Age, Biography and Wiki
Konrad Becker was born on 9 January, 1959 in Vienna, Austria, is an A 20th-century austrian male artist. Discover Konrad Becker's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 65 years old?
Popular As |
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Occupation |
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Age |
65 years old |
Zodiac Sign |
Capricorn |
Born |
9 January, 1959 |
Birthday |
9 January |
Birthplace |
Vienna, Austria |
Nationality |
Austria
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We recommend you to check the complete list of Famous People born on 9 January.
He is a member of famous artist with the age 65 years old group.
Konrad Becker Height, Weight & Measurements
At 65 years old, Konrad Becker height not available right now. We will update Konrad Becker's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
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Not Available |
Konrad Becker Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Konrad Becker worth at the age of 65 years old? Konrad Becker’s income source is mostly from being a successful artist. He is from Austria. We have estimated Konrad Becker's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
artist |
Konrad Becker Social Network
Timeline
Konrad Becker (born January 9, 1959, in Vienna) is an artist, hypermedia researcher, and interdisciplinary content developer, director of the Institute for New Culture Technologies-t0 and initiator of Public Netbase and World-Information.Org.
Since 1979, he has been active in electronic media as an artist, writer, composer, curator, producer and organizer of numerous intermedia productions, exhibitions, and event designs for international festivals and cultural institutions.
He has published media works, electronic audiovisuals and theoretical texts, lectured and held positions at various universities, and participated in conferences and symposia.
He has been a member of various boards and committees on information and communication technologies and culture, and has worked as a consultant.
A focal point of Konrad Becker’s activities as a new media researcher, activist and theoretician is the Institute for New Culture Technologies-t0, which he founded together with Francisco de Sousa Webber.
As actor, Konrad Becker is known for his role as Böckstiegel in Wolfgang Petersen's anti-war drama Das Boot (1981).
As a musician Konrad Becker created Monoton, the crucial Austrian electronic music act providing distinguished soundscapes.
Starting its activities in 1993, t0 created one of the first arts and culture related sites on the emerging World Wide Web.
It is one of the pioneering organizations in this field in Europe and has also assumed a very important role on the local level as a main site for the development of the new media arts and cultural scene in Vienna/Austria.
t0’s activities are implemented mainly through long-term projects / sub-organizations, e.g. Public Netbase and World-Information.Org, currently: World-Information Institute.
In addition to the strategic development of the Institute and its projects, Becker’s activities include the conceptualization of conferences and exhibitions, lecturing, research projects; his theoretical approach is also developed in a series of books which started in 2002 with Tactical Reality Dictionary.
The Wire magazine singled out Monoton’s record Monotonprodukt07 as one of the 100 most important records of the 20th century.
In recent years, Konrad Becker has focused on notebook live jamming with minimalist rigor.
At the borderline of sound art, psychoacoustics and contemporary dance practices, Konrad Becker's project has crossed a variety of genres over the years and has gone through various mutations and side projects.
Starting with meta-mathematical and performative multimedia installations, from industrial ambience noise to audio software art and a dance context in the early rave scene he also developed theatrical productions.