Age, Biography and Wiki

Toshimasa Suzuki was born on 1966 in Japan, is a Japanese director. Discover Toshimasa Suzuki's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 58 years old?

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Occupation Animator, director, storyboard artist
Age 58 years old
Zodiac Sign
Born 1966, 1966
Birthday 1966
Birthplace Japan
Nationality Japan

We recommend you to check the complete list of Famous People born on 1966. He is a member of famous Animator with the age 58 years old group.

Toshimasa Suzuki Height, Weight & Measurements

At 58 years old, Toshimasa Suzuki height not available right now. We will update Toshimasa Suzuki's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

Family
Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Toshimasa Suzuki Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Toshimasa Suzuki worth at the age of 58 years old? Toshimasa Suzuki’s income source is mostly from being a successful Animator. He is from Japan. We have estimated Toshimasa Suzuki's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Animator

Toshimasa Suzuki Social Network

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Timeline

Toshimasa Suzuki (鈴木 利正) is a Japanese director, animator, and storyboard artist.

1966

Suzuki was born in 1966, and he is married.

He said that he is a fan of hard sci-fi, as well as a fan of foreign sci-fi productions, which he has used for inspiration on works like Fafner in the Azure and Heroic Age.

Although a fan of watching realistic and 'muddy' depictions of emotions, he himself does not like to make realistic depictions in his works, and is instead more interested in making his works beautiful and exaggerated.

Writer Tow Ubukata commented on Suzuki's ideal of beauty by saying he was good at directing emotional scenes.

After he worked as Akiyuki Shinbo's assistant on Tsukuyomi: Moon Phase, Suzuki wanted to use some of Shinbo's visual composition techniques himself while working on Fafner: Right of Left succeeding the end of Tsukuyomis production.

Broadly, he stated that his way of creating images changed after working on Tsukuyomi.

1988

Suzuki joined Shaft around 1988 as a key animator.

1995

He joined Shaft in 1995 as an episode director and storyboard artist, and although he continues to work for Shaft, Suzuki commonly directs series with other studios, most notably with Xebec, where he made his series directorial debut with Heroic Age in 2007.

He made his debut as an episode director and storyboard artist for the studio's first original television series, Juuni Senshi Bakuretsu Eto Ranger, in 1995.

2000

His employment with Shaft continued until the early 2000s, when he decided to go freelance (he continued to work with Shaft as a freelancer).

Director Ryūtarō Nakamura's sense of light and shadows, whom Suzuki participated with on Sakura Wars (2000) as the assistant director, also had an effect on Suzuki's style.

Highlights roles with series directorial duties.

Highlights roles with assistant director or supervising duties.

Highlights roles with series directorial duties.

Highlights roles with series directorial duties.

2007

In 2007, he debuted as a series director with Xebec with Heroic Age under the supervision of Takashi Noto.

For the next few years, Suzuki focused solely on freelancing work with other studios.

He continued to do work with Xebec, directing Lagrange: The Flower of Rin-ne and Fafner in the Azure: Heaven and Earth, and started directing series outside of either Xebec or Shaft, such as The Pilot's Love Song and The Price of Smiles.

However, he remains a prominent figure at Shaft and works on most of the studio's productions.