Age, Biography and Wiki

Warren Cann was born on 20 May, 1950 in Victoria, Canada, is a Canadian drummer, drum machine programmer and songwriter. Discover Warren Cann's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 73 years old?

Popular As N/A
Occupation N/A
Age 73 years old
Zodiac Sign Taurus
Born 20 May, 1950
Birthday 20 May
Birthplace Victoria, Canada
Nationality Canada

We recommend you to check the complete list of Famous People born on 20 May. He is a member of famous drummer with the age 73 years old group.

Warren Cann Height, Weight & Measurements

At 73 years old, Warren Cann height not available right now. We will update Warren Cann's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
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Warren Cann Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Warren Cann worth at the age of 73 years old? Warren Cann’s income source is mostly from being a successful drummer. He is from Canada. We have estimated Warren Cann's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income drummer

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Timeline

1950

Warren Reginald Cann (born 20 May 1950 in Victoria, British Columbia, Canada) is a Canadian drummer, drum machine programmer and songwriter, best known as a founding member of the British new wave band Ultravox, for which he was one of the main songwriters.

The son of two British immigrants, he began to be interested in electronics while he was at school.

1972

After playing in bands in Vancouver, he came to Britain in 1972, where he found a more creative environment.

He established himself in London, where he formed his first band, along with Huw Lloyd-Langton, future Hawkwind member, on guitar and Rob Rawlinson, later in Overnight Angels, on bass.

Shortly thereafter, Cann contacted John Foxx, who invited Cann to join his fledgling band Tiger Lily with bassist Chris Cross and guitarist Stevie Shears.

1975

The band recorded sole single "Ain't Misbehavin'", which was released in 1975 and used as a main theme to the namesake softcore porno film.

1976

In 1976, Tiger Lily changed its name to Ultravox!, and later in 1978 to Ultravox.

1977

Cann played on the first albums released by Island Records, Ultravox! (1977), Ha! Ha! Ha! (both 1977) and Systems of Romance (1978).

After a tour of United States and Canada the band fragmented because of the departure of vocalist John Foxx and guitarist Robin Simon.

1979

Ultravox replaced them with singer/guitarist Midge Ure in Summer 1979.

1980

Ure-led Ultravox signed to Chrysalis in 1980 and went on to have a commercial success worldwide.

Cann, having a primary role as a songwriter along with Currie, contributed lyrics to 2/3 of the first Ure-led album "Vienna", sang backing vocals, co-lead and lead on some Ultravox songs: "Mr. X" (1980), "Paths and Angles" (1981), "We Came to Dance" (1982) and "Break Your Back" (1983).

He remained active outside the band during Ultravox success.

1982

In 1982 he played acoustic and electronic percussion for Zaine Griff (album "Figvres") and Peter Godwin (single "Images of Heaven").

He and Hans Zimmer were a part of the backing band for a New Romantic singer Ronny on her London show in The Dominion.

Ronny also participated in the Helden project, formed by Cann and Zimmer that year, which merged electronic, orchestral and classical influences.

1983

Helden were the first music project to play The London Planetarium in March 1983.

They released a single "Holding on" (1983) and recorded an album called "Spies" which featured many guests (Zaine Griff, Eddie Maelov from Eddie & Sunshine, Brian Robertson from Thin Lizzy etc.).

It remains unreleased.

1984

In September 1984 Cann and Zimmer performed as guests (on drums and keyboards, respectively) on a concert by the Spanish band Mecano.

1985

Two songs from that show were released in 1985 on LP "En Concierto".

Also in 1985 Cann produced a single for the eccentric singer Duffo, "Gonna Send the Boys Around", and took part in the Doctor Who charity single "Doctor in Distress".

1986

Cann was ousted from the band in 1986, after disagreements arose with other band members who started to consider him a problem for the progress of the band.

Cann wanted a fully programmed percussion sound while the others preferred a "back-to-basics" approach.

In his autobiography, Midge Ure later commented that in retrospect he considered the firing unjust, unwarranted, and a result of misplaced tensions, describing Cann's dismissal as "cutting the band's jugular vein".

Following his departure from Ultravox Cann recorded a solo demo which was turned down by Chrysalis Records.

He did session work for other artists, including 7000 Danses by Indochine, appeared on several television shows with Kim Wilde and produced demos for aspiring bands.

He joined a band called The Sons of Valentino, and then played guitar and keyboards with The Huw Lloyd-Langton Group.

He later moved to Los Angeles to pursue a future in film scoring.

1998

Cann made the music to Deadly Currency (1998), as well as writing for music technology magazines such as Sound on Sound.

While his adventures in Los Angeles were undeniably interesting and occasionally exciting, he decided to walk away from the music and entertainment businesses.

2008

Cann rejoined Ultravox over two decades later in 2008, which reunited the classic lineup last seen at Live Aid in 1985.

2009

In April 2009 the band toured with "Return to Eden".

2012

In May 2012 the first studio album in 28 years by this lineup was released with the title Brilliant.

Cann and his technicians were among the first to modify commercially available rhythm units or drum machines, so they could alter and override the preset manufacturer programs.

This is notable on "Hiroshima Mon Amour", from the album Ha!-Ha!-Ha!.

When Ultravox were recording Vienna, Cann's electronic ventures would become important for the Ultravox sound.

The acquisition of a Roland CR-78 proved something of a headache for Cann, as he saw great sonic potential in it, but it had limited pattern programmability.

In the process of adding some much needed practical customisations to the CR-78, Cann became somewhat persona non grata at the Roland headquarters in the UK.

This did not stop Cann from carrying out his plans, and the result proved to be a key factor in the overall sound of their signature hit song "Vienna".