Age, Biography and Wiki

Thierry Michel was born on 13 October, 1952 in Charleroi, Belgium, is a Belgian film director. Discover Thierry Michel's Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is he in this year and how he spends money? Also learn how he earned most of networth at the age of 71 years old?

Popular As N/A
Occupation Film director
Age 71 years old
Zodiac Sign Libra
Born 13 October, 1952
Birthday 13 October
Birthplace Charleroi, Belgium
Nationality Belgium

We recommend you to check the complete list of Famous People born on 13 October. He is a member of famous Film director with the age 71 years old group.

Thierry Michel Height, Weight & Measurements

At 71 years old, Thierry Michel height not available right now. We will update Thierry Michel's Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
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Dating & Relationship status

He is currently single. He is not dating anyone. We don't have much information about He's past relationship and any previous engaged. According to our Database, He has no children.

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Thierry Michel Net Worth

His net worth has been growing significantly in 2023-2024. So, how much is Thierry Michel worth at the age of 71 years old? Thierry Michel’s income source is mostly from being a successful Film director. He is from Belgium. We have estimated Thierry Michel's net worth, money, salary, income, and assets.

Net Worth in 2024 $1 Million - $5 Million
Salary in 2024 Under Review
Net Worth in 2023 Pending
Salary in 2023 Under Review
House Not Available
Cars Not Available
Source of Income Film director

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Timeline

1952

Thierry Michel (born 13 October 1952) is a Belgian film director, mostly making social and political documentaries.

His office and company Les films de la passerelle is located in Liège, where he works with the producer Christine Pireaux.

Over a twenty-year period he has made a series of documentaries on different aspects of Zaire (now the Democratic Republic of the Congo).

Taken together his films provide a unique overview of the social, economic and political life of the country.

Thierry Michel was born in Charleroi in Belgium on 13 October 1952 in an industrial region called "The Black Country".

At the age of 16 he began cinema studies at the Institute of broadcast arts in Brussels.

1960

His first feature film Hiver 60 (Winter 60) which tells of the 1960–1961 Winter General Strike in Belgium was made in 1982.

1968

While there he experienced the last student upheavals of 1968.

He became one of the leaders of an emerging Walloon cinema movement.

1974

This "factional" film, combining fiction and fact, analyzes the rapid decline of the Walloon steel industry that began in 1974 and the way in which this affected the region.

1982

His 1982 Chronique d'une saison d'acier (Chronicle of a steel season) is set in the mining and steel region of his childhood.

1983

He was among the signatories of the Manifesto for Walloon culture in 1983.

1985

He again combined fiction and fact with his 1985 Hôtel Particulier (Mansion) about the prison system.

1987

He directed his second feature film Issue de Secours (Emergency Exit) in 1987, a poetic and mystical work set in the Moroccan desert.

This film was co-produced by RTBF, the Belgian radio and TV broadcaster.

1990

He depicted the street urchins and slums of Brazil in the documentaries Gosses de Rio (Kids from Rio) and À Fleur de Terre (Grass roots), both released in 1990.

His award-winning Zaïre, le cycle du serpent (Zaire, the Cycle of the Serpent) portrays the famous and the outcasts of Zairian society.

1992

It was released in 1992.

1993

In 1993 Thierry Michel made a film about a scandal that had deeply shaken Belgium: La Grâce Perdue d'Alain Van Der Biest (The fall from grace of ).

This tells a story of a senior politician who became involved in corruption and organized crime, his drinking problem and eventual suicide.

1994

He investigated charity operations in the dangerous conditions of Somalia with his 1994 Somalie, l'Humanitaire s'en va-t-en guerre (Somalia, the Humanitarian Goes to War).

1995

Thierry Michel returned to Zaire in 1995 to make a film about the legacy of colonialism and the white presence in the country 35 years after independence.

He was arrested, jailed and deported a few days after arriving and his equipment was seized.

However, he managed to complete Les Derniers Colons (The last colonials) using images from the preliminary shooting.

The same year he made a documentary on white settlers in Zaire following independence named Nostalgie post-coloniale (Post-colonial nostalgia).

1996

He returned to Africa in 1996 to make Donka, radioscopie d'un hôpital africain (Donka, fluoroscopy of an African hospital), which depicts the bleak conditions in Donka Hospital in Conakry, Guinea.

1998

In 1998 after the fall of Mobutu Sese Seko Thierry Michel made the historical journalism film Mobutu roi du Zaïre (Mobutu, King of Zaire), a Franco-Belgian co-production.

Michel watched over 950 hours of archived films to make the documentary, selecting extracts and interleaving them with interviews of many witnesses, both opponents and supporters of Mobutu.

2003

In 2003 he released Iran, sous le voile des apparences (Iran, under the veil of appearances), contrasting the religious fervor of some with the desire for freedom of others.

In the film Michel defends president Mohammad Khatami, using extracts from the president's propaganda without commentary to present his struggle for the liberty of the people.

2004

Thierry Michel returned once more to the Democratic Republic of the Congo in 2004, making a film that explores the majestic Congo River (2005) and the life it creates in Congo River, Beyond Darkness.

His first assistant in making this movie was the local director Guy Kabeya Muya.

2009

Thierry Michel made the TV documentary Katanga, la guerre du cuivre (Katanga, the copper war) in 2009, the basis for the film Katanga Business.

The film surveys the industrial and artisanal mining industry in Katanga Province.

It explores the murky dealings between the state-owned Gécamines, other mining companies and individuals like George Forrest, Chinese companies and state officials in the copper industry,

and questions who benefits from the mining operations.

2010

Michel's Métamorphose d'une gare (2010) documents the construction of the new station of Guillemins in Liège over a nine-year period.

It does not hide the problems and frictions in this huge project, but also draws out the enthusiasm and pride of the builders.

Thierry Michel became interested in ethnographic work in developing countries, particularly Africa.

2013

The film was entered into the 13th Moscow International Film Festival.