Age, Biography and Wiki
Leemour Pelli was born on 1964 in New York City, United States, is an American artist. Discover Leemour Pelli's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 60 years old?
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60 years old |
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1964 |
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1964 |
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New York City, United States |
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United States
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We recommend you to check the complete list of Famous People born on 1964.
She is a member of famous artist with the age 60 years old group.
Leemour Pelli Height, Weight & Measurements
At 60 years old, Leemour Pelli height not available right now. We will update Leemour Pelli's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Leemour Pelli Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Leemour Pelli worth at the age of 60 years old? Leemour Pelli’s income source is mostly from being a successful artist. She is from United States. We have estimated Leemour Pelli's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
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artist |
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Timeline
Leemour Pelli is an American artist living and working in New York City.
She is primarily a painter and she also makes sculpture, works on paper, installation, prints, and photography.
Leemour Pelli was born in New York City.
Pelli received a Bachelor of Fine Arts degree in Painting from the School of Visual Arts in New York and she earned a master's degree in art history from Hunter College.
Pelli also studied at the Ecole Nationale Superieure des Beaux Arts, the Academie Charpentiere in Paris, Cornell University, and the Bezalel Academy of Art in Jerusalem.
Pelli's work resembles medical imagery and x-rays in the way she depicts anatomy and the organs of the body, including the heart, rib cages, and lungs by seeing through the figure itself.
Distorted human figures appear with enlarged ribcages and hearts, overlapping lungs, and other anatomical organs such as intestines.
According to curator Robin Reisenfeld, Pelli's works use "anatomical and skeletal parts as a means to give physical presence to intangible emotional states and allude to the porous border between inner and outer states of reality."
Barry Schwabsky writes in a review of her work in The New York Times in 2000 "The color is soft and diaphanous in feeling, and yet the paint has been laid on thickly in blunt horizontal strokes. These color fields manage to be both atmospheric and obdurate at once."
Pelli's work is the public collection of the Flint Institute of Art in Flint, Michigan.
Solo and two-person exhibitions:
Lisa Turvey writes in her Artforum review of Pelli's 2008 exhibition at Daneyal Mahmoud Gallery, which included paintings and sculpture, that Pelli's work is a "rumination on the life force as pitted against the certainties of bone and death."
Her figures are shown in heightened states of emotion, solitude, love and connection through saturated color and gesture of the brushwork.
Turvey continues “she uses an ontological bait and switch of representing skeletons, parts and whole, as animate entities trying to commune with one another.
This manifests itself in...'transferlike smudges'."
Poetry and literature are a source of inspiration for Pelli's work.
Pelli develops personas and narratives from these writers' work and her titles are often references this.
Pelli's use of washes and transparent layered color are juxtaposed with dense marks.