Age, Biography and Wiki

Yvonne Koolmatrie was born on 1944 in Wudinna, South Australia, is an Australian artist (born 1944). Discover Yvonne Koolmatrie's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 80 years old?

Popular As N/A
Occupation N/A
Age 80 years old
Zodiac Sign
Born 1944, 1944
Birthday 1944
Birthplace Wudinna, South Australia
Nationality Australia

We recommend you to check the complete list of Famous People born on 1944. She is a member of famous artist with the age 80 years old group.

Yvonne Koolmatrie Height, Weight & Measurements

At 80 years old, Yvonne Koolmatrie height not available right now. We will update Yvonne Koolmatrie's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
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Yvonne Koolmatrie Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Yvonne Koolmatrie worth at the age of 80 years old? Yvonne Koolmatrie’s income source is mostly from being a successful artist. She is from Australia. We have estimated Yvonne Koolmatrie's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income artist

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Timeline

1942

Koolmatrie work is influenced by Janet Watson's woven works monoplane (1942) and bi-plane (1942) in the South Australia Museum, Watson is an Australian indigenous woman who learn't weaving from her family.

Her works are included in many major galleries including the National Museum of Ethnology in Osaka, Japan; South Australian Museum; National Museum of Australia; Art Gallery of Western Australia; National Gallery of Victoria; and National Gallery of Australia.

1944

Yvonne Koolmatrie (born 1944) is an Australian artist and weaver of the Ngarrindjeri people, working in South Australia.

Koolmatrie was born in Wudinna, Eyre Peninsula, South Australia.

Her father was a Kokatha man, Joseph Roberts, and her mother Margaret was a Ngarrindjeri / Ramindjeri woman from the Coorong.

Koolmatrie grew up in Meningie and the Coorong region, later moving to the Riverland town, Berri.

1980

Koolmatrie learned her craft in the early 1980s from elder and weaver, Dorothy Kartinyeri.

Their coiled bundle technique uses local spiny-headed sedge (Cyperus gymnocaulos), known to the artist as bilbili and river rushes, and Koolmatrie is credited with saving the traditional Ngarrindjeri craft.

Koolmatrie is defiant in using her practice to dismantle the colonial myth that Ngarrindjeri culture and weaving practices are extinct.

Her work stands as a testimony that the practice is alive and continuing.

Her weavings include eel traps, turtles, mats, bowls and models of biplanes.

She was excited by the potential offered by woven sedge grass and this was seen, by Stephen Gilchrist as having "freed her imagination to breathe life into the fantastic woven articulations that are now her trademark".

1993

Since 1993, it has awarded a Red Ochre Award.

It is presented to an outstanding Indigenous Australian (Aboriginal Australian or Torres Strait Islander) artist for lifetime achievement.

1997

In 1997, she was selected to represent Australia at the 47th Venice Biennale with Judy Watson and Emily Kame Kngwarreye.

2012

River Dreaming (2012) was previously acquired by the National Gallery of Australia in 2016.

The Australia Council for the Arts is the arts funding and advisory body for the Government of Australia.

2016

In 2016 she was awarded the Red Ochre Award, peer-assessed recognition.

2017

In 2017, Koolmatrie was represented in the third national Indigenous Art Triennial, Defying Empire, four of her woven works were included.