Age, Biography and Wiki
Amer al-Obaidi was born on 1943 in Al Najaf, Iraq, is an Amer al Obaidi is Iraqi born painter, now residing in the United. Discover Amer al-Obaidi's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 81 years old?
Popular As |
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Occupation |
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Age |
81 years old |
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Born |
1943, 1943 |
Birthday |
1943 |
Birthplace |
Al Najaf, Iraq |
Nationality |
Iraq
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We recommend you to check the complete list of Famous People born on 1943.
He is a member of famous Painter with the age 81 years old group.
Amer al-Obaidi Height, Weight & Measurements
At 81 years old, Amer al-Obaidi height not available right now. We will update Amer al-Obaidi's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
Who Is Amer al-Obaidi's Wife?
His wife is Sawsan Abdulkarim (schoolteacher)
Family |
Parents |
Not Available |
Wife |
Sawsan Abdulkarim (schoolteacher) |
Sibling |
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Children |
Not Available |
Amer al-Obaidi Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Amer al-Obaidi worth at the age of 81 years old? Amer al-Obaidi’s income source is mostly from being a successful Painter. He is from Iraq. We have estimated Amer al-Obaidi's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
Painter |
Amer al-Obaidi Social Network
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Timeline
Amer al-Obaidi (born 1943, Al Najaf) is an Iraqi-born painter, now residing in the United States, who is noted for artwork that emphasises Iraqi folklore and tradition.
Amer Al Obaidi was born in Al Najaf in 1943 into a large, wealthy, Muslim family.
As a boy of 10 or 11, he was fascinated by cracks in the dry dirt formed by the baking sun.
So he cut out a block of earth, let it harden in the sun for two days, and used a knife to create his first sculpture.
He showed it to his father, who recognized his talent and encouraged him to paint by purchasing paper, clay and pencils for the boy.
His family encouraged him to pursue painting as a career.
He obtained a BA in Fine Arts from Baghdad University in 1969.
His artistic talents came to public attention, when at age of 22, he was awarded the first place at an International Arts Festival in Ibiza, Spain.
Al-Obaidi prepared illustrations for local newspapers and magazines, and illustrated certain children's books.
The group held its first exhibition at the National Gallery of Modern Art where members all exhibited works.
After graduating, Al-Obaidi began working in administrative positions in Iraq's art museums, working his way up to the key role of Director of National Museum of Modern Art in Baghdad, a position he held from 1973 to 1983.
Later, he was the General Director of Fine Arts of Iraq and also taught in Saudi Arabia for three years.
While in Saudi Arabia, he completed a Wall Carpet for the King Abdulaziz International Airport in Jeddah.
Throughout this period, he continued to paint, but in 1995 he quit his administrative roles to focus exclusively on working as practising artist.
In 2006, Al-Obaidi's family suffered a tragedy when Amer’s son, Bader, was killed by a roadside bomb in Baghdad, while waiting for his father and sister in a shopping precinct.
Amer’s wife, Sawsan, also suffered horrific injuries in the same incident, losing part of her eyesight and ultimately having her leg amputated.
Following this event, the family relocated to Syria and in 2008, were relocated to Iowa, United States through the UNHCR.
Al-Obaidi is one of a large number of Iraqi artists who have fled Iraq and now live abroad permanently.
The Ministry of Culture has estimated that more than 80% of all Iraqi artists are now living in exile.
Al-Obaidi’s work places a great deal of emphasis on Arabian folklore in general, and Iraqi tradition in particular.
A recurring element in his paintings is the Arabian horse.
He also paints works depicting his personal experiences of life in a war-torn land in an effort to alert audiences to the suffering endured by local people under the hands of the foreign occupiers.