Age, Biography and Wiki

Toni Dove was born on 1946 in United States, is an American sculptor; interactive film, installation and performance art. Discover Toni Dove's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is she in this year and how she spends money? Also learn how she earned most of networth at the age of 78 years old?

Popular As Toni Dove
Occupation N/A
Age 78 years old
Zodiac Sign
Born 1946, 1946
Birthday 1946
Birthplace N/A
Nationality United States

We recommend you to check the complete list of Famous People born on 1946. She is a member of famous sculptor with the age 78 years old group.

Toni Dove Height, Weight & Measurements

At 78 years old, Toni Dove height not available right now. We will update Toni Dove's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

She is currently single. She is not dating anyone. We don't have much information about She's past relationship and any previous engaged. According to our Database, She has no children.

Family
Parents Not Available
Husband Not Available
Sibling Not Available
Children Not Available

Toni Dove Net Worth

Her net worth has been growing significantly in 2023-2024. So, how much is Toni Dove worth at the age of 78 years old? Toni Dove’s income source is mostly from being a successful sculptor. She is from United States. We have estimated Toni Dove's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income sculptor

Toni Dove Social Network

Instagram
Linkedin
Twitter
Facebook
Wikipedia
Imdb

Timeline

Toni Dove lives and works in New York.

1942

The piece was situated at the end of a series of adult video stores and presented an alternative view of the subject matter at hand on 42nd street.

1990

Since the early 1990s, she has produced unique and highly imaginative embodied hybrids of film, installation and performance.

In her work, performers and participants interact with an unfolding narrative, using interface technologies such as motion sensing to “perform” on-screen avatars.

Dove is considered one of the pioneers of Interactive Cinema and has shown work at ZKM, the Banff Centre for the Arts, the Brooklyn Anchorage, and the Whitney Museum of American Art.

She has been affiliated with Creative Time and Harvestworks, and a DVD version of scenes from her pieces has been distributed by Cycling '74.

She is the granddaughter of American abstract painter Arthur Dove.

Dove has been working with interactive narrative since 1990.

Her work blends cinematic tropes typical of studio-age film noir with contemporary narrative trends in science fiction, cybernetics, and new media, often offering a feminist take on popular genres.

Dove refers to her work as "cyber-theatre" because it relies on virtual performers (avatars) rather than human actors and because she gives her audience partial control over the performance through the use of interactive technologies.

In these hybrids of film, installation art, and experimental theater, the participants interact with an unfolding narrative movie, often using minimally invasive interface technologies such as speech recognition and computer vision to control or 'perform' their on-screen avatars.

1994

Dove's 1994 piece entitled Casual Workers, Hallucinations and Appropriate Ghosts has been interpreted as belonging to the larger domain of radio because of its "aural evocation of high-tech street erotics".

The piece tracks a metamorphosis from a choreography based on the gestures of Charcot's "theater" of hysteria to a choreography of the female heroines of martial arts.

It is accompanied by a narrative about disturbances in the fabric of human intimacy followed by a three minute symphony constructed entirely of screams.

2001

In 2001 Toni Dove received funding from the Daniel Langlois Foundation to produce Spectropia: A Ghost Story on the Infinite Deferral of Desire, the second part in a "trilogy of narrative, interactive installations begun in 1998".

2019

The first installment, Artificial Changelings, dealt with "the emergence of compulsive consumerism in the 19th century" through a plotline centered on a heist.

For this piece, Dove used floor mats as the basis for viewer interaction with the piece: moving around shifted the visitor's point of view among three options (first, second, and third person).

Gestures made by visitors further affected how the piece was experienced.

In the second installment, Dove continued her inquiry "into the subconscious at work in the capitalist society of the early 20th century".