Age, Biography and Wiki
Tone Brulin (Antoon Maria Albert van den Eynde) was born on 11 May, 1926 in Antwerp, Belgium, is a director,writer,actor. Discover Tone Brulin's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 93 years old?
| Popular As |
Antoon Maria Albert van den Eynde |
| Occupation |
director,writer,actor |
| Age |
93 years old |
| Zodiac Sign |
Taurus |
| Born |
11 May, 1926 |
| Birthday |
11 May |
| Birthplace |
Antwerp, Belgium |
| Date of death |
15 March, 2019 |
| Died Place |
Malaysia |
| Nationality |
Belgium
|
We recommend you to check the complete list of Famous People born on 11 May.
He is a member of famous Director with the age 93 years old group.
Tone Brulin Height, Weight & Measurements
At 93 years old, Tone Brulin height not available right now. We will update Tone Brulin's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.
| Physical Status |
| Height |
Not Available |
| Weight |
Not Available |
| Body Measurements |
Not Available |
| Eye Color |
Not Available |
| Hair Color |
Not Available |
Who Is Tone Brulin's Wife?
His wife is Dora van der Groen (? - ?) ( divorced) ( 2 children)
| Family |
| Parents |
Not Available |
| Wife |
Dora van der Groen (? - ?) ( divorced) ( 2 children) |
| Sibling |
Not Available |
| Children |
Not Available |
Tone Brulin Net Worth
His net worth has been growing significantly in 2023-2024. So, how much is Tone Brulin worth at the age of 93 years old? Tone Brulin’s income source is mostly from being a successful Director. He is from Belgium. We have estimated Tone Brulin's net worth, money, salary, income, and assets.
| Net Worth in 2024 |
$1 Million - $5 Million |
| Salary in 2024 |
Under Review |
| Net Worth in 2023 |
Pending |
| Salary in 2023 |
Under Review |
| House |
Not Available |
| Cars |
Not Available |
| Source of Income |
Director |
Tone Brulin Social Network
| Instagram |
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| Linkedin |
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| Twitter |
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| Facebook |
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| Wikipedia |
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| Imdb |
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Timeline
Tone Brulin was born on May 11, 1926 in Antwerp, Belgium as Antoon Maria Albert van den Eynde.
Brulin studied scenographics at La Cambre (1943-1946) in Brussels. Its director Herman Teirlinck, successor of architect Henry Van de Velde, became Brulin's mentor.
From 1946 until 1948 Brulin studied theatre at the Studio of the National Theatre in Antwerp.
Tone Brulin was co-founder of the avant-garde literary magazines Tijd en Mens (Time and Men) (1948), with Hugo Claus and Louis-Paul Boon and Gard Sivik (1952), with the poets Hugues Pernath and Paul Snoek.
He worked intensively as a pioneer with African and Asian actors since Potopot was published in Théâtre de Belgique and in the early 1950s was staged with an actor of Sierra Leone. He published A Coons Carnival and Our Lady of the Crabs (about hunger in South America). He wrote and directed for DNA, the New Amsterdam under the leadership of Rufus Collins, once a member of the American Living Theatre (A Coon's Carnival, The Night of The Burning Apes, Mudhead).
In 1953 he founded in Antwerp the "Nederlands Kamertoneel" a professional Chamber Theatre and staged his first experimental plays.
He was a director and writer, known for Bolletje en Bonestaak (1955), Twee is te weinig, drie is te veel (1966) and Arm zonder hoofd (1955). He was married to Dora van der Groen.
He directed plays by Michel de GhelIn 1967 he was a member of the Belgian delegation of the International Theater Institute of Unesco in Warsaw and instrumental in the "discovery" of Jerzy Grotowsky, later universally recognized as a re-newer of the art of the theatre. derode in American Universities and Look back in Anger for the Kansas Missouri Theatre.
In 1970 Brulin directed Saboo, the first production of Théâtre Laboratoire Vicinal with Frédéruc Flamand (Plan K, Charleroi Danse now in Marseille) which caught the attention of Maurice Béjart.
In 1975 he founded The Theatre of the Third World, Tiedrie. Between 1975 and 1985 this company developed a multicultural repertory of African and Asian plays such as Kapai-kapai (12O performances), Ba Anansi, Charkawa Gilgamesh, The Prostitutes of Jakarta of Rendra and the Jero plays of Wole Soyenka.
In 1992, Brulin decorated the "Metro Station Bizet" in Anderlecht, Brussels.
