Age, Biography and Wiki
Robert Surtees (Robert Lee Surtees) was born on 9 August, 1906 in Covington, Kentucky, USA, is a cinematographer,camera_department,miscellaneous. Discover Robert Surtees's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 79 years old?
| Popular As |
Robert Lee Surtees |
| Occupation |
cinematographer,camera_department,miscellaneous |
| Age |
79 years old |
| Zodiac Sign |
Leo |
| Born |
9 August, 1906 |
| Birthday |
9 August |
| Birthplace |
Covington, Kentucky, USA |
| Date of death |
5 January, 1985 |
| Died Place |
Monterey, California, USA |
| Nationality |
United States
|
We recommend you to check the complete list of Famous People born on 9 August.
He is a member of famous Cinematographer with the age 79 years old group.
Robert Surtees Height, Weight & Measurements
At 79 years old, Robert Surtees height not available right now. We will update Robert Surtees's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is Robert Surtees's Wife?
His wife is Maydell (? - 5 January 1985) ( his death) ( 4 children)
| Family |
| Parents |
Not Available |
| Wife |
Maydell (? - 5 January 1985) ( his death) ( 4 children) |
| Sibling |
Not Available |
| Children |
Not Available |
Robert Surtees Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Robert Surtees worth at the age of 79 years old? Robert Surtees’s income source is mostly from being a successful Cinematographer. He is from United States. We have estimated Robert Surtees's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Cinematographer |
Robert Surtees Social Network
| Instagram |
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| Facebook |
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| Wikipedia |
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| Imdb |
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Timeline
Robert L. Surtees began his working life as a portrait photographer and retoucher, before becoming camera assistant at Universal in 1927. He spent a lengthy apprenticeship (15 years) working under such experienced cinematographers as Hal Mohr, Joseph Ruttenberg and Gregg Toland.
Between 1929 and 1930, he was seconded to the Universal studios in Berlin, subsequently spending the remainder of the decade at First National, Warner Brothers and Pathe.
He settled at MGM in 1943 (remaining under contract until 1962), and soon developed a reputation as one of Hollywood's foremost lighting cameramen. In keeping with the glamorous, lavish look of MGM product of the time, Surtees typically employed high-key lighting.
Surtees received the first of his 16 Oscar nominations for Thirty Seconds Over Tokyo (1944) (when the studio system was at its peak), and his last - some 33 years later - for The Turning Point (1977).
He excelled at every genre and photographic process, superb at shooting sweeping scenery (for example, his Technicolor lensing of King Solomon's Mines (1950)on location in Africa), or bringing the best out of his close-ups. An undoubted high point in his career would have to be the 9-minute chariot race from "Ben-Hur".
This particularly suited big budget colour epics, like Quo Vadis (1951) and Ben-Hur (1959) (filmed in the large screen Camera 65 process with anamorphic lenses, which greatly enhanced colour definition and sharpness); expansive outdoor musicals like Oklahoma! (1955) (the first picture shot in 70 mm Todd-AO ultra wide- screen format); or lush, romantic period drama like Raintree County (1957). Forever at the cutting edge of technological innovation, Surtees was an extremely versatile craftsman.
Cinematographer for two Oscar Best Picture winners Ben-Hur (1959) and The Sting (1973), and seven other nominees: King Solomon's Mines (1950), Quo Vadis (1951), Mutiny on the Bounty (1962), Doctor Dolittle (1967), The Graduate (1967), The Last Picture Show (1971) and The Turning Point (1977).
Testimony to his ageless endurance was being picked by director Peter Bogdanovich to shoot The Last Picture Show (1971).
