Age, Biography and Wiki
Yael Bartana was born on 22 December, 1970 in Kfar Yehezkel, Israel, is an Israeli artist, filmmaker and photographer. Discover Yael Bartana's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 53 years old?
Popular As |
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Age |
53 years old |
Zodiac Sign |
Sagittarius |
Born |
22 December, 1970 |
Birthday |
22 December |
Birthplace |
Kfar Yehezkel, Israel |
Nationality |
Israel
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We recommend you to check the complete list of Famous People born on 22 December.
She is a member of famous artist with the age 53 years old group.
Yael Bartana Height, Weight & Measurements
At 53 years old, Yael Bartana height not available right now. We will update Yael Bartana's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
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Not Available |
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Not Available |
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Not Available |
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Not Available |
Dating & Relationship status
She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.
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Parents |
Not Available |
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Not Available |
Yael Bartana Net Worth
Her net worth has been growing significantly in 2023-2024. So, how much is Yael Bartana worth at the age of 53 years old? Yael Bartana’s income source is mostly from being a successful artist. She is from Israel. We have estimated Yael Bartana's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
artist |
Yael Bartana Social Network
Timeline
Yael Bartana (יעל ברתנא; born 1970) is an Israeli artist, filmmaker and photographer, whose past works have encompassed multiple mediums, including photography, film, video, sound, and installation.
Many of her pieces feature political or feminist themes.
Bartana's works have been exhibited around the world and been part of collections at museums such as the Museum of Modern Art in New York City, the Tate Modern in London, and the Centre Pompidou in Paris.
Between 2006 and 2011, Bartana worked in Poland, creating the trilogy And Europe Will Be Stunned, which examines 19th- and 20th-century Europe as a historic homeland for Ashkenazi Jews.
This project discusses the history of Polish-Jewish relations and its influence on the contemporary Polish identity.
Her film trilogy And Europe Will Be Stunned, which discusses the relationship between Judaism and Polish identity, was shown at the Polish pavilion of the 2011 Venice Biennale.
She is based in Amsterdam, Berlin, and Tel Aviv.
Bartana's video art has been characterized as "challenging customary categorisations that either pin artists to their country of origin, or see them as participating in an international, increasingly globalised art scene".
Her practice has also been described as engrained in the cultural landscape of Israel.
"Thus, even though strongly resonating contemporary mobility, Bartana’s oeuvre, like that of many of her peers, is more migratory than global", showing that her work is representative of "difference in transition rather than universal sameness".
The trilogy represented Poland in the 54th Venice Biennale, 2011, where she was the first non-Polish citizen to represent Poland.
It was acquired in the permanent collection by the Solomon R. Guggenheim Foundation and the Tel Aviv Museum of Art.
In recent years, Bartana has increasingly staged her films, and proposed utopic narratives for new chapters of history.
Examples include What If Women Ruled the World? (2017), a live performance in which women politicians and professionals meet with a group of actresses playing the representatives of a fictional nation to come up with solutions to stop the approaching Doomsday.
In 2019, The Guardian named Bartana's And Europe Will Be Stunned as one of "the best art of the 21st century".