Age, Biography and Wiki

Richard Bernstein was born on 30 July, 1966 in Brooklyn, New York, NY, is an American bass. Discover Richard Bernstein's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 57 years old?

Popular As N/A
Occupation N/A
Age 57 years old
Zodiac Sign Leo
Born 30 July, 1966
Birthday 30 July
Birthplace Brooklyn, New York, NY
Nationality United States

We recommend you to check the complete list of Famous People born on 30 July. He is a member of famous with the age 57 years old group.

Richard Bernstein Height, Weight & Measurements

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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Richard Bernstein Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Richard Bernstein worth at the age of 57 years old? Richard Bernstein’s income source is mostly from being a successful . He is from United States. We have estimated Richard Bernstein's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
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Timeline

1966

Richard Bernstein (born July 30, 1966 in Brooklyn, New York) is an American bass.

He is currently a member of the Metropolitan Opera; 2023–24 is his 28th consecutive season with the company; he has sung over 500 performances at the Metropolitan Opera, and has been a part of more than 125 international live broadcasts with the company.

Mr. Bernstein continues his long association with the Metropolitan Opera in the 2023-24 season, which is his 28th consecutive season with the company.

Richard makes his role debut as the Duke of Verona in Gounod’s Roméo et Juliette.

This will also be broadcast Live in HD on March 23, 2024.

Richard will also be covering roles in La rondine, La forza del destino, and Carmen.

The 2022-23 season saw him celebrate his 500th performance at the Met – on New Year’s Eve – as Boroff in Fedora, along with performances of Lady Macbeth of Mtsensk and Dialogues des Carmélites. He concluded the 2022-23 season singing Lodovico in Act III of Verdi’s Otello with Maestro Yannick Nézet-Séguin and the Metropolitan Opera Orchestra at New York’s Carnegie Hall.

He then joined the same forces on a European tour (June-July 2023) that kicked off at the Philharmonie de Paris, followed by performances at the Barbican Centre in London and at the Festspielhaus in Baden-Baden, Germany.

1990

He became a recurring face with the L.A. Opera for a number of years, performing in several productions in the late 1990s and early 2000s.

He began his career as a bass-baritone and made a reputation for himself not only for the burnished tone of his voice, but the physicality of his performing (as noted in an early Opera News profile).

1995

In December 1995, he made his European debut as Orest in Elektra in a high-profile concert version in Valencia with the soprano Leonie Rysanek.

He made his Metropolitan Opera debut in October 1995 as Zuniga in Carmen and has performed 381 times with the company, including several Live in HD broadcasts (broadcast live into movie theaters internationally).

His repertoire with the company includes roles in operas ranging from Tosca and La bohème to Das Rheingold to From the House of the Dead, Wozzeck and Jenufa.

His repertoire in general spans a number of styles and languages, from the bel canto of Rossini (Mustafà in L'italiana in Algeri) to classic French opera (Sancho Panza in Don Quichotte) to 20th-century works such as Benjamin Britten's Albert Herring (Superintendent Budd).

He has also sung three of the four lower-voice roles in Mozart's Don Giovanni – Leporello, Masetto, and the title character – including one memorable concert version performed in Bellingham, WA, where he performed both Leporello and Masetto in the same evening.

The original Masetto cancelled at the last minute due to illness; Bernstein, scheduled to sing Leporello, volunteered to sing both roles, which he did without a score and semi-staged.

Other roles, past and present, include: Daland in Der fliegende Holländer, Méphistophélès in both Gounod's Faust and Berlioz's La damnation de Faust; Prince Gremin in Eugene Onegin, Colline in La bohème; Escamillo in Carmen; Alidoro in La Cenerentola; Raimondo in Lucia di Lammermoor; the Four Villains and Crespel in Les contes d'Hoffmann; Don Basilio in Il barbiere di Siviglia; Ferrando in Il trovatore; and Banquo in Macbeth.

Among the opera companies, orchestras, and festivals with which he has sung are: Seattle Opera, Ravinia Festival, Théâtre du Capitole (Toulouse), Opera Company of Philadelphia, Tanglewood Festival, Boston Symphony Orchestra, New York Philharmonic, San Diego Opera, Vancouver Opera, and Deutsche Oper Berlin.

Contemporary American opera has played a significant role in Bernstein's career, which includes two world premieres.

1998

Other notable concert debuts include his Chicago Symphony Orchestra debut at the Ravinia Festival in July 1998 (soloist in Beethoven's Symphony No. 9), and his Carnegie Hall debut singing the Verdi Requiem in May 1999.

The title role in Mozart's Le nozze di Figaro (The Marriage of Figaro) has been a career-defining role for Bernstein.

He made his Lyric Opera of Chicago debut in the role as a last-minute substitute for Bryn Terfel in 1998, and has sung the opera in several major houses, including at the Metropolitan Opera, Los Angeles Opera, Bayerische Staatsoper (his German debut), and the Teatro Maggio Musicale in Firenze (his Italian debut, with Zubin Mehta conducting).

2001

At Dallas Opera in the 2001–02 season, he created the role of Laurent, the lover (and murder accomplice) of the title character in Thérèse Raquin by Tobias Picker.

2002

In 2002–03, Bernstein was featured as Marco in the Metropolitan Opera premiere of William Bolcom's A View From the Bridge, a role he reprised for Washington Opera in 2007–08.

2006

Next, he created the role of determined prosecutor Orville Mason in Picker's An American Tragedy (based on the Theodore Dreiser novel), which had its world premiere at the Metropolitan Opera in the 2006–07 season.

2011

He assumed the role of Lord Krishna in the Met Opera premiere of Philip Glass's opera Satyagraha – a performance he recreated for the Met's Live in HD international broadcast in 2011.

He performed the role of Aye Glass’s Akhnaten at the Met, which was awarded the 2022 GRAMMY® Award for Best Opera Recording. Other modern American roles include Frank Maurrant and Olin Blitch from the classic American repertoire pieces Street Scene and Susannah, respectively.

2019

Highlights of recent seasons include celebrating his silver anniversary with the Met in 2019-20; role debuts as Pistola in Falstaff and as Foltz in Die Meistersinger von Nürnberg at the Met, along with a return in 2021-22 to the role of Aye in the sensational, Grammy Award-winning Met production of Akhnaten; Tosca at the prestigious [https://operawire.com/yannick-nezet-seguin-to-lead-staged-tosca-at-bravo-vail-music-festival-in-2019/ Bravo!

Vail Festival]; the bass soloist part in Beethoven’s Ninth Symphony with the New Jersey Choral Society; a return to his touchstone role of Leporello in Don Giovanni at Chautauqua Opera; and his Opera Maine debut as Daland in Der fliegende Holländer in July 2022.

He grew up in Brooklyn, New York, with his three siblings, all of whom have followed artistic pursuits, and spent his high school years in Colorado.

He attended the University of Southern California and graduated with a Bachelor of Music degree in vocal performance.

His sister is the actress Didi Conn.

After his graduation from college, Bernstein joined the Los Angeles Opera's Resident Artist Program.