John Romita Jr.

John Salvatore Romita (born August 17, 1956) is an American comics artist best known for his extensive work for Marvel Comics from the 1970s to the 2010s.

He is the son of artist John Romita Sr..

John Romita Jr. was born August 17, 1956, the son of Virginia (Bruno) and comic book artist John Romita Sr.., one of the signature Spider-Man artists since the 1960s.

Inspired by Romita's drawing, Lee, John Buscema and Jim Mooney created the Hobie Brown version of the character that would debut in The Amazing Spider-Man #78 (Nov. 1969).

Romita Jr. began his career at Marvel UK, doing sketches for covers of reprints.

His American debut was with a six-page story entitled "Chaos at the Coffee Bean!"

He studied advertising art and design at Farmingdale State College in East Farmingdale, New York, graduating in 1976.

Romita Jr.'s first contribution to Marvel Comics was at the age of 13 with the creation of the original Prowler, a sketch of which Romita had produced.

Editor Stan Lee liked the name but not the costume; Romita combined the name with a design that he had previously intended for a character called the Stalker that was intended for the never-published The Spectacular Spider-Man #3.

in The Amazing Spider-Man Annual #11 (1977).

Romita's early popularity began with his run on Iron Man with writer David Michelinie and artist Bob Layton which began in 1978.

The creative team introduced several supporting characters, including Tony Stark's bodyguard girlfriend Bethany Cabe and rival industrialist Justin Hammer.

In the early 1980s, he had his first regular run on the series The Amazing Spider-Man and also was the artist for the launch of the Dazzler series.

He and writer Dennis O'Neil introduced Madame Web in The Amazing Spider-Man #210 (Nov. 1980) and Hydro-Man in issue #212 (Jan. 1981).

In 1982, Romita Jr. drew Marvel Super Hero Contest of Champions the first limited series published by Marvel Comics.

Working with writer Roger Stern on The Amazing Spider-Man, he co-created the character Hobgoblin.

From 1983 to 1986 he had a run on the Uncanny X-Men with Dan Green and author Chris Claremont and co-created Forge.

Romita has downplayed the significance of his run, saying that few of the characters introduced during this time were co-created by him and that his style has had no discernible influence on succeeding X-Men artists.

His relationship with Claremont was rather cool at the time, as Claremont did not like his work as much as the artists he had previously worked with.

His run on the title from 1988 to 1990 included the creation of long-running Daredevil nemesis Typhoid Mary.

After Daredevil #282, Romita left the series to pursue other projects, though his experience on Daredevil would influence his later return to the character with Frank Miller.

He worked on a host of Marvel titles during the 1990s, including a return to Iron Man for the second "Armor Wars" story arc, written by John Byrne; The Punisher War Zone; the Cable miniseries; and the Punisher/Batman crossover.

Klaus Janson was a frequent inker.

Romita contacted Frank Miller and told him that he wanted to collaborate on a graphic novel, suggesting they work on Wolverine.

Miller dismissed this, saying that too many other creators were producing books featuring that character, and instead sent Romita a rejected 64-page film treatment for what was essentially a "Daredevil Year One"-type story.

After Romita completed adapating the story into comics form, Miller told him that he had written an addendum to be set in between Pages 17 and 18, which ended up adding 84 more pages to the book, changing its format.

Stan Lee interviewed Romita and his father in Episode 8 of the 1991–1992 documentary series The Comic Book Greats.

He would return for a second run on Uncanny X-Men in 1993, which he said he liked better "because of getting to work with [writer] Scott Lobdell."

After he ended his first run on The Uncanny X-Men, Romita was assigned to Star Brand, one of the titles on Marvel's New Universe imprint, which featured a character the Romita was told would be Marvel's version of Superman.

The title did not do well in sales, and Romita could not return to the X-Men.

This experience, and personality conflicts that he had with those in editorial left Romita so disillusioned that he considered quitting the industry entirely.

However, editor Ralph Macchio approached him one day as Romita was leaving the Marvel offices and asked him to consider working on Daredevil.

Romita had never considered working on that character, despite the fact that his father had done so, but Macchio said he would be paired with writer Ann Nocenti, and that he would not only be allowed to do full pencils for the first time (having previously been restricted to doing only breakdowns ), but would also collaborate on plots, and be allowed to choose his own inker.

A skeptical Romita jokingly said he wanted Al Williamson, and was surprised when Williamson was assigned was confirmed a day later.

For Romita himself, his stint on Daredevil was most significant for being both the first time he was allowed to do full pencils, and the first time he had a working relationship with the writer on a series.

He later remarked that "I finally felt like I was part of the creation process for the first time while I was on DD."

The result was the 144-page, 5-issue miniseries Daredevil: The Man Without Fear, which was published in 1993, The book was a retelling of the character's origin, which reunited Romita with Williamson on inks.

Elements from the storyline were adapted into the 2015 Netflix series Daredevil.

In a 2017 interview with SyFy Wire, Romita stated this run reinvigorated his enthusiasm for comics work, marking a turning point in his career.

In a 2017 interview, Romita said that in terms of storytelling, he thought that Man Without Fear was the best work he had ever done, due to the strong storytelling and the quality of the story.