentrate on drawing.

Adams initially created a portfolio of pinups and monster splash pages, and added story sequences when he began attending comics conventions at age 17.

At one of them, Adams met someone who, after seeing Adams' artwork, asked Adams for a submission for a comic book fanzine he was putting together called High-Energy.

Although the Legend imprint ceased in 1998, Monkeyman and O'Brien continued to appear in print, sometimes in crossover stories with other comics characters, such as Gen¹³/Monkeyman and O'Brien (1998), and Savage Dragon #41 (September 1997).

Because of his reputedly tight, labor-intensive penciling style, which was initially influenced by Michael Golden and Walter Simonson, and his admittedly slow pace, Adams mostly does cover work.

In the early 2000s he was commissioned to create artwork for the drum kit used by System of a Down drummer John Dolmayan.

He is one of the most popular and widely imitated artists in the comics industry, whose drawing style has been credited as an influence upon artists such as Joe Madureira and Ed McGuinness, as well as the artists associated with the founding and early days of Image Comics, such as J. Scott Campbell.

When he does do interior art, it is usually for short storylines, one-shots, miniseries or contributions to anthologies, such as his 2002–2004 work on "Jonni Future", a pulp science fiction series he co-created with Steve Moore for the Wildstorm Productions anthology Tom Strong's Terrific Tales, and his 2008 work on Hulk (Vol 2) #7 - 9.

His other cover work includes books such as Avengers Classic, Wonder Woman, and JLA, as well as pinups and other spot illustrations for books such as Sin City, The Official Handbook of the Marvel Universe and his own published sketchbook series, Arthur Adams Sketchbook.

He has done design work for toys and video games, and miniature busts have been produced based on his renditions of notable characters.