Age, Biography and Wiki

Peter Wilkins was born on 26 July, 1968 in London, is a British visual artist. Discover Peter Wilkins's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 55 years old?

Popular As N/A
Occupation Visual artist
Age 55 years old
Zodiac Sign Leo
Born 26 July 1968
Birthday 26 July
Birthplace London
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 26 July. He is a member of famous artist with the age 55 years old group.

Peter Wilkins Height, Weight & Measurements

At 55 years old, Peter Wilkins height not available right now. We will update Peter Wilkins's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Peter Wilkins Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Peter Wilkins worth at the age of 55 years old? Peter Wilkins’s income source is mostly from being a successful artist. He is from United Kingdom. We have estimated Peter Wilkins's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Source of Income artist

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Timeline

1955

These works were a significant part of Wilkins' work in About Turn: Newfoundland in Venice—an official exhibition at the 55th Venice Biennale.

1960

The exhibit marked the 60th year of Newfoundland’s Confederation with Canada.

1968

Peter Wilkins (born July 26, 1968) is a British multimedia artist living in Newfoundland, Canada.

He is best known for his kinetic portraits, in particular, 12 Kinetic Portraits of Canadian Writers.

1991

Wilkins lived in London until 1991 when he moved to Canada and then Prague.

1998

Since 1998, he has lived in Newfoundland and Labrador, Canada.

2004

In 2004 Wilkins exhibited his first series of Kinetic Portraits which were of 12 Prominent Newfoundlanders.

Kinetic Portraits of 12 Prominent Newfoundlanders was on exhibit at the Confederation Centre Art Gallery in Charlottetown, Prince Edward Island.

2005

In 2005 and 2006, Wilkins created 12 Kinetic Portraits of Canadian Writers.

Combining explorations of portraiture, technology and interpretation, these portraits feature representations of twelve celebrated Canadian writers, including Margaret Atwood, Roch Carrier, Austin Clarke, Douglas Coupland, Wayne Johnston, Anne-Marie MacDonald, Alistair MacLeod, Yann Martel, Anne Michaels, David Adams Richards, Jane Urquhart and M.G. Vassanji.

Off-camera, Wilkins has engaged his sitters in a series of personal questions, exploring their hopes, fears and ideals.

The resulting likenesses embody the process of "sitting" itself, pushing the traditional idea of portraiture by adding the dimension of time.

The exhibition was curated by Bruce Johnson for The Rooms Provincial Art Gallery in St. John's, NL.

2008

These works have been exhibited at The Rooms Provincial Gallery in St. John's, Newfoundland and Labrador and the entire suite was purchased by the Portrait Gallery of Canada in 2008.

He was the first artist-in-residence at Memorial University of Newfoundland.

Wilkins has appeared on British TV, as co-host in Dom Joly's Happy Hour for Sky TV.

The pair travelled the world exploring global drinking habits and how different cultures approached alcohol.

Wilkins also accompanied Dom Joly in Excellent Adventures, again for Sky TV and broadcast on the OLN network in Canada.

Wilkins grew up in Leicestershire, England.

He attended Stowe School in Buckinghamshire and then studied computing and business at the West London Institute of Higher Education (now Brunel University).

The Portrait Gallery of Canada acquired 12 Kinetic Portraits of Canadian Writers in 2008.

2011

Loop was a featured exhibition of the Scotiabank Contact Photography Festival, Toronto, 2011 at the Textile Museum of Canada.

Loop features Wilkins' recent work with Toronto urban spaces, consisting of a series of photographs.

The Colour of Wine investigates and celebrates the varying and contrasting colours of wine.

They also document and present the tonal shifts and depth of colour within a glass of wine.

The wines featured in this series are Beaujolais (Gamay), Cabernet Sauvignon, Chardonnay, Malbec, Pinot Grigio, Pinot Noir, Shiraz and Zinfandel.

2013

These works will be shown at the Toronto International Art Fair, 2013.

2017

They are large format, (6 ft x 4 ft) photographic artworks which incorporate the classic Dutch still life of the 17th century, mid 20th century color-field abstract expressionism melded with contemporary large format photography.

Each artwork studies a single colour – so, Red, for instance is made up of cooked lobster, strawberries, red wine, red apples, raspberries, roses, steak (rare)and paint to reference the history of still life.

All this items are photographed individually and then arranged in horizontal lines that create new patterns, tonal changes of colour and relationships between the items.

The artworks are conceived to work on a number of levels –the viewers initial impression is of a red image, but upon closer inspection the documentary detail of the still life is revealed.

The scale is also important as it helps the viewer become lost in colour and then discover the detail.

The colours used are Red, White, Blue and Yellow.

A new series of Kinetic Portraits based on Canadian musicians, including solo artists and groups of all genres.

James Ehnes, Hey, Rosetta!, Kid Koala and Sam Roberts were all exhibited at the Venice Biennale.

The series is currently in process.

New Grooves is inspired by album covers and are Wilkins’s endeavor to capture the colour and pictorial elements of the original album artwork.

These elements are digitally re-mixed and abstractly represented as circular artworks – mimicking the scale and size of the vinyl record using the original artwork to create a new emblematic aesthetic of the album cover.

At first glance the works are experiments in colour.

A playful element ensues as the view tries to guess the source of the cover.