Barbara Goldsmith

The nonfiction narrative tracked the 1930s custody battle for Gloria Vanderbilt (Little Gloria, then).

The book reached the top of The New York Times and Publishers Weekly bestseller lists and was hailed by critics.

It was a main selection of the Book of the Month Club and described as a “literary masterpiece...the skill of Proust,” by Alden Whitman.

The book became both a Paramount Pictures film and a major NBC television mini-series, Little Gloria... Happy at Last, starring Bette Davis, Angela Lansbury, Christopher Plummer, and Maureen Stapleton.

It was nominated for six Emmys, including one which Goldsmith won.

Barbara Goldsmith (May 18, 1931 – June 26, 2016) was an American author, journalist, and philanthropist.

She received critical and popular acclaim for her best-selling books, essays, articles, and her philanthropic work.

She was awarded four honoris causa doctorates, and numerous awards; been elected to the American Academy of Arts and Sciences, two Presidential Commissions, and the New York State Council on the Arts; and honored by The New York Public Library Literary Lions as well as the Literacy Volunteers, the American Academy in Rome, The Authors Guild, and the Guild Hall Academy of Arts for Lifetime Achievement.

Goldsmith was born Barbara Joan Lubun in New York City in 1931.

She received a Bachelor of Arts in 1953 from Wellesley College, where she majored in English, after which she took art courses at Columbia University.

Her first assignments as a journalist were in the art field, where she simultaneously amassed an art collection comprising mostly contemporary American painting and sculpture.

In her early twenties, she wrote a series of prize-winning profiles of such Hollywood luminaries as Clark Gable, Cary Grant, Joan Crawford, and Audrey Hepburn.

In the late 1960s she initiated “The Creative Environment” series, interviewing in-depth Marcel Breuer, I.M. Pei, George Balanchine and Pablo Picasso, among others, about their creative process.

Goldsmith’s “The Creative Environment” caught the eye of Clay Felker, editor of the Sunday magazine supplement of the New York Herald Tribune.

After the Tribune failed in 1967, Goldsmith provided Felker with the money to purchase the rights to the magazine and reinvent it as a standalone glossy, and in 1968 she became a founding editor and writer of New York, where she wrote not only about art, but also about the colorful characters in the art world.

In the third issue of New York, she wrote a landmark article on Viva, a “superstar” in Andy Warhol films, with accompanying photographs by Diane Arbus.

At the time, the article was praised and reviled.

Tom Wolfe called it “Too good not to print” and honored her with inclusion in his anthology The New Journalism.

When Wolfe called her one of the originators of this movement, Goldsmith said, “I think good journalism is all that counts, not a so-called group.” Other notable New York articles included her profiles of the Centennial of the Metropolitan Museum of Art and curator Henry Geldzhaler’s emerging artists exhibit, Thomas Hoving, Jamie Wyeth and Andy Warhol.

Goldsmith wrote “Bacall and the Boys” in 1968, a television special about Lauren Bacall in Paris with the then young, unproven avant-garde designers Yves St. Laurent and Giorgio Armani as well as Pierre Cardin and Marc Bohan of Dior.

This earned her an Emmy award.

From the mid-1970s, though continuing to write for the New Yorker and the New York Times among other publications, Goldsmith concentrated on writing books, all of which brought critical success and became bestsellers.

In 1974 Barbara Goldsmith became an adviser to the Hearst Corporation and then Senior Editor of Harper’s Bazaar, attracting top writers to the publication.

“At magazines I got tired of making other writers look good through my re-writing,” Goldsmith wrote.

In 1975 Goldsmith completed her first book, The Straw Man, a novel about the New York art world.

The wealthy Royceman family’s private art collection—a hundred million dollars worth of Old Masters, Impressionists, Neo-Impressionists, and objects d’art—has been willed by Bertram Royceman to a New York museum to be housed in a special pavilion.

However, Bertie, the only son of Bertram Royceman, files suit to challenge his father’s will.

The ensuing battle exposes many of the players in the art world.

The book reached #1 on the bestseller lists and was praised in a review by John Kenneth Galbraith in New York Magazine as “brilliant social criticism.”

Goldsmith’s second book was Little Gloria...Happy at Last, published in 1980.

Johnson v. Johnson, Goldsmith’s third book, completed in 1987, recounted the longest, most expensive will contest in United States history between Basia Johnson, the widow of pharmaceutical heir J. Seward Johnson, and his children from previous marriages.

It, too, became a bestseller and received critical accolades, such as The Washington Post Book World calling the book, “Brilliant and gripping...I hadn't counted on Barbara Goldsmith who somehow persuaded the combatants on both sides to level with her...The accumulated tawdriness seems part of some mythic destiny.” The New York Times Book Review found it, “Intriguing...a shadowy Gothic family drama.”.

Goldsmith completed her next book in 1998.

Other Powers: The Age of Suffrage, Spiritualism and the Scandalous Victoria Woodhull chronicled the women of the Gilded Age who fought for equality and the right to vote.

Centered around the controversial newspaper editor, spiritualist and free love advocate Victoria Woodhull, author Jane Stanton Hitchcock described the work as "a whole vivid and inclusive way of writing history. It’s spellbinding.” The New York Times’ Richard Bernstein hailed it as an “absorbing, sweeping book...the richness of its narrative, the complex and morally nuanced portraits of its character...You finish it nearly out of breath astonished at the tragic heroism of the flawed character who tried to challenge the American Establishment.” Other Powers was the finalist for the Los Angeles Book Prize. The book is optioned to become a major motion picture.

Her final book, Obsessive Genius: The Inner World of Marie Curie, has been translated into 21 languages world-wide.

In November 2008, Goldsmith sus elected a “Living Landmark” by the New York Landmarks Conservancy.

She has three children and six grandchildren.

The Financial Times declared that "Goldsmith is leaving a legacy—one of art, literature, friends, family and philanthropy."

In 2009, she received the Knight’s Cross of the Order of Merit medal from the Republic of Poland.