Age, Biography and Wiki

Winston Marshall (Winston Aubrey Aladar deBalkan Marshall) was born on 20 December, 1987 in Wandsworth, London, England, is a British musician (born 1987). Discover Winston Marshall's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 36 years old?

Popular As Winston Aubrey Aladar deBalkan Marshall
Occupation Musician songwriter podcaster
Age 36 years old
Zodiac Sign Sagittarius
Born 20 December, 1987
Birthday 20 December
Birthplace Wandsworth, London, England
Nationality London, England

We recommend you to check the complete list of Famous People born on 20 December. He is a member of famous Musician with the age 36 years old group.

Winston Marshall Height, Weight & Measurements

At 36 years old, Winston Marshall height not available right now. We will update Winston Marshall's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Who Is Winston Marshall's Wife?

His wife is Dianna Agron (m. 2016-2020)

Family
Parents Not Available
Wife Dianna Agron (m. 2016-2020)
Sibling Not Available
Children Not Available

Winston Marshall Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Winston Marshall worth at the age of 36 years old? Winston Marshall’s income source is mostly from being a successful Musician. He is from London, England. We have estimated Winston Marshall's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Musician

Winston Marshall Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia Winston Marshall Wikipedia
Imdb

Timeline

1987

Winston Aubrey Aladar deBalkan Marshall (born 20 December 1987) is a British musician.

He is best known as the former banjoist and lead guitarist of the folk rock band Mumford & Sons.

Prior to this he was in the bluegrass sleaze rap group Captain Kick and the Cowboy Ramblers.

With Mumford & Sons, Marshall won multiple awards, including a Grammy and two Brit Awards.

He has performed music with different supergroups and collaborated with Baaba Maal and HVOB.

After leaving Mumford & Sons, Marshall started an interview podcast with The Spectator.

Winston Aubrey Aladar deBalkan Marshall was born in Wandsworth, London, on 20 December 1987, to Sir Paul Marshall, a British tycoon and co-founder of the Marshall Wace hedge fund, and Sabina de Balkany, from a genteel European Jewish family.

He has a sister, singer/songwriter Giovanna.

His mother is French, and his maternal grandmother was property tycoon Molly de Balkany, one of the first female property developers in France; Marshall's maternal great-uncle was the billionaire developer and collector Robert Zellinger de Balkany.

Through Robert's marriages, Marshall's great-aunts include Genevieve François-Poncet, daughter of André François-Poncet, and Princess Maria Gabriella of Savoy.

Molly and Robert were the children of Hungarian-Romanian businessman Aladar Zellinger, with the family relocating to France after World War II; they added "de Balkany" to the name upon arrival in France.

Marshall has said that thirteen members of his family "were murdered in [...] the Holocaust", and that his maternal grandmother was a survivor.

Marshall was educated at St Paul's School, an independent school in London.

2000

In the early 2000s, Marshall was in a bluegrass sleaze rap band called Captain Kick and the Cowboy Ramblers, who had songs such as "Jesse the Gay" and "Country London".

Marshall was credited as "Country Winston Driftwood" and played the banjo, guitar, dobro, mandolin, and harmonica.

With Captain Kick and the Cowboy Ramblers, Marshall ran a jam night "for teenagers who wanted to drink and play music" at Bosun's Locker, a tiny music club beneath a pasty shop on the King's Road in Fulham.

The jam nights attracted a number of musicians who had an affinity for earthy acoustic music, including Noah and the Whale and Laura Marling.

2005

The first Mumford & Sons performances took place in 2005 at Marshall's Bosun's Locker jam nights as informal performances of the musicians "like a hoedown".

Mumford began performing here, and was joined by Marshall as well as other musician friends with whom he had previously performed, including Ben Lovett and Ted Dwane.

As well as together, Dwane, Marshall, and Mumford all performed with Marling's band during the jam sessions.

Mumford said that "eventually, Ted [Dwane], Ben [Lovett], and Winston [Marshall] stuck. It wasn't until [they] started writing songs together that [they] realized this was an actual band and not just a singer/songwriter with a couple of mates."

Marshall played the banjo, guitars, dobro, and provided backing vocals, for the group, and was often identified as the comic relief of the line-up.

2007

The group Mumford & Sons came together in December 2007 after its four members had already been performing together in various configurations.

Co-founder Mumford started songwriting after seeing Marshall's band Captain Kick, and other similar artists, perform while Mumford was at university in Edinburgh; Mumford was struggling at the time and found Marshall's music "a glimpse of salvation", especially as Marshall encouraged him to join them on-stage.

2008

The band performed at Glastonbury Festival in 2008 and released their debut EP later the same year.

Marshall and Mumford took jobs in the antique shop run by Marshall's mother in order to save money to produce and record music with Mumford & Sons.

They toured with Marling and Johnny Flynn from 2008 to 2009; Marshall was nervous to perform in the United States, knowing that banjo is more common there than in the United Kingdom and their audience would know if he was good or not.

2009

In 2009, they cut their tour songs as their first album.

2010

In 2010, The Guardian wrote that "there's [nothing] inherently wrong with musicians being privately educated. It's just a bit grating when one of them insists on going by the name "Country" Winston Marshall".

Marshall began playing guitar aged thirteen and started a ZZ Top cover group called Gobbler's Knob.

2011

The album, Sigh No More, on which Marshall is credited as "Country Winston", was released that year along with the single "Little Lion Man"; written by Mumford, the song was nominated at the 2011 Grammy Awards as Best Rock Song.

The band was nominated for the Grammy for Best New Artist, and performed at the ceremony with Bob Dylan and the Avett Brothers.

Sigh No More won the Brit Award for British Album of the Year in 2011.

The album was influenced by the music of Fleet Foxes, the Avett Brothers, Kings of Leon and Gomez; for Pitchfork, Stephen Deusner wrote that the band made this clear by pushing their musical references "with a salesman's insistence."

It was released to minimal attention but steadily garnered more positive reviews, and while Deusner criticized the album as derivative, he was impressed that "there are some unexpected textures, mostly courtesy of some guy calling himself Country Winston playing banjo and dobro."

2013

While the other members of Mumford & Sons were influenced by jazz, Marshall described the genre in 2013 as "the lowest form of art".

He was inspired to play banjo after seeing O Brother, Where Art Thou?, switching to folk music and wearing his hair in dreadlocks.

Referring to his youth exploits, he saw himself as a trustafarian, and chose not to attend university in order to play music.

Marshall and future bandmate Marcus Mumford met as teenagers at church, playing worship music at a church group together and in a worship band, with Mumford saying Marshall is "magnetic to be around".

Marshall, a multi-instrumentalist, has said that he chose to focus on banjo over guitar because there were fewer banjoists and so it was easier for him to get session jobs.