Age, Biography and Wiki
Wally Shoup was born on 1944 in North Carolina, US, is an A 21st-century american male musician. Discover Wally Shoup's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 80 years old?
Popular As |
N/A |
Occupation |
musician, painter |
Age |
80 years old |
Zodiac Sign |
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Born |
1944, 1944 |
Birthday |
1944 |
Birthplace |
North Carolina, US |
Date of death |
March 5, 2024 |
Died Place |
Seattle, US |
Nationality |
United States
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We recommend you to check the complete list of Famous People born on 1944.
He is a member of famous artist with the age 80 years old group.
Wally Shoup Height, Weight & Measurements
At 80 years old, Wally Shoup height not available right now. We will update Wally Shoup's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
Physical Status |
Height |
Not Available |
Weight |
Not Available |
Body Measurements |
Not Available |
Eye Color |
Not Available |
Hair Color |
Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
Family |
Parents |
Not Available |
Wife |
Not Available |
Sibling |
Not Available |
Children |
Not Available |
Wally Shoup Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Wally Shoup worth at the age of 80 years old? Wally Shoup’s income source is mostly from being a successful artist. He is from United States. We have estimated Wally Shoup's net worth, money, salary, income, and assets.
Net Worth in 2024 |
$1 Million - $5 Million |
Salary in 2024 |
Under Review |
Net Worth in 2023 |
Pending |
Salary in 2023 |
Under Review |
House |
Not Available |
Cars |
Not Available |
Source of Income |
artist |
Wally Shoup Social Network
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Timeline
Wally Shoup (1944-2024 ) was an American jazz alto saxophonist, painter, and author.
He moved to Atlanta, Georgia, in the late 1960s, then to Colorado in 1970, where he lived in Manitou Springs and later Colorado Springs.
By his own account, Shoup "grew up listening to black music in the South, the blues and jazz and R&B," was "introduced to free jazz in the late '60s… in Atlanta".
Although his "voice is definitely influenced by African-American music" he "kind of felt like free jazz was the domain of black musicians."
Hearing Britain's Music Improvisation Company, "he simultaneously discovered free improvisation and his calling as a musician."
In 1975 he became an active organizer, deejay, and player of music merging free jazz, free improvisation, and noise.
After deciding he was ready to play the saxophone as a performer, he formed his first trio, in Colorado, with Ross Rabin and Keith Gardner, incorporating contact microphones on metal objects to create "noisescapes."
He released his first album, Scree-Run Waltz in 1981.
In 1983 he moved to Birmingham, Alabama, where he performed with Trans Duo (Davey Williams and LaDonna Smith), wrote for the Improvisor magazine, and worked with dancer Mary Horn, with whom he toured European in 1985, after which he moved to Seattle.
Shortly after arriving in Seattle, Shoup became an early organizer of that city's Improvised Music Festival, which began that year, and which became the United States' longest-running improvised music festival.
Among the groups he performed with there were the New Art Orchestra and Catabatics.
Based in Seattle, Washington since 1985, Shoup was a mainstay of that city's improvised music scene.
Seattle Metropolitan named him one of the 50 most influential musicians in that city's history.
Born in North Carolina and raised in Charlotte, Shoup initially worked as a schoolteacher.
In 1994 he and cellist Brent Arnold formed Project W, who would eventually open for Sonic Youth in Seattle in 1998.
Writing in 1999, Andrew Bartlett described this as "Shoup's most vaunted ensemble… whose debut CD of the same name on the Apraxia label has become the stuff of legend."
Bartlett singled out their emphasis on relatively short pieces as unusual for free improvisors.
Shoup formed the Wally Shoup Trio in 2001 with bassist Reuben Radding and drummer Bob Rees.
"It wasn't jazz-based," he would say in 2003." They were trying to find some new ways of improvising. I realized that was the kind of music I wanted to know about, and the only way I could know more about it was by playing it."
While in Colorado, Shoup had a three-hour weekly show on KRCC, the Colorado College radio station, where by Jason Heller's account (2003) he played jazz and experimental music from his own extensive collection, and "began using the studio itself as an instrument, manipulating multiple turntables and mixing in guest musicians who would improvise over the records…" Describing a band he organized during this period, the Creative Music Ensemble (active circa 1973–74), Shoup later said, "I was still developing some chops on the sax, so I wasn't a player yet; I was just the instigator. I had them play a number of gigs, and it just outraged and pissed people off. … People didn't know what to make of it. It was kind of like Mahavishnu meets Merzbow or something."
Speaking of his work in 2003, Shoup said, "I'm not quite as abstract as I used to be. On my new stuff, I'll play motifs and melodies and occasionally even a tune … I see noise as just another element to play with, just another texture or color or detail."
Other projects included Spider Trio (with Jeffery Taylor and Dave Abramson) and the Wally Shoup Quartet (with Gust Burns, Bob Rees and Paul Kikuchi).
Shoup performed are the Vancouver Jazz Festival (Vancouver, B.C.), Earshot Jazz Festival (Seattle), Le Weekend (Scotland), Birmingham Improvised Music Festival (Birmingham, Alabama), Seattle Improvised Music Festival and Open-Circuit Interact (Belgium).
He also made two recordings with Nels Cline of Wilco: Immolation/Immersion (CD, 2005) and Suite: Bittersweet (LP, 2007), both on Strange Attractors Audio House.
In 2007 he received a City of Seattle Arts grant in to work on improvised music, and in 2009 Seattle Metropolitan Magazine named him one of the 50 most influential musicians in that city's history.
In 2010 he participated in and helped organize the 25th anniversary Seattle Improvised Music Festival.