Age, Biography and Wiki

Yvonne Andersen was born on 7 September, 1932 in Long Beach, California, is an American film director. Discover Yvonne Andersen's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 91 years old?

Popular As N/A
Occupation Filmmaker, teacher, author
Age 91 years old
Zodiac Sign Virgo
Born 7 September, 1932
Birthday 7 September
Birthplace Long Beach, California
Nationality United States

We recommend you to check the complete list of Famous People born on 7 September. She is a member of famous film with the age 91 years old group.

Yvonne Andersen Height, Weight & Measurements

At 91 years old, Yvonne Andersen height not available right now. We will update Yvonne Andersen's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
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Yvonne Andersen Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Yvonne Andersen worth at the age of 91 years old? Yvonne Andersen’s income source is mostly from being a successful film. She is from United States. We have estimated Yvonne Andersen's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income film

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Timeline

1932

Yvonne Andersen (born September 7, 1932) is an American animated filmmaker, author, and teacher.

She is most well known for co-creating the Yellow Ball Workshop with her husband, Dominic Falcone.

The Yellow Ball Workshop was a school for both children and adults to learn about animation.

Andersen and her husband produced many of the films created by their students.

Following the Yellow Ball Workshop, Andersen taught at the Rhode Island School of Design.

Andersen was a strong believer in the potential of children.

She said that children would innovate the fields they entered, so it was important to encourage and support them.

Amy Kravitz, a former student of Andersen, stated: "When I was a child in her class, one of the most important things Yvonne did was take me seriously. She took all of us seriously."

Andersen shot her animated films on 16 mm film and used "pixillation, cutouts, and puppet animation" in them.

Her films have been noted as having a "strong graphic visual style and poetic structure."

While Andersen herself created many films, much of her career involved teaching others about film-making, as well as promoting and producing their films.

Reviews of her books have described them as good for beginners and filled with useful ideas on making animated movies.

1955

The Sun Gallery was created in Provincetown, Massachusetts by Andersen and her husband in 1955 following Andersen's education.

This exhibition was open during the summer and was a place for young and up and coming artists to have their work shown.

Artists who had their work shown at The Sun Gallery include "Red Grooms, Lester Johnson, Robert and Mary Frank, Vera Williams, Tony Vevers, and Alex Katz."

The gallery ran from 1955 to 1959, during which around 100 artists were promoted.

The Yellow Ball Workshop was a place for mainly children (although all ages were welcome) to learn about the processes of making animated films, which included using the materials to create their own films.

Using the camera, synchronizing sound and picture, and animating the figures were among the skills taught at this workshop.

Andersen would always have art supplies for her children to use, and she encouraged them to invite their friends over to use them as well.

This led to children regularly coming to Andersen's home, sometimes when her own children were not there, to use these art supplies.

A group of the children expressed desire in creating a film, which led to a two-minute film using the resources they had.

Shortly after, one of the children created a script which would become The Yellow Ball Workshop's first produced film, The Amazing Colossal Man.

1963

The group worked together to create the film, and this became the basis for The Yellow Ball Workshop starting in 1963.

Between 1963 and 1980, the Yellow Ball Workshop produced more than a dozen films.

The animation program at the Rhode Island School of Design took inspiration from The Yellow Ball Workshop, and Andersen would go on to teach at this school.

1970

Make your Own Animated Movies (1970), Little, Brown and Company

Teaching Film Animation To Children (1970), Van Nostrand Reinhold

1979

Andersen was approached for a job opportunity at the Rhode Island School of Design in 1979.

She worked part-time for 5 years before becoming a full-time teacher, she taught "flat animation, stop motion and film special effects."

Later, she spent 9 years as the head of the Film and Video Department.

1991

Make Your Own Animated Movies and Video Tapes (1991), Little, Brown and Company

2002

Andersen worked at this school for a total of 23 years before retiring in 2002.