William R. Cumpiano

William Richard Cumpiano (born April 30, 1945) is a builder of stringed musical instruments and is known for his writing and teaching of the art of luthiery.

He has been involved in the preservation and understanding of the fading musical and musical craft traditions of his native Puerto Rico.

Cumpiano was instrumental in the development of the first feature-length documentary about the cuatro and its music, Our Cuatro: The Puerto Ricans and Stringed Instruments, Volumes 1 and 2.

Cumpiano was born into a middle-class family in San Juan, Puerto Rico.

His father was a native of the town of Rincón, Puerto Rico, and his mother from Boston, Massachusetts.

He was raised in the capital of Puerto Rico where he received his primary and secondary education.

On one occasion, Cumpiano wandered into an eatery next to his grade school which had a jukebox.

He listened to Odilio González sing a décima with a guitar and a cuatro in the background.

In Puerto Rico the type of music that Odilio González sang is known as "música jíbara", which is Puerto Rico's cultural equivalent of what in the United States is called country music.

This early experience would eventually grow into his passion for Puerto Rican traditional instruments and singing.

Cumpiano attended the University of Puerto Rico High School in Río Piedras from 1959 to 1961 and St. John's Preparatory School in Santurce from 1961 until his graduation in 1962.

He wanted to study engineering, and in 1962 he moved to Medford, Massachusetts.

There he enrolled at Tufts University where he discovered that he was more interested in studying art.

In 1964, he moved to New York City and studied industrial design at Pratt Institute.

He earned his B.Ind.D. (Bachelor of Industrial Design) in 1968, and went to work as a professional furniture designer.

Cumpiano met master guitarmaker Michael Gurian in 1969, and under Gurian's mentoring he began his training in the craft of guitarmaking.

Cumpiano left his job and went to work in Gurian's guitarmaking shop in New Hampshire.

In Gurian's guitarmaking shop he met and befriended Gurian's shop foreman, Michael Millard.

Eventually Cumpiano and Millard established a shop together named "Froggy Bottom Guitars", where Cumpiano completed his training in guitarmaking.

In 1974, Cumpiano left to establish his first private guitarmaking studio in Williamstown, Massachusetts.

During the next twenty-five years he would move his workshop to North Adams, Leeds and then to Amherst, Massachusetts.

In 1985, his interests turned to the stringed instrument traditions of his native Puerto Rico and over the years Cumpiano became an authority on the craft and traditions that surround the "national instrument" of Puerto Rico, the ten string cuatro.

He has built numerous cuatros for musicians in the United States and also has crafted cuatro variants of his own design: he developed a "seis", or six course (twelve string) cuatro that can be tuned in the same string intervals as a guitar.

He also developed the "thinline" cuatro with a body depth of only two inches instead of the traditional three.

Among his customers are Arlo Guthrie, Michael Lorimer, John Abercrombie, Country Joe MacDonald, the Todd Rundgren band, June Millington, and Joel Zoss.

Cumpiano has taught his craft for over twenty years out of his studio, in schools, during workshops and lectures and through numerous publications.

He has taught cuatro making to young Puerto Rican artisans under grants originating from the National Endowment for the Arts (NEA) through various regional arts organizations.

Cumpiano met Juan Sotomayor, a prize-winning photographer who worked on the New York Times staff.

They discovered that there was no serious effort being expended at the University of Puerto Rico to study or research the origins and history, the corpus, of the jíbaro musical and musical craft traditions.

They decided to set out to discover the story of Puerto Rico's traditional stringed instruments and later the story of Puerto Rico's traditional music.

In 1992, he co-founded "The Puerto Rican Cuatro Project" with Juan Sotomayor and Wilfredo Echevarría, an expert in media communications.

The Puerto Rican Cuatro Project is a non-profit organization dedicated to fostering the traditions that surround the national instrument of Puerto Rico, by means of gathering, promoting and preserving its cultural memories of Puerto Rican musical traditions, folkloric stringed instruments and musicians.

The Cuatro Project is also dedicated to promoting and preserving the Puerto Rican décima verse form and the traditional song as created by its greatest troubadours, living and past.

Cumpiano, who is also a founding board member and president of the Association of Stringed Instrument Artisans (ASIA), has lectured about his skills at conventions of the Guild of American Luthiers (GAL).

He has received the recognition of various institutes, among them the American Institute of Architects and the Smithsonian Institution.

He is also the co-recipient of a 1993 U.S. Patent for the compression-molded carbon fibre composite guitar soundboard.

Cumpiano co-authored, with Jonathon Natelson, the world's leading guitarmaking textbook, "GUITARMAKING: Tradition and Technology", a complete reference for the design and construction of the steel string folk guitar and the classical guitar, which has been acclaimed as the principal textbook in his field and considered by many as the Bible of guitarmaking.

In 1997, Cumpiano moved his studio to Easthampton Road in Northampton where it currently resides.

Cumpiano's career spans almost forty years of hand-crafting all sorts of fretted stringed instruments from the North American, European and Latin American traditions.

In 1998, Cumpiano and his colleagues wrote, directed and produced "Un Canto en Otra Montaña: Música Puertorriqueña en Hawaii"'' (A Song [Heard] on Another Mountain: Puerto Rican Music in Hawaii), a short-feature video documentary on the music and social history of the century-old Puerto Rican Diaspora in Hawaii.