Age, Biography and Wiki
Salim al-Dabbagh was born on 1941 in Mosul, Iraq, is an Iraqi painter and installation artist. Discover Salim al-Dabbagh's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 81 years old?
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Age |
81 years old |
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Born |
1941 |
Birthday |
1941 |
Birthplace |
Mosul, Iraq |
Date of death |
4 December, 2022 |
Died Place |
San Diego CA USA |
Nationality |
Iraq
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We recommend you to check the complete list of Famous People born on 1941.
He is a member of famous Painter with the age 81 years old group.
Salim al-Dabbagh Height, Weight & Measurements
At 81 years old, Salim al-Dabbagh height not available right now. We will update Salim al-Dabbagh's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
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Not Available |
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Not Available |
Children |
Not Available |
Salim al-Dabbagh Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Salim al-Dabbagh worth at the age of 81 years old? Salim al-Dabbagh’s income source is mostly from being a successful Painter. He is from Iraq. We have estimated Salim al-Dabbagh's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Painter |
Salim al-Dabbagh Social Network
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Timeline
Salim al-Dabbagh (born 1941 in Mosul, Iraq) is an Iraqi painter and installation artist noted for abstract work that references Iraqi traditions.
Salim al-Dabbagh was born in Mosul, Iraq in 1941.
As a child he observed locals engaged in traditional craft-work, which helped him to develop a love of local tradition and culture.
He was fascinated by the women using goat hair to weave tents on the streets and in the squares.
He would later use this as a source of inspiration for his artwork.
He obtained a degree in painting from the Baghdad Institute of Fine Arts in 1965.
In 1965, he was one of the founders of the art group known as Al-Mujadidin (The Innovationists) whose members included Salman Abbas, Amer al-Obaidi, Saleh al-Jumai'e, Faik Husein, Nida Kadhim and Talib Makki, The membership of this group comprised younger members of Iraq's arts scene, and especially those who wanted to experiment with different media and who often chose war and conflict as key themes for their artwork and was one of the more enduring of all Iraq's art groups.
The group held its first exhibition in 1965 at the National Gallery of Modern Art where members all exhibited works.
He was then awarded a scholarship by the Calouste Gulbenkian Foundation to undertake a two-year course in graphic arts in Lisbon (1967–68).
He began painting in an abstract style as a student of Roman Artymowski, the Polish artist used circular geometric forms.
However, al-Dabbagh, who wanted to reference the nomads' tents he had observed as a child, was enchanted by rectangular forms.
He was an active participant in the Iraqi arts community.
He was one of the founders of the Innovationists Group; an artists' collective that helped to shape modern art in Iraq and was the Head of the Graphic Department at the Institute of Fine Arts in Baghdad from 1971 to 2000.
Al-Dabbagh has worked as an art and graphic design professor and served as Head of the Graphic Design Department at Baghdad's Institute of Fine Arts (1971-2000) and has also worked as a consultant to Iraqi fashion houses.
He lives and works in Baghdad.
Al-Dabbagh has been the recipient of multiple awards including:
He has held several solo exhibitions in Baghdad, Lisbon, Kuwait and Beirut.
His work is conspicuously abstract, however, the sources of inspiration evident in his paintings are distinctly Iraqi.
The Kaaba (cube) is purest source of inspiration, but he also uses other geometric forms.
The colours he favours are black and white; a reference to the black and white tents as used by Bedouin nomads.