Age, Biography and Wiki

Z'EV (Stefan Joel Weisser) was born on 8 February, 1951 in Los Angeles, California, U.S., is an American percussionist. Discover Z'EV's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 66 years old?

Popular As Stefan Joel Weisser
Occupation Poet · sound artist
Age 66 years old
Zodiac Sign Aquarius
Born 8 February 1951
Birthday 8 February
Birthplace Los Angeles, California, U.S.
Date of death 16 December, 2017
Died Place Chicago, Illinois, U.S.
Nationality United States

We recommend you to check the complete list of Famous People born on 8 February. He is a member of famous Poet with the age 66 years old group.

Z'EV Height, Weight & Measurements

At 66 years old, Z'EV height not available right now. We will update Z'EV's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Z'EV Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Z'EV worth at the age of 66 years old? Z'EV’s income source is mostly from being a successful Poet. He is from United States. We have estimated Z'EV's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Poet

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Timeline

1951

Z'EV (born Stefan Joel Weisser, February 8, 1951 – December 16, 2017) was an American poet, percussionist, and sound artist.

After studying various world music traditions at CalArts, he began creating his own percussion sounds out of industrial materials for a variety of record labels.

He is regarded as a pioneer of industrial music.

1959

From 1959 to 1965, he studied drumming with Arnie Frank, then Chuck Flores and then Art Anton at Drum City in Van Nuys, California.

1963

In 1963, he abandoned Judaism and began his lifelong relationship with world religions and esoteric systems.

1966

From 1966 to 1969, he performed in a jazz rock band with Carl Stone and James Stewart.

After auditioning for Frank Zappa's Bizarre Records, the band ceased activities and both he and Stone began attending the California Institute of the Arts.

1969

After studying at CalArts from 1969 to 1970, he began producing works using the name S. Weisser, primarily concentrating on visual and sound poetries.

1975

In 1975, he was included in the "Second Generation" show at the Museum of Conceptual Art in San Francisco.

He also became a member of Cellar-M, a musical project of Naut Humon.

1976

In 1976 he moved from Los Angeles to the Bay Area.

A primary reason for this move was his association with the San Francisco alternative exhibition space La Mamelle, run by Carl Loeffler and Nancy Evans.

1977

In 1977, he presented his first solo percussion performance at La Mamelle under the project title 'Sound of Wind and Limb'.

1978

In 1978 he began developing an idiosyncratic performance technique utilizing self-developed instruments formed from industrial materials such as stainless steel, titanium, and PVC plastics.

Initially these instruments were assemblages of these materials, used with a movement-based performance style that was a form of marionette, although with the performer visible.

He has since come to refer to this performance mode as 'wild-style', a term originally related to graffiti.

At this time, he first began to perform outside of the fine art context, initially at the Mabuhay Gardens in San Francisco.

In the fall of 1978, he began performing under the name Z'EV, which comes from the Hebrew name his parents gave him at birth (Sh'aul Z'ev bn Yakov bn Moshe bn Sha'ul).

1980

Z'EV was a strong presence in the New York City downtown music scene in the 1980s and 1990s, performing with Elliott Sharp, Glenn Branca, and doing solo performances at The Kitchen, The Knitting Factory, Danceteria, and other venues where experimental music flourished.

In November and December 1980, Z'EV opened a series of UK and European concerts in the first headlining tour of the British group Bauhaus.

On that tour, and his first solo tour of Europe immediately afterwards, Z'EV introduced intense metal based percussion musics to the UK and Europe.

Critic Jason Pettigrew (current editor-in-chief of Alternative Press magazine) attests to Z'EV's pioneering use of metal found object as percussion, writing: "Consider your music collection. Neubauten? Test Department? Z'EV's been there first.'

1981

In 1981, 'Shake Rattle & Roll', a VHS video documenting his first wild-style performance on the East coast (produced by video artist Jon Child), was released by Fetish Records in the UK and was the first 'music' / art video to be commercially released.

1982

In 1982 he worked with Glenn Branca for Branca's Symphony No. 2 in which Z'EV had a solo segment swinging with metal can overhead, and rattling chains and sheets of steel.

1983

In 1983, critic Roy Sablosky wrote: "Z'EV doesn't just break the rules, he changes them."

Journalist Louis Morra wrote in 1983: "Z'EV is a consummate example of contemporary performance art, as well as modern composition and theater."

and, "Z'EV realizes many of modernist art's ultimate goals: primitivism, improvisation, multi-media/conjunction of art forms, the artist as direct creator."

His work with text and sound was influenced by Kabbalah, as well as African, Afro-Caribbean and Indonesian music and culture.

He studied Ewe music, Balinese gamelan, and Indian tala.

1984

After 1984, he concentrated on performing in a more traditional mallet-percussion style, albeit with highly idiosyncratic and "extended" mallet percussion techniques and his self-made or adapted instruments.

In point of fact, Z'EV doesn't actually consider the results as "music" per se, but more as orchestrations of highly rhythmic acoustic phenomena.

1986

From 1986 to 1990, he was a Guest Teacher in Composition and Improvisation at the Theater School for New Dance Development in Amsterdam.

With dancer Ria Higler, he mentored a group through their entire four-year course of study.

1988

He would continue to work with Humon on various projects, such as Rhythm & Noise, until 1988.

1990

In 1990, he began working with Amsterdam house musician, DJ Dano.

Their work, also in conjunction with Austrian media artist Konrad Becker, was instrumental in the emergence of the genres known as gabber and hardcore.

His recordings have been released by C.I.P., Cold Spring, Die Stadt, Soleilmoon, Tzadik Records, Subterranean and Touch.

2016

Z'EV was injured in the 2016 Cimarron train derailment which took place near Dodge City, Kansas on March 14, 2016.

After this incident, he continued to have health problems, but continued working.

He lived for three months in the guest room of his friend Boyd Rice in Southern California.