Age, Biography and Wiki
Vytautas Tomaševičius was born on 1972 in Vilnius, Lithuania, is a Vytautas Tomaševičius is painter. Discover Vytautas Tomaševičius's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 52 years old?
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| Age |
52 years old |
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1972, 1972 |
| Birthday |
1972 |
| Birthplace |
Vilnius, Lithuania |
| Nationality |
Lithuania
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We recommend you to check the complete list of Famous People born on 1972.
He is a member of famous painter with the age 52 years old group.
Vytautas Tomaševičius Height, Weight & Measurements
At 52 years old, Vytautas Tomaševičius height not available right now. We will update Vytautas Tomaševičius's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
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Not Available |
Dating & Relationship status
He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.
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Not Available |
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Not Available |
Vytautas Tomaševičius Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Vytautas Tomaševičius worth at the age of 52 years old? Vytautas Tomaševičius’s income source is mostly from being a successful painter. He is from Lithuania. We have estimated Vytautas Tomaševičius's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
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Not Available |
| Source of Income |
painter |
Vytautas Tomaševičius Social Network
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Timeline
Vytautas Tomaševičius (born 1972) is a Lithuanian painter, creating work in Vilnius since the late 1990s.
His distinctive style combines a graphite and painted image with an enlarged laser-printed graphic transferred to the painting surface.
Tomaševičius was born in Vilnius, Lithuania, in 1972, to a Lithuanian mother and Polish father.
He graduated in 1989 from Vilnius J. Vienožinskis Art School, and in 1998 from the Vilnius Academy of Arts, majoring in painting and theatre set design.
He lives and works in Vilnius.
Since 1995 Tomaševičius has worked as a set designer for international film and TV projects.
His work included creating sets and costumes for the 1998 Lithuanian film Park Integrity, directed by Dalia Jakubauskaitė, and sets for the 2001 Werner Herzog film Invincible.
More recently, he has devoted himself solely to painting.
Since 2003 Tomaševičius has held over 20 solo exhibitions in Lithuania, Denmark, and Sweden, and participated in over 50 exhibitions in Lithuania, Denmark, Germany, Switzerland, Sweden, Russia, Italy, and Japan.
His first solo exhibition in Lithuania was in ARTima Gallery, Vilnius, in 2007.
Currently he collaborates with the galleries VanLoon en Simons (Netherlands) and Galleri Svanlunda (Malmö).
In 2008 Tomaševičius was awarded First Place prize at the Baltic Art Biennial in Saint Petersburg; in competition were 100 artists from the 10 Baltic countries.
The five winners were Tomaševičius, fellow Lithuanian Aleksandras Vozbinas, and three other artists from Estonia and Finland.
In 2010 he won a scholarship from the Lithuanian Ministry of Culture and in 2018 one from the Lithuanian Cultural Council.
In 2019 he became the first Lithuanian artist to win the Excellence Award in the Tokyo Art Olympia Biennale.
In 2019 he won an Excellence Award in the Open Category at the third Art Olympia Biennale in Tokyo, with his work A Still Life with Two Objects (2016).
More than 5,000 works by nearly 1,800 artists from 100 countries were submitted, of which 270 were selected by an international jury, and only 30 received an Excellence Award.
Tomaševičius is the first Lithuanian artist to be awarded this honour.
Tomaševičius's practice currently is a combination of painting and printmaking: a detailed pencil and painted image is overlaid with abstract monochrome patterns, a technique he calls "digital impressionism".
The patterns are made from drawings scanned, enlarged, laser-printed, and transferred to the painting's surface.
