Age, Biography and Wiki

George Roy Hill was born on 20 December, 1921 in Minneapolis, Minnesota, USA, is a director,actor,writer. Discover George Roy Hill's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 81 years old?

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Occupation director,actor,writer
Age 81 years old
Zodiac Sign Sagittarius
Born 20 December 1921
Birthday 20 December
Birthplace Minneapolis, Minnesota, USA
Date of death 27 December, 2002
Died Place New York City, New York, USA
Nationality United States

We recommend you to check the complete list of Famous People born on 20 December. He is a member of famous Director with the age 81 years old group.

George Roy Hill Height, Weight & Measurements

At 81 years old, George Roy Hill height not available right now. We will update George Roy Hill's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
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Who Is George Roy Hill's Wife?

His wife is Louisa Horton (7 April 1951 - ?) ( divorced) ( 4 children)

Family
Parents Not Available
Wife Louisa Horton (7 April 1951 - ?) ( divorced) ( 4 children)
Sibling Not Available
Children Not Available

George Roy Hill Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is George Roy Hill worth at the age of 81 years old? George Roy Hill’s income source is mostly from being a successful Director. He is from United States. We have estimated George Roy Hill's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Director

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Timeline

1895

Not to be confused with another ace director of an earlier generation, George W. Hill (1895-1934).

1900

The Newman-Redford chemistry resumed with the best caper comedy of its day, "The Sting", which was inspired by the exploits of Fred and Charlie Gondorf, famous practitioners of the 'big store' confidence racket in the early 1900's. Complete with a clever trick ending, this was, arguably, Hill's crowning achievement. To lend the film authenticity, Hill used very little camera movement and shot the picture in the 'flat-camera' style so typical of Warner Brothers gangster films of the 30's and 40's. The inter-titles - with drawings reminiscent of The Saturday Evening Post - helped lend the film a bit of 'retro-cachet' as well. Aided by Henry Bumstead's elaborately constructed, 'aged' sets, rotogravure cinematography by Robert Surtees and costumes by Edith Head, the film grossed some $68. 4 million (almost $315million, adjusted for inflation, in '17) during its initial run. It went on to garner seven Oscars.

1930

From this, Hill developed a lifelong passion for flying which often reflected in his films (he held a pilot's license from the age of seventeen and later acquired a 1930 Waco biplane, which he took on spins in his spare time -- whenever he was not indulging his other favourite pastimes of reading history or listening to recordings of Johann Sebastian Bach).

1945

Biography in: John Wakeman, editor. "World Film Directors, Volume Two, 1945- 1985". Pages 429-433. New York: The H.W. Wilson Company, 1988.

1949

In 1949, he gained his B. A. in literature from Trinity College, Dublin. Remaining in Ireland, Hill first acted on stage with Cyril Cusack's company, making his debut in "The Devil's Disciple" at the Gaiety Theatre. He then appeared on Broadway in "Richard II" and "The Taming of the Shrew".

1954

After Korea, he divided his time between writing/directing live anthology TV (1954-59) and directing plays on and off Broadway (1957-62).

1958

Was nominated for Broadway's 1958 Tony Award as Best Director for "Look Homeward, Angel."

1962

Hill's cinematic breakthrough came with Period of Adjustment (1962), featuring an up-and-coming Jane Fonda (Hill had previously directed the original Tennessee Williams play on Broadway, featuring Barbara Baxley in the Fonda part).

1963

After eliciting strong performances from both Geraldine Page and Wendy Hiller in his filming of Lillian Hellman's Toys in the Attic (1963), he followed up with a moderately successful comedy The World of Henry Orient (1964) which centred around a second rate pianist (Peter Sellers) as the object of fantasies by 2 teenage girls. This films put him on the map.

1966

However, his fourth film, Hawaii (1966), shot at the cost of $15 million (a little bit more than $100 million, adjusted for inflation), was a critical and box office failure, though quickly redeemed by the exuberant Thoroughly Modern Millie (1967), one of the best musicals of the 1960's (and possibly the zaniest ever made!). It was Hill's next pair of films - using the same pair of actors - which was to firmly cement his place at the top. Hill was instrumental in securing the serendipitous pairing of Paul Newman with Robert Redford for the first of his two massive box office hits: "Butch Cassidy and the Sundance Kid". He tenaciously fought studio executives who envisaged more seasoned performers like Jack Lemmon and Warren Beatty (or, possibly, Steve McQueen) in the respective parts. Hill's military discipline and predilection for stubbornness prevailed, while it was Newman who worked on Hill in setting the humorous tone for the picture. "Butch and Sundance" effectively reinvigorated the western genre.

1969

George Roy Hill was never able to 'hit it off' with the critics despite the fact that 2 of his films - Butch Cassidy and the Sundance Kid (1969), and The Sting (1973) - had remained among the top 10 box office hits by 1976. His work was frequently derided as 'impersonal' or lacking in stylistic trademarks. Andrew Sarris famously referred to it as 'idiosyncratic, odious, oiliness'. Hill, himself didn't help his own cause by shunning the limelight, avoiding appearances on chat shows and often keeping the press off his sets.

1972

He also donated original materials, including story boards, interviews, stills, scene sketches and set designs from the making of "Butch Cassidy and the Sundance Kid" and Slaughterhouse-Five (1972) to the Sterling Memorial Library in New Haven, Connecticut.

1975

Sadly, none of Hill's later efforts ever came close to emulating these successes, not even a pet project -- The Great Waldo Pepper (1975) -- for which Hill provided the original story (about a pioneer flying ace (Redford) whose quest to prove himself is stymied by progress and changing values).

1976

Was original choice to direct Buffalo Bill and the Indians, or Sitting Bull's History Lesson (1976).

1977

Slap Shot (1977), a drama about minor league ice hockey, was another near miss. It failed to find mass audience support despite the star power of Paul Newman, mainly because of its excessive violence and crass language. However, it gained something of a cult following among sports enthusiasts in later years.

1983

In a rare interview for a book by Edward Shores in 1983, he declared: "I find publicity distasteful, and I don't think it does the picture any good to focus on the director" (LA Times, Dec.

1988

Hill sadly rounded off his career with a lame duck farce, misleadingly titled Funny Farm (1988). By then, Hill had left Hollywood to teach drama at Yale.

2002

28 2002). Conversely, Hill was 'commercially reliable', a winner with the public and with the academy, picking up an Oscar and a Director's Guild Award for "The Sting" and a BAFTA for "Butch". At his best, Hill was an 'actor's director': a gifted storyteller, with a powerful sense of narrative, and a nostalgic flair for detail. His world was inhabited by individualists, often outsiders, or loners, harbouring unattainable ideals or fantasies, or trying to escape from the realities of a humdrum existence. According to biographer Andrew Horton, Hill framed "a serious view of life in a comic-ironic vein, manipulating genres for his own purposes" (A. Horton, "The Films of George Roy Hill", p. 7). Hill was born to a wealthy Roman Catholic family of Irish background (owners of the Minneapolis Tribune) and educated at private school, followed by graduate studies in music at Yale under the auspices of composer Paul Hindemith. While at university, he became involved with the Yale Dramatic Society and was at one time elected its president. After his graduation, he served as a transport pilot with the U. S. Marines for the duration of World War II. Hill was recalled as a night fighter pilot for the Korean War, rising to the rank of major.