Victor Sen Yung

Achieving both film and TV notice during his lengthy career, this diminutive Asian-American character was born Victor Cheung Young on October 18, 1915 in San Francisco to Chinese emigrants.

When his mother died during the influenza epidemic of 1918-19, his father placed Victor and his sister in a children's shelter and returned to China, returning to the USA in the mid-1920s, having remarried. The two children were released back to his guardianship, and began learning Chinese. To contribute to the family income, young Sen Yew was employed as a houseboy at age 11 and managed to earn his way through college at the University of California at Berkeley with an interest in animal husbandry and receiving a degree in economics.

Remembered as "No. 2 Son," Jimmy Chan, in Sidney Toler's Charlie Chan movies of the 1930s and '40s.

Following a move to Hollywood for some post graduate work at UCLA and USC, Victor gained an entrance into films via extra work, where he was in such roles as a peasant boy in The Good Earth (1937), and a soldier in Mr.

Moto Takes a Chance (1938), among others. During this early period he also worked as a salesman for a chemical firm. In one of Hollywood's more interesting tales of being "discovered", the story goes that Victor (as he would become known) was on the 20th Century-Fox studio lot at the time trying to pitch one of his company's flame retardant compounds to industry techies when one of them suggested he check out casting. The original actor who had played Charlie Chan, Warner Oland, died and the series was undergoing a major casting overhaul.

In the end, Sidney Toler, received cast approval, chose the fledgling actor following a screen test to play his #2 son, Jimmy Chan, for the film Charlie Chan in Honolulu (1938). Victor went on to play the role for seventeen other "Charlie Chan" features. Needless, to say he quit the sales business for good. Victor enjoyed playing Jimmy, the earnest rookie detective who, to his chagrin, was always under the watchful eye of his famous father while trying to help solve murder cases. Outside the role, however, Victor (billed variously as Sen Yung, Victor Yung, and Victor Sen Yung at different times) found the atmosphere oppressive.

Usually cast in nothing-special Asian stereotypes, sometimes villainous, in war-era films, parts in such movies as The Letter (1940) starring Bette Davis, Secret Agent of Japan (1942), Little Tokyo, U. S. A.

(1942), Moontide (1942), Across the Pacific (1942), Manila Calling (1942), China (1943) and Night Plane from Chungking (1943), did little to advance his stature in Hollywood. His career was interrupted for U. S. Air Force duty as a Captain of Intelligence during WWII. His part in the Chan pictures was taken over by actor Benson Fong. Victor was able to pick up where he left off in Hollywood following the war and returned to his famous role as #2 son.

The character's name, however, was eventually changed from "Jimmy" to "Tommy" after a third installment of Charlie Chan pictures were filmed with Roland Winters now the title sleuth after the death of Toler in 1947. While Victor's workload was fairly steady, again the roles themselves were meager and hardly inspiring. Most were in "B" level crime mysteries and war pictures and many were uncredited roles.

Reduced often to playing middle-age servile roles (houseboys, laundrymen, valets, clerks, dock workers and waiters), some of his slightly more prominent roles include those in Woman on the Run (1950), Forbidden (1953), Target Hong Kong (1953), and Trader Tom of the China Seas (1954).

On the John Forsythe series, Bachelor Father (1957), he showed up as "Peter Fong" on the final season of the sitcom. He played the cousin to houseboy Sammee Tong's regular character.

Victor is better remembered, however, for the part of Hop Sing, the earnest, volatile cook to the Cartwright clan, provided sporadic comic relief on Bonanza (1959).

(1965).

and Hawaii Five-O (1968).

Sitcoms gave a hint of his gentle, humorous side in Here's Lucy (1968), Get Smart (1965) and Mister Ed (1958).

Married and divorced with one child, he sought work outside of acting by the mid-1970s. At one point he was giving cooking demonstrations in department stores.

He also appeared in the TV pilot and in several episodes of Kung Fu (1972), as well as popping up in dramatic episodes of Hawaiian Eye (1959), The F. B. I.

An accomplished chef who specialized in Cantonese-style cooking, in 1974, he published the 1974 Great Wok Cookbook and dedicated the book to his father, Sen Gam Yung.

His last film appearance was in The Man with Bogart's Face (1980). On TV, he appeared in two familiar recurring roles.