Age, Biography and Wiki

Wim Vandekeybus was born on 30 June, 1963 in Herenthout, Belgium, is an A belgian male dancer. Discover Wim Vandekeybus's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 60 years old?

Popular As N/A
Occupation N/A
Age 60 years old
Zodiac Sign Cancer
Born 30 June, 1963
Birthday 30 June
Birthplace Herenthout, Belgium
Nationality Belgium

We recommend you to check the complete list of Famous People born on 30 June. He is a member of famous dancer with the age 60 years old group.

Wim Vandekeybus Height, Weight & Measurements

At 60 years old, Wim Vandekeybus height not available right now. We will update Wim Vandekeybus's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Fernando Vandekeybus, Iago Vandekeybus

Wim Vandekeybus Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Wim Vandekeybus worth at the age of 60 years old? Wim Vandekeybus’s income source is mostly from being a successful dancer. He is from Belgium. We have estimated Wim Vandekeybus's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income dancer

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Timeline

1963

Wim Vandekeybus (Herenthout, 30 June 1963) is a Belgian choreographer, director and photographer.

His company Ultima Vez is located in Sint-Jans-Molenbeek (Brussels).

Together with Jan Fabre, Alain Platel and Anne Teresa De Keersmaeker, Wim Vandekeybus has been responsible for the Flemish Wave in contemporary dance in the 80's. He made over thirty international dance and theater productions and almost as many movies and video works.

After graduating high school, he briefly studied Psychology in KU Leuven in Leuven, Belgium.

But later on, however, he decided to pursue a different path.

After a workshop with Paul Peyskens he came in contact with theater.

He followed through with various dance workshops (including tango and contemporary dance) and focused on film and photography.

1985

After auditioning for Jan Fabre’s The Power of Theatrical Madness in 1985, Wim Vandekeybus spent two years travelling the world as one of the play’s two naked kings.

1986

In 1986 he withdrew to Madrid for several months with a group of novice dancers to work on his first show and to launch his company Ultima Vez.

1987

His first show What the Body Does Not Remember premiered in June 1987 at the Toneelschuur in Haarlem (the Netherlands).

The music driving the dancers was composed by Thierry De Mey and Peter Vermeersch.

1988

The performance won a Bessie Award in 1988 in New York.

1989

A residency in 1989 at the Centre National de Danse Contemporaine d'Angers resulted in Les porteuses de mauvaises nouvelles, which earned Vandekeybus a second Bessie Award.

Although Vandekeybus' signature resides first and foremost in the physical material, Ultima Vez’ early shows already reveal the rudimentary outlines of a narrative, for example in the opposition between men and women.

How people react in unfamiliar situations or marginal positions has always fascinated Vandekeybus.

He has often sought to collaborate with other artists but also to work with non-artists as well as with dancers and performers of all ages and from a range of backgrounds.

Vandekeybus’ search for novelty and innovation is a constant in his work, but throughout his very different productions he has always remained true to the idiom of movement.

Key elements of his oeuvre are tension and conflict, the body/mind dichotomy, risks and impulses as well as physicality, passion, intuition and instinct.

However, each element is tackled differently in his shows.