Vera Schwarcz

In 1860, during the Anglo-French war in China, the garden was destroyed.

Vera Schwarcz (born 1947 ) (舒衡哲) was the Freeman Professor of East Asian Studies at Wesleyan University.

Her BA was from Vassar College, with a MA from Yale, where she studied with Jonathan Spence, a MAA from Wesleyan University and a Ph.D. from Stanford University.

One hundred years later, in the 1960s, the garden served as the "oxpens," where dissident university professors were imprisoned during the Cultural Revolution.

From 1979 to 1980, she studied at Peking University as part the first group of American students admitted after the establishment of diplomatic relations between the U.S. and China.

In addition to works of history, Schwarcz writes poetry.

Born in Romania, Schwarcz has taught Chinese history at Stanford University, Wesleyan University, as well as at Hebrew University in Jerusalem, Beijing University and Centre Chine in Paris.

She served as Director of the Freeman Center for East Asian Studies and Chair of the East Asian Studies Program at Wesleyan.

Peaceful Western involvement began in 1986, when ground was broken for the Arthur Sackler Museum of Art and Archaeology.

Completed in 1993, the Museum and the Jillian Sackler Sculpture Garden stand on the same grounds today.

She is the author of eight books, including the prize-winning Bridge Across Broken Time: Chinese and Jewish Cultural Memory (Yale University Press, 1999) as well as Time for Telling Truth Is Running Out: Conversations with Zhang Shenfu (Yale, 1986); The Chinese Enlightenment (Berkeley, 1984), and Place and Memory in Singing Crane Garden (University of Pennsylvania Press, 2008).

She is also the author of numerous books of poetry including A Scoop of Light and In The Garden of Memory—a collaboration with the Prague-born Israeli artist Chava Pressburger, and Ancestral Intelligence.

Her 2008 book Place and Memory in the Singing Crane Garden centers on the problem of truth in comparative history: The Singing Crane Garden in northwest Beijing has a history dense with classical artistic vision, educational experimentation, political struggle, and tragic suffering.

Built by the Manchu prince Mianyu in the mid-nineteenth century, the garden was intended to serve as a refuge from the clutter of daily life near the Forbidden City.

Her book, Ancestral Intelligence (2013) is a collection of poems written as though rendered by dissident poet Chen Yinke.

Like his, her poems show a degradation of culture and humanity, in this case through comparison of classic and modern Chinese logographs.

Her books include:

Her articles include: