Werner Wolf

Werner Wolf (15 March 1925 – 23 December 2019) was a German musicologist and music critic.

Born in Grüna (Lößnitz), Wolf was born in 1925 as the son of a metalworker, stocking maker or master craftsman and a seamstress.

After attending elementary school, he first completed a merchant training course in iron wholesale and attended the Wirtschaftsoberschule in Chemnitz.

From 1941 to 1945 he worked as a commercial clerk, auxiliary storekeeper and transport worker in the iron wholesale trade in the Industriestadt Chemnitz.

During this time he was supported by the composer Paul Kurzbach and his wife (a piano teacher).

He was also influenced by the Wagner tradition of the Theater Chemnitz.

In December 1944 he was called up for military service; until June 1946 he spent time in British war captivity in Munsterlager.

1945/46 he was leader and pianist of a dance band.

From 1946 to 1951 he studied piano and clarinette (Staatsexamen) at the University of Music and Theatre Leipzig; in 1951 he passed the matriculation examination there.

In addition, he was a Guest Auditor at the Institut für Musikwissenschaft der Universität Leipzig with Walter Serauky and Hellmuth Christian Wolff.

From 1951 to 1953 he studied musicology (Staatsexamen) at the University of Leipzig and in 1953 he took a final examination for the subject Musicology at the Faculty of Philosophy.

From 1953 to 1957 he was a guest auditor with Ernst Hermann Meyer and Georg Knepler at the Musicological Institute of the Humboldt University of Berlin.

From 1953 he was also an employee of the Leipziger Volkszeitung, from 1966 to 2002 he worked as a permanent freelancer, part-time lecturer in music history at the Volkshochschule and freelancer for music publishers.

He also held various teaching positions: for music history at the Faculty of Journalism as well as for opera history and for history of classical instrumental music at the Musicological Institute of the Karl Marx University Leipzig.

From 1954 to 1961 he was a member of the city council of the Cultural Association of the GDR.

From 1955 to 1958 he was chairman of the cultural commission of the Leipziger Volkszeitung.

From 1955 to 1990 he was a freelancer for the magazine Musik und Gesellschaft.

From 1958 to 1970 he was chairman of the district working group choir at the cabinet for cultural work of the district of Leipzig.

From 1958 to 1990 he belonged to the Verband der Komponisten und Musikwissenschaftler der DDR, from 1964 in the central committee and from 1968 in the district committee; in 1984 he became director of the music academy "Hans Pezold" in the district association Leipzig.

In 1966 he became a research assistant at the Institute for Musicology and Music Education at the Karl Marx University in Leipzig.

The acknowledged Wagner researcher was co-editor of Sämtlicher Briefe of the composer from 1967 to 1979.

He also presented several opera performances.

In 1968 he received his doctorate with the dissertation Richard Wagner's intellectual and artistic development until 1848: Studies on Wagner's letters, writings and works for Dr. phil. The reviewers were Georg Knepler and Richard Petzoldt.

In 1969/70 he was senior assistant at the WG Musikwissenschaft of the section Kulturwissenschaften und Germanistik.

In 1969 he received the Facultas docendi.

In 1969/70 he was head of the teaching collective Musicology and Music Education and then until 1980 head of the Department of Musicology and Music Education.

From 1970 to 1981 he was university lecturer for musicology at the Department of Musicology and Museum of Musical Instruments of Leipzig University.

From 1972 to 1990 he was a member of the Scientific Advisory Board for Musicology at the Ministry of Higher and Technical Education (East Germany) as well as a member of the Working Group for Music History of the Central Expert Commission there.

He published contributions among others to the Meyers Konversations-Lexikon.

In the year 1978 the Promotion B followed on the topic Beiträge zur Darstellung der geistigen und künstlerischen Entwicklung Richard Wagners nach 1848 (Contributions to the Representation of Richard Wagner's Spiritual and Artistic Development after 1848), the expertises were taken over by Walther Siegmund-Schultze, Ernst Hermann Meyer, Udo Klement and Gustav Seeber.

From 1979 to 1981 he held a teaching position for music history at the Theaterhochschule "Hans Otto" Leipzig.

In 1981 he was appointed professor at the Leipzig University.

In 1981 he became associate professor for musicology.

His main research interests were musicology, especially music history, the history of music theatre and instrumental music.

He gave special lectures on Wolfgang Amadeus Mozart, Ludwig van Beethoven, Franz Schubert, Richard Wagner, Johannes Brahms, Béla Bartók, Sergei Prokofiev, Karl Amadeus Hartmann, Dmitri Shostakovich and Hans Werner Henze.

From 1985 to 1990 he was head of the musicology section of the Department of Musicology and Music Education.

In 1989/90 he was a lecturer for music history at the Hochschule für Musik "Felix Mendelssohn Bartholdy" Leipzig; from 1996 to 2000 he took over the special seminar ''Aufführungspraxis und Interpretation der Musik des 19.

In 1990 he retired when he reached the age limit.

Among his students were among others Hella Bartnig, Renate Herklotz, Allmuth Behrendt and Ingolf Huhn.

Jahrhunderts'' (Performance practice and interpretation of 19th century music).